Before their divorce, oddly enough, Elaine had always enjoyed their weekend expeditions from Toronto to Algonquin Park, proudly roughing the wilderness in the high-chrome luxury of their Airstream trailer, as incongruous among the pine cones and silver birch as this latter-day fragment of a neon Versailles. All the same, the sight of the bizarre nightclub hidden deep in the Cape Kennedy forests, and the curious behaviour of its tenants, convinced Sheppard that Elaine was still alive, and very probably held prisoner by Philip Martinsen. The chromium nightclub, presumably built thirty years earlier by some classically minded Disneyland executive, would appeal to the young neurosurgeon’s sense of the absurd, a suitably garish climax to the unhappy events that had brought them together in the sombre forests of the Florida peninsula.
However, Martinsen was devious enough to have picked the nightclub deliberately, part of his elaborate attempt to lure Sheppard into the open air. For weeks now he had been hanging around the deserted motels in Cocoa Beach, flying his kites and gliders, eager to talk to Sheppard but nervous of approaching the older man. From the safety of his darkened bedroom at the Starlight Motel — a huddle of dusty cabins on the coast road — Sheppard watched him through a crack in the double blinds. Every day Martinsen waited for Sheppard to appear, but was always careful to keep a drained swimming pool between them.
At first the young doctor’s obsession with birds had irritated Sheppard — everything from the papier-m‰ch condorkites hanging like corpses above the motel to endless Picasso doves chalked on the cabin doors while Sheppard slept. Even now, as he sat on the beach in the wave-washed Cessna, he could see the snake-headed profile cut in the wet sand, part of an enormous Aztec bird across which he had landed an hour earlier.
The birds… Elaine had referred to them in the last of her Florida letters, but those were creatures who soared inside her own head, far more exotic than anything a neurourgeon could devise, feathered and jewelled chimeras from the paradises of Gustave Moreau. None the less, Sheppard had finally taken the bait, accepting that Martinsen wanted to talk to him, and on his own terms. He forced himself from the motel, hiding behind the largest sunglasses he could find among the hundreds that littered the floor of the swimming pool, and drove to the light airfield at Titusville. For an hour he flew the rented Cessna across the forest canopy, searching the whole of Cape Kennedy for any sign of Martinsen and his kites.
Tempted to turn back, he soared to and fro above the abandoned space grounds, unsettling though they were, with their immense runways leading to no conceivable sky, and the rusting gantries like so many deaths propped up in their tattered coffins. Here at Cape Kennedy a small part of space had died. A rich emerald light glowed through the forest, as if from a huge lantern lit at the heart of the Space Centre. This resonant halo, perhaps the phosphorescence of some unusual fungi on the leaves and branches, was spreading outwards and already had reached the northern streets of Cocoa Beach and crossed the Indian River to Titusville. Even the ramshackle stores and houses vibrated in the same overlit way.
Around him the bright winds were like the open jaws of a crystal bird, the light flashing between its teeth. Sheppard clung to the safety of the jungle canopy, banking the Cessna among the huge flocks of flamingos and orioles that scattered out of his way. In Titusville a government patrol car moved down one of the few stretches of clear road, but no one else was tempted out of doors, the few inhabitants resting in their bedrooms as the forest climbed the Florida peninsula and closed around them.
Then, almost in the shadow of the Apollo 12 gantry, Sheppard had seen the nightclub. Startled by its neon faade, he stalled the Cessna. The wheels rattled the palm fronds as he throttled up a saving burst of speed and began a second circuit. The nightclub sat in a forest clearing beside a shallow inlet of the Banana River, near a crumbling camera blockhouse at the end of a concrete runway. The jungle pressed towards the nightclub on three sides, a gaudy aviary of parakeets and macaws, some long-vanished tycoon’s weekend paradise.
As the birds hurtled past the windshield, Sheppard saw two figures running towards the forest, a bald-headed woman in the grey shroud of a hospital gown followed by a familiar dark-faced man with the firm step of a warder at a private prison. Despite her age, the woman fled lightly along the ground and seemed almost to be trying to fly. Confused by the noise of the Cessna, her white hands waved a distraught semaphore at the startled macaws, as if hoping to borrow their lurid plumage to cover her bare scalp.
Trying to recognize his wife in this deranged figure, Sheppard turned away for another circuit, and lost his bearings among the maze of inlets and concrete causeways that lay beneath the forest canopy. When he again picked out the nightclub he throttled back and soared in above the trees, only to find his glide-path blocked by a man-powered aircraft that had lifted into the air from the forest clearing.
