Then blackness. It lasted a full second, and in that second we all exhaled audibly in the small apartment and throughout the country. It was over-we imagined them sitting in their cells now, awaiting the execution, which would happen tomorrow or next month. Sometime.
We were wrong. The screen brightened, and the now-handheld camera moved around a sullen courtyard in what we would later learn was the Sixteenth District Third Infantry barracks. The stone walls were dirty with bird shit, and in the corner stood a man in army fatigues, clutching a Kalashnikov. Stunned, I leaned closer to the television. “Christ, that’s Gavra.”
“Noukas?” said Ferenc, not taking his eyes off the screen.
“Oh Jesus,” said Bernard. “You’re right.”
The camera jerked to the opposite corner of the courtyard, where a steel door opened up, and first Tomiak, then Ilona, stepped through, blinking in the morning light. Tomiak hummed a song I knew all too well-then stopped. Their vision cleared enough to see who else was in the courtyard, what he was carrying.
We heard Ilona Pankov’s quiet voice; the air had gone out of her. “They’re going to kill us like animals.”
They ran along the wall, hands behind their backs. A sudden, distorted sound of automatic gunfire. They jerked and seemed to trip over themselves, then fall, Ilona on top in her fur coat. The gunfire didn’t cease, and their dead bodies trembled from the impact of all the bullets.
Cut to a close-up of their faces on the ground, bodies turned over so no one could argue they weren’t truly the dead Pankovs.
The air went out of all of us, and when, after two full minutes of blackness, the tape began playing again from the beginning, I got up and turned off the television. I had trouble walking. My knees made noises. My veins ached. I managed to reach my chair again. Everyone was still staring at the blank screen.
The young man with the sideburns was the first to speak. He stood and slapped the table. “They’re dead! They’re really dead!”
From outside, through the thin glass, we heard other young men screaming out their windows. “They’re dead! They’re dead! The tyrant’s dead!”
So the young man ran to the window, ripped it open, and joined in. The young woman whose name I didn’t know leaned over her knees and started to vomit. Aliz, beside her, rubbed her back.
Bernard stood, as if he were going to join the chorus at the window, then sat again. “It’s good. Isn’t it?”
Ferenc had his face in his hands, rubbing. He didn’t answer. I nodded a moment. “It’s good. Yes.” I rubbed the cold tabletop with my palm. “This is what it had to lead to.”
Ferenc took his face out of his hands. “Yes. They had to do it. To stop the terrorists.”
“But them,” said Bernard suddenly. “They’re the ones who did it.”
I didn’t need him reminding me, nor did Ferenc. The kid with the sideburns tired of shouting. He left the window open, through which we heard whistles and car horns blaring in celebration, and returned to us, rubbing his stomach sickly. He went to the bathroom. The nameless girl had recovered, and Aliz went to the kitchen to find towels and water.
Ferenc was staring at me. I didn’t know what he was thinking, and he didn’t know what I was thinking. I was stunned, but clearheaded enough to be focused on Gavra’s presence there. Had he joined Michalec’s people? Had he turned on me? But why? It made no sense.
Ferenc said, “I didn’t know your Ministry man had it in him. I’m impressed.”
“I’m not,” I said, slowly becoming angry.
Ferenc knew what I meant. He searched his pockets for a cigarette as the noise of delirious shouts and car horns filled the room. I went over to the window and looked down. People were pouring out of their homes, whistling, shouting, kissing, and even dancing. I’d never seen anything like it in my life.
When, an hour later, we drove out of town again, we had to keep stopping for the crowds. Sarospatak had changed its mood in an instant. It looked like Mardi Gras, not Christmas, but it was Christmas, and they’d been given a gift they’d never even thought to hope for.
Ferenc and Bernard tracked down the largest Christmas tree they could find. We were never able to wrestle it into the house. That didn’t matter, though, because at around seven thirty a car appeared on a hill, its double headlights bouncing toward us. Magda noticed first, rising from the front steps and pointing. We let go of the tree and watched. Ferenc said, “It’s a Moskvich. Russian plates. Mag, get the gun.”
She ran inside; so did Bernard.
His eyes were good. It was a dark brown Moskvich 408 with Moscow plates. It parked behind the Citroen as Bernard came out clutching his Makarov. Magda followed with the Kalashnikov and handed it to her husband.
Just as I had when I first arrived, the driver rolled down his window first. “Don’t shoot!” He was a flabby- faced Russian with gray around his temples. He gave us a reassuring smile as Bernard approached, waving his pistol.
“Who’re you?” Ferenc called.
“Fyodor Malevich. Don’t shoot, now.”
“Malevich? What do you want?”
“Just to talk. To Ferenc Kolyeszar and Emil Brod.”
I looked at Ferenc, who shrugged. I said, “What about?”
The Russian said, “I come with word from Brano Oleksy Sev.”
“Well, shit,” said Bernard.
THIRTY-ONE
On a rumbling metro train manufactured in a Leningrad factory a decade before, Karel told his story of leaving me to search the Metropol. “I was terrified. Some Frenchwoman told us you’d gone in the day before but didn’t come out. I didn’t know what that meant. I even let Emil take your car.” He paused. “Sorry.”
Karel had asked everyone he met, soldiers, journalists, and hotel clerks, until he ran across two broad- chested men in wrinkled suits on the third floor. “I must’ve had‘gullible’written across my forehead. Said they were Ministry, and you were somewhere safe. They’d take me to you.” He shook his head as they arrived at the Moscow Square station, on the outskirts of the Twentieth District. “What a chump I am. Stuck me in a crappy apartment and we sat around watching revolutionary TV. You know how boring that gets after eight hours?”
Gavra smiled for the first time in days and pulled Karel up to leave the train.
“Hey,” said Karel. “Where are we going?”
“We’re leaving.”
They took the escalator up to the concrete circle of Moscow Square, full of kolach shops, cigarette kiosks, and waiting buses. The square was busy at that hour, and in the setting sun they saw thin, dark faces in cheap faux- leather jackets wandering around in a daze, most of them drunk. One grabbed on to Karel, singing, “Ol’e, ol’e, the tyrant is dead!”
Karel looked scared, so Gavra shooed the man away. He’d thought he’d have more time before they broadcast the tape. “What’s he talking about?”
“Let’s just keep going.”
“Where?”
Gavra didn’t want to tell him, not yet, because he knew what Karel’s reaction would be. Instead, he gave his friend silence and led him to a rickety bus on the edge of the square, number 86. The destination sign over the windshield, luckily, hadn’t yet been changed. They took a seat among a few passengers and waited for the driver to arrive.
Up front, two teenaged boys were with a girl who sat on one’s lap, bowing her head and kissing him lustily. The friend who wasn’t being kissed stood up, grinning, and faced the passengers. He raised a finger and in a pretty good imitation said, “I’ll only speak to the Grand National Assembly!”
A few nervous titters went through the passengers. Karel whispered to Gavra, “What’s that about?”
“Wait,” said Gavra.
The boy at the front shook violently, as if he were being filled with bullets, and fell back into the stairwell as the bus driver stepped on. The driver, a big man, caught him easily and pushed him back up. He, too, had gotten
