‘Of course…’ I watched the girl working away, wondering why the Mother Superior should think me interested in the cleaning of a fireplace. The skivvy was little more than a child, but her long, thin arms worked with a will of their own. She had scraped the massive wrought-iron grate with obsessive care, decanting the cinders into a set of transparent plastic bags. Ignoring the three nuns, she dipped a coarse brush into the bucket of soapy water and began to scrub furiously at the tiles, determined to erase the last trace of dirt. The fireplace was already blanched by the soap, as if it had been scrubbed out a dozen times.
I assumed that the child was discharging some penance repeatedly imposed by the Mother Superior. Although not wishing to interfere, I noticed that the girl’s hands and wrists showed the characteristic signs of an enzyme-sensitive eczema. In a tone of slight reproof, I remarked: ‘You might at least provide a pair of rubber gloves. Now, may I see Mile Brossard?’
Neither the nuns nor the Mother Superior made any response, but the girl looked up from the soapy tiles. I took in immediately the determined mouth in a pale but once attractive face, the hair fastened fanatically behind a gaunt neck, a toneless facial musculature from which all expression had been deliberately drained. Her eyes stared back at mine with an almost unnerving intensity, as if she had swiftly identified me and was already debating what role I might play for her.
‘Christina…’ The Mother Superior spoke gently, urging the girl from her knees. ‘Dr Charcot has come to help you.’
The girl barely nodded and returned to her scrubbing, pausing only to move the cinder-filled plastic bags out of our reach. I watched her with a professional eye, recalling the diagnosis of dermatitis, anorexia and anaemia. Christina Brossard was thin but not under-nourished, and her pallor was probably caused by all this compulsive activity within the gloomy mansion. As for her dermatitis, this was clearly of that special type caused by obsessive hand-washing.
‘Christina—,’ Sister Louise, a pleasant, round-cheeked young woman, knelt on the damp tiles. ‘My dear, do rest for a moment.’
‘No! No! No!’ The girl beat the tiles with her soapy brush. She began to wring out the floorcloth, angry hands like bundles of excited sticks. ‘There are three more grates to be done this afternoon! You told me to clean them, didn’t you, Mother?’
‘Yes, dear. It does seem to be what you most want to do.’ The Mother Superior stepped back with a defeated smile, giving way to me.
I watched Christina Brossard continue her apparently unending work. She was clearly unbalanced, but somehow selfdramatising at the same time, as if totally gripped by her compulsion but well aware of its manipulative possibilities. I was struck both by her self-pity and by the hard glance which she now and then directed at the three nuns, as if she were deliberately demeaning herself before these pleasant and caring women in order to vent her hate for them.
Giving up for the time being, I left her mopping the tiles and returned to the hall with the Mother Superior.
‘Well, Dr Charcot, we’re in your hands.’
‘I dare say — frankly, I’m not sure that this is a case for me. Tell me she spends all her time cleaning out these grates?’
‘Every day, for the past two years, at her own wish. We’ve tried to stop her, but she then relapses into her original stupor. We can only assume that it serves some important role for her. There are a dozen fireplaces in this house, each as immaculate as an operating theatre.’
‘And the cinders? The bags filled with ash? Who is lighting these fires?’
‘Christina herself, of course. She is burning her children’s books, determined for some reason to destroy everything she read as a child.’
She led me into the library. Almost the entire stock of books had been removed, and a line of stags’ heads gazed down over the empty shelves. One cabinet alone contained a short row of books.
I opened the glass cabinet. There were a few schoolgirl stories, fairy tales, and several childhood classics.
The Mother Superior stared at them sadly. ‘There were several hundred originally, but each day Christina burns a few more — under close supervision, it goes without saying, I’ve no wish to see her burn down the mansion. Be careful not to touch it, but one story alone has remained immune.’
She pointed to a large and shabby illustrated book which had been given a shelf to itself. ‘You may see, Dr Charcot, that the choice is not inappropriate — the story of Cinderella.’
As I drove back to Nice, leaving behind that strange mansion with its kindly nuns and obsessed heiress, I found myself revising my opinion of the Mother Superior. This sensible woman was right in believing that all the dermatologists in the world would be unable to free Christina Brossard from her obsession. Clearly the girl had cast herself as Cinderella, reducing herself to the level of the lowest menial. But what guilt was she trying to scrub away? Had she played a still unknown but vital role in the suicide of her father? Was the entire fantasy an unconscious attempt to free herself of her sense of guilt?
I thought of the transparent bags filled with cinders, each one the ashes of a childhood fairy tale. The correspondences were extraordinarily clear, conceived with the remorseless logic of madness. I remembered the hate in her eyes as she stared at the nuns, casting these patient and caring women in the role of the ugly sisters. There was even a wicked stepmother, the Mother Superior, whose Hospice had benefited from the deaths of this orphan’s parents.
On the other hand, where were Prince Charming, the fairy godmother and her pumpkin, the ball to be fled from at the stroke of midnight, and above all the glass slipper?
As it happened, I was given no chance to test my hypothesis. Two days later, when I telephoned the Hospice to arrange a new appointment for Christina Brossard, the Mother Superior’s secretary politely informed me that the services of the Clinic, of Prof. Derain and myself, would no longer be called upon.
‘We’re grateful to you, doctor, but the Mother Superior has decided on a new course of treatment. The distinguished psychiatrist Dr Valentina Gabor has agreed to take on the case — perhaps you know of her reputation. In fact, treatment has already begun and you will be happy to hear that Christina is making immediate progress.’
As I replaced the receiver a powerful migraine attacked my left temple. Dr Valentina Gabor — of course I knew of her, the most notorious of the new school of self-styled anti-psychiatrists, who devoted whatever time was left over from their endless television appearances to the practice of an utterly bogus psychotherapy, a fashionable blend of postpsychoanalytic jargon, moral uplift and Catholic mysticism. This last strain had presumably gained her the approval of the Mother Superior.
Whenever I saw Dr Valentina my blood began to simmer. This glamorous blonde with her reassuring patter and the eyes of a cashier was forever appearing on television talk shows, putting forward the paradoxical notion that mental illness did not exist but nonetheless was the creation of the patient’s family, friends and even, unbelievably, his doctors. Irritatingly, Dr Valentina had managed to score up a number of authenticated successes, no doubt facilitated by her recent well-publicised audience with the Pope. However, I was confident that she would receive her comeuppance. Already there had been calls within the medical profession for a discreet inquiry into her reported use of LSD and other hallucinogenic drugs.
Nonetheless, it appalled me that someone as deeply ill and as vulnerable as Christina Brossard should fall into the hands of this opportunist quack.
You can well understand, therefore, that I felt a certain satisfaction, not to say self-approval, when I received an urgent telephone call from the Mother Superior some three weeks later.
I had heard no more in the meantime of the Hospice or of Christina. Dr Valentina Gabor, however, had appeared with remorseless frequency on Radio Monte Carlo and the local television channels, spreading her unique brand of psychoanalytic mysticism, and extolling all the virtues of being ‘reborn’.
In fact, it was while watching on the late evening news an interview with Dr Gabor recorded that afternoon at Nice Airport before she flew back to Paris that I was telephoned by the Mother Superior.
‘Dr Charcot! Thank heavens you’re in! There’s been a disaster here Christina Brossard has vanished! We’re afraid she may have taken an overdose. I’ve tried to reach Dr Gabor but she has returned to Paris. Could you possibly come to the Hospice?’
I calmed her as best I could and set off. It was after midnight when I reached the sanatorium. Spotlights