Twice the size of the Cessna, this creaking cat’s-cradle of plastic film and piano wire wavered to left and right in front of Sheppard, doing its best to distract him. Dazzled by his own propeller, Sheppard banked and overflew the glider, and caught a last glimpse of the dark-bearded Martinsen pedalling intently inside his transparent envelope, a desperate fish hung from the sky. Then the waiting bough of a forest oak clipped the Cessna as it overran its own slipstream. The sharp antlers stripped the fabric from the starboard wing and tore off the passenger door. Stunned by the roaring air, Sheppard limped the craft back to Cocoa Beach, and brought it down to a heavy landing on the wet sand within the diagram of the immense beaked raptor which Martinsen had carved for him that morning.
Waves washed into the open cabin of the Cessna, flicking a cold foam at Sheppard’s ankles. Headlamps approached along the beach, and a government jeep raced down to the water’s edge a hundred yards from the aircraft. The young driver stood against the windshield, shouting at Sheppard over her headlamps.
Sheppard released the harness, still reluctant to leave the Cessna. The night had come in from the sea, and now covered the shabby coastal town, but everything was still lit by that same luminescence he had glimpsed from the air, a flood of photons released from the pavilion in the forest where his wife was held prisoner. The waves that washed the propeller of the Cessna, the empty bars and motels along the beach, and the silent gantries of the Space Centre were decorated with millions of miniature lights, lode-points that marked the profiles of a new realm waiting to reconstitute itself around him. Thinking of the nightclub, Sheppard stared into the firefly darkness that enveloped Cape Kennedy. Already he suspected that this was a first glimpse of a small corner of the magnetic city, a suburb of the world beyond time that lay around and within him.
Holding its image to his mind, he forced the door against the flood and jumped down into the waist-deep water as the last of the night came in on the waves. In the glare of the jeep’s headlamps he felt Anne Godwin’s angry hands on his shoulders, and fell headlong into the water. Skirt floating around her hips, she pulled him like a drowned pilot on to the beach and held him to the warm sand as the sea rushed into the silver gullies of the great bird whose wings embraced them.
Yet, for all the confusions of the flight, at least he had been able to go outside. Three months earlier, when Sheppard arrived at Cocoa Beach, he had broken into the first motel he could find and locked himself for ever into the safety of a darkened bedroom. The journey from Toronto had been a succession of nightmare way-stations, long delays in semi-derelict bus depots and car-rental offices, queasy taxi-rides slumped in the rear seat behind two pairs of dark glasses, coat pulled over his head like a Victorian photographer nervous of his own lens. As he moved south into the steeper sunlight the landscapes of New Jersey, Virginia and the Carolinas seemed both lurid and opaque, the halfempty towns and uncrowded highways perceived on a pair of raw retinas inflamed by LSD. At times he seemed to be looking at the interior of the sun from a precarious gondola suspended at its core, through an air like fire-glass that might melt the dusty windows of his taxi.
Even Toronto, and his rapid decline after the divorce from Elaine, had not warned him of the real extent of his retreat behind his own nerve-endings. Surrounded by the deserted city, it surprised Sheppard that he was one of the last to be affected, this outwardly cool architect who concealed what was in fact a powerful empathy for other people’s psychological ills. A secretary’s headache would send him on a restless tour of the design offices. Often he felt that he himself had invented the dying world around him.
It was now twenty years since the earliest symptoms of this strange malaise — the so-called ‘space sickness’ — had made their appearance. At first touching only a small minority of the population, it took root like a lingering disease in the interstices of its victims’ lives, in the slightest changes of habit and behaviour. Invariably there was the same reluctance to go out of doors, the abandonment of job, family and friends, a dislike of daylight, a gradual loss of weight and retreat into a hibernating self. As the illness became more widespread, affecting one in a hundred of the population, blame seemed to lie with the depletion of the ozone layer that had continued apace during the 1980s and 1990s. Perhaps the symptoms of world-shyness and withdrawal were no more than a self- protective response to the hazards of ultraviolet radiation, the psychological equivalent of the sunglasses worn by the blind.
But always there was the exaggerated response to sunlight, the erratic migraines and smarting corneas that hinted at the nervous origins of the malaise. There was the taste for wayward and compulsive hobbies, like the
