pleasure. Grant the first premise of hedonism and you must accept the rest also. Rational foundations of modernity are cunningly accepted by man as the launching platform of ever wilder irrationalities.

Mosby, writing these reflections in a blue-green color of ink which might have been extracted from the landscape. As his liquor had been extracted from the green spikes of the mescal, the curious sharp, dark-green fleshy limbs of the plant covering the fields.

The dollars, the francs, the gas rations, the bank like the beefsteak mine in which W. C. Fields invested, and shrinking but persistent dark Lustgarten getting into his little car on the sodden Parisian street. There were few cars then in Paris. Plenty of parking space. And the streets were so yellow, gray, wrinkled, dismal. But the French were even then ferociously telling the world that they had the savoir-vivre, the gai savoir. Especially Americans, haunted by their Protestant ethic, had to hear this. My God—sit down, sip wine, taste cheese, break bread, hear music, know love, stop running, and learn ancient life-wisdom from Europe. At any rate, Lustgarten buckled up his trench coat, pulled down his big hoodlum’s fedora. He was bunched up in the seat. Small brown hands holding the steering wheel of the Simca Huit, and the grinning despair with which he waved.

“Bon voyage, Lustgarten.”

His Zapotec nose, his teeth like white pomegranate seeds. With a sob of the gears he took off for devastated Germany.

Reconstruction is big business. You demolish a society, you decrease the population, and off you go again. New fortunes. Lustgarten may have felt, qua Jew, that he had a right to grow rich in the German boom. That all Jews had natural claims beyond the Rhine. On land enriched by Jewish ashes. And you never could be sure, seated on a sofa, that it was not stuffed or upholstered with Jewish hair. And he would not use German soap. He washed his hands, Trudy told Mosby, with Lifebuoy from the PX.

Trudy, a graduate of Montclair Teachers’ College in New Jersey, knew French, studied composition, had hoped to work with someone like Nadia Boulanger, but was obliged to settle for less. From the bank, as Lustgarten drove away in a kind of doomed, latently tearful daring in the rain-drenched street, Trudy invited Mosby to the Salle Pleyel, to hear a Czech pianist performing SchЎnberg. This man, with muscular baldness, worked very hard upon the keys. The difficulty of his enterprise alone came through—the labor of culture, the trouble it took to preserve art in tragic Europe, the devoted drill. Trudy had a nice face for concerts. Her odor was agreeable. She shone. In the left half of her countenance, one eye kept wandering. Stone-hearted Mosby, making fun of flesh and blood, of these little humanities with their short inventories of bad and good. The poor Czech in his blazer with chased buttons and the muscles of his forehead rising in protest against tabula rasa—the bare skull.

Mosby could abstract himself on such occasions. Shut out the piano. Continue thinking about Comte. Begone, old priests and feudal soldiers! Go, with Theology and Metaphysics! And in the Posicive Epoch Enlightened Woman would begin to play her part, vigilant, preventing the managers of the new society from abusing their powers. Over Labor, the Supreme Good.

Embroidering the trees, the birds of Mexico, looking at Mosby, and the hummingbird, so neat in its lust, vibrating tinily, and the lizard on the soil drinking heat with its belly. To bless small creatures is supposed to be real good.

Yes, this Lustgarten was a funny man. Cheated in Germany, licked by the partner, and impatient with his slow progress in Graves Registration, he decided to import a Cadillac. Among the new postwar millionaires of Europe there was a big demand for Cadillacs. The French government, moving slowly, had not yet taken measures against such imports for rapid resale. In 1947, no tax prevented such transactions. Lustgarten got his family in Newark to ship a new Cadillac. Something like four thousand dollars was raised by his brother, his mother, his mother’s brother for the purpose. The car was sent. The customer was waiting. A down payment had already been given. A double profit was expected. Only, on the day the car was unloaded at Le Havre new regulations went into effect. The Cadillac could not be sold. Lustgarten was stuck with it. He couldn’t even afford to buy gas. The Lustgartens were seen one day moving out of the hotel, into the car. Mrs. Lustgarten went to live with musical friends. Mosby offered Lustgarten the use of his sink for washing and shaving. Weary Lustgarten, defeated, depressed, frightened at last by his own plunging, scraped at his bristles, mornings, with a modest cricket noise, while sighing. All that money—mother’s savings, brother’s pension. No wonder his eyelids turned blue. And his smile, like a spinster’s sachet, the last fragrance ebbed out long ago in the trousseau never used. But the long batrachian lips continued smiling.

