“Tamkin!” shouted Wilhelm, going forward. But he was pushed to the side by a policeman clutching his nightstick at both ends, like a rolling pin. Wilhelm was even farther from Tamkin now, and swore under his breath at the cop who continued to press him back, back, belly and ribs, saying, “Keep it moving there, please,” his face red with impatient sweat, his brows like red fur. Wilhelm said to him haughtily, “You shouldn’t push people like this.”
The policeman, however, was not really to blame. He had been ordered to keep a way clear. Wilhelm was moved forward by the pressure of the crowd.
He cried, “Tamkin!”
But Tamkin was gone. Or rather, it was he himself who was carried from the street into the chapel. The pressure ended inside, where it was dark and cool. The flow of fan-driven air dried his face, which he wiped hard with his handkerchief to stop the slight salt itch. He gave a sigh when he heard the organ notes that stirred and breathed from the pipes and he saw people in the pews. Men in formal clothes and black Homburgs strode softly back and forth on the cork floor, up and down the center aisle. The white of the stained glass was like mother-of- pearl, the blue of the Star of David like velvet ribbon.
Well, thought Wilhelm, if that was Tamkin outside I might as well wait for him here where it’s cool. Funny, he never mentioned he had a funeral to go to today. But that’s just like the guy.
But within a few minutes he had forgotten Tamkin. He stood along the wall with others and looked toward the coffin and the slow line that was moving past it, gazing at the face of the dead. Presently he too was in this line, and slowly, slowly, foot by foot, the beating of his heart anxious, thick, frightening, but somehow also rich, he neared the coffin and paused for his turn, and gazed down. He caught his breath when he looked at the corpse, and his face swelled, his eyes shone hugely with instant tears.
The dead man was gray-haired. He had two large waves of gray hair at the front. But he was not old. His face was long, and he had a bony nose, slightly, delicately twisted. His brows were raised as though he had sunk in to the final thought. Now at last he was with it, after the end of all distractions, and when his flesh was no longer flesh. And by this meditative look Wilhelm was so struck that he could not go away. In spite of the tinge of horror, and then the splash of heartsickness that he felt, he could not go. He stepped out of line and remained beside the coffin; his eyes filled silently and through his still tears he studied the man as the line of visitors moved with veiled looks past the satin coffin toward the standing bank of lilies, lilacs, roses. With great stifling sorrow, almost admiration, Wilhelm nodded and nodded. On the surface, the dead man with his formal shirt and his tie and silk lapels and his powdered skin looked so proper; only a little beneath so — black, Wilhelm thought, so fallen in the eyes.
Standing a little apart, Wilhelm began to cry. He cried at first softly and from sentiment, but soon from deeper feeling. He sobbed loudly and his face grew distorted and hot, and the tears stung his skin. A man—another human creature was what first went through his thoughts, but other and different things were torn from him. “What’ll I do? I’m stripped and kicked out…. Oh, Father, what do I ask of you? What’ll I do about the kids —Tommy, Paul? My children. And Olive? My dear! Why, why, why—you must protect me against that devil who wants my life. If you want it, then kill me. Take, take it, take it from me.
Soon he was past words, past reason, coherence. He could not stop. The source of all tears had suddenly sprung open within him, black, deep, and hot and they were pouring out and convulsed his body, bending his stubborn head, bowing his shoulders, twisting his face, crippling the very hands with which he held the handkerchief. His efforts to collect himself were useless. The great knot of ill and grief in his throat swelled upward and he gave in utterly and held his face and wept. He cried with all his heart.
He, alone of all the people in the chapel, was sobbing. No one knew who he was.
One woman said, “Is that perhaps the cousin from New Orleans they were expecting?”
“It must be somebody real close to carry on so.”
“Oh my, oh my! To be mourned like that,” said one man and looked at Wilhelm’s heavy shaken shoulders, his clutched face and whitened fair hair, with wide, glinting, jealous eyes.
“The man’s brother, maybe?”
“Oh, I doubt that very much,” said another bystander. “They’re not alike at all. Night and day.”
The flowers and lights fused ecstatically in Wilhelm’s blind, wet eyes; the heavy sea-like music came up to his ears. It poured into him where he had hidden himself in the center of a crowd by the great and happy oblivion of tears. He heard it and sank deeper than sorrow, through torn sobs and cries toward the consummation of his heart’s ultimate need.
By the St. Lawrence
NOT
Yes, Rexler, the man who wrote all those books on theater and cinema in Weimar Germany, the author of
Because New York has been his base for half a century, it is assumed that he comes from the East Side or Brooklyn. In fact he is a Canadian, born in Lachine, Quebec, an unlikely birthplace for a historian who has written so much about cosmopolitan Berlin, about nihilism, decadence, Marxism, national socialism, and who described the trenches of World War I as “man sandwiches” served up by the leaders of the great powers.
Yes, he was born in Lachine to parents from Kiev. His childhood was divided between Lachine and Montreal. And just now, after a near-fatal illness, he had had a curious desire or need to see Lachine again. For this reason he accepted a lecture invitation from McGill University despite his waning interest in (and a growing dislike for) Bertolt Brecht. Tired of Brecht and his Marxism—his Stalinism—he stuck with him somehow. He might have canceled the trip. He was still convalescent and weak. He had written to his McGill contact, “I’ve been playing hopscotch at death’s door, and since I travel alone I have to arrange for wheelchairs between the ticket counter and the gate. Can I count on being met at Dorval?”
He counted also on a driver to take him to Lachine. He asked him to park the Mercedes limo in front of his birthplace. The street was empty. The low brick house was the only one left standing. All the buildings for blocks around had been torn down. He told the driver, “I’m going to walk down to the river. Can you wait for about an hour?” He anticipated correctly that his legs would soon tire and that the empty streets would be cold, too. Late October was almost wintry in these parts. Rexler was wearing his dark-green cloaklike Salzburg loden coat.
There was nothing familiar to see at first, you met no people here. You were surprised by the bigness and speed of the St. Lawrence. As a kid you were hemmed in by the dinky streets. The river now had opened up, and the sky also, with long static autumn clouds. The rapids were white, the water reeling over the rocks. The old Hudson’s Bay Trading Post was now a community center. Opposite, in gloomy frames of moss and grime, there stood a narrow provincial stone church. And hadn’t there been a convent nearby? He did not look for it. Downriver he made out Caughnawaga, the Indian reservation, on the far shore. According to Parkman, a large party of Caughnawaga Mohawks, crossing hundreds of miles on snowshoes, had surprised and massacred the settlers of Deer-field, Massachusetts, during the French-Indian wars. Weren’t those Indians Mohawks? He couldn’t remember. He believed that they were one of the Iro-quois nations. For that matter he couldn’t say whether his birthplace was on Seventh Avenue or on Eighth. So many landmarks were gone. The tiny synagogue had become a furniture warehouse. There were neither women nor children in the streets. Immigrant laborers from the Dominion Bridge Company once had lived in the cramped houses. From the narrow front yard (land must have been dear), where Rexler’s mother more than seventy years ago had set him cross-strapped in his shawl to dig snow with the black stove shovel, you could see the wide river surface—it had been there all the while, beyond the bakeries and sausage shops, kitchens and bedrooms.