Mosby realized that compassion should be felt. But passing in the night the locked, gleaming car, and seeing huddled Lustgarten, sleeping, covered with two coats, on the majestic seat, like Jonah inside Leviathan, Mosby could not say in candor that what he experienced was sympathy. Rather he reflected that this shoe salesman, in America attached to foreign doctrines, who could not relinquish Europe in the New World, was now, in Paris, sleeping in the Cadillac, encased in this gorgeous Fisher Body from Detroit. At home exotic, in Europe a Yankee. His timing was off. He recognized this himself. But believed, in general, that he was too early. A pioneer. For instance, he said, in a voice that creaked with shy assertiveness, the French were only now beginning to be Marxians. He had gone through it all years ago. What did these people know! Ask them about the Shakhty Engineers! About Lenin’s Democratic Centralism! About the Moscow Trials! About “Social Fascism”! They were ignorant. The Revolution having been totally betrayed, these Europeans suddenly discovered Marx and Lenin. “Eureka!” he said in a high voice. And it was the cold war, beneath it all.

For should America lose, the French intellectuals were preparing to collaborate with Russia. And should America win they could still be free, defiant radicals under American protection.

“You sound like a patriot,” said Mosby.

“Well, in a way I am,” said Lustgarten. “But I am getting to be objective. Sometimes I say to myself, ‘If you were outside the world, if you, Lustgarten, didn’t exist as a man, what would your opinion be of this or that?’”

“Disembodied truth.”

“I guess that’s what it is.”

“And what are you going to do about the Cadillac?” said Mosby.

“I’m sending it to Spain. We can sell it in Barcelona.”

“But you have to get it there.”

“Through Andorra. It’s all arranged. Klonsky is driving it.”

Klonsky was a Polish Belgian in the hotel. One of Lustgartens associates, congenitally dishonest, Mosby thought. Kinky hair, wrinkled eyes like Greek olives, and a cat nose and cat lips. He wore Russian boots.

But no sooner had Klonsky departed for Andorra than Lustgarten received a marvelous offer for the car. A capitalist in Utrecht wanted it at once and would take care of all excise problems. He had all the necessary tuyaux, unlimited drag. Lustgarten wired Klonsky in Andorra to stop. He raced down on the night train, recovered the Cadillac, and started driving back at once. There was no time to lose. But after sitting up all night on the rapide, Lustgarten was drowsy in the warmth of the Pyrenees and fell asleep at the wheel. He was lucky, he later said, for the car went down a mountainside and might have missed the stone wall that stopped it. He was only a foot or two from death when he was awakened by the crash. The car was destroyed. It was not insured.

Still faintly smiling, Lustgarten, with his sling and cane, came to Mosby’s cafe table on the boulevard Saint- Germain. Sat down. Removed his hat from dazzling black hair. Asked permission to rest his injured foot on a chair. “Is this a private conversation?” he said.

Mosby had been chatting with Alfred Ruskin, an American poet. Ruskin, though some of his front teeth were missing, spoke very clearly and swiftly. A perfectly charming man. Inveterately theoretical. He had been saying, for instance, that France had shot its collaborationist poets. America, which had no poets to spare, put Ezra Pound in Saint Elizabeth’s. He then went on to say, barely acknowledging Lustgarten, that America had had no history, was not a historical society. His proof was from Hegel. According to Hegel, history was the history of wars and revolutions. The United States had had only one revolution and very few wars. Therefore it was historically empty. Practically a vacuum.

Ruskin also used Mosby’s conveniences at the hotel, being too fastidious for his own latrine in the Algerian backstreets of the Left Bank. And when he emerged from the bathroom he invariably had a topic sentence.

“I have discovered the main defect of Kierkegaard.”

Or, “Pascal was terrified by universal emptiness, but Valery says the difference between empty space and space in a bottle is only quantitative, and there is nothing intrinsically terrifying about quantity. What is your

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