I did not want anyone to know about my brother. I did not want anyone to see his face like that.

So I lifted him and put him on the couch. I do not understand to this day how I could lift him up when I felt so weak. It was a strength not my own.

I sat at his feet, stroking his hand until the flames grew too hot. Then I rose. I bent over him and kissed him on the lips for a last goodbye. And I walked from the house into the rain.

And I never came back. Because there was nothing to ever come back for.

This is the end of the manuscript. There seems no adequate evidence to ascribe the events recounted as true. But the following facts, taken from the city’s police files, might prove of interest.

In 1901, the city was severely shocked by the most wholesale murder ever perpetrated in its history.

At the height of a party being held at the home of Mr. and Mrs. Marlin Slaughter and their daughter Clarissa, an unknown person poisoned the punch by placing a very large amount of arsenic in it. Everyone died. The case was never solved although various theories were put forth as to its solution. One thesis had it that the murderer was one of those who died.

As to the identity of this murderer, supposition had it that it was not a murderer but a murderess. Although nothing definite exists to go by, there are several testimonies which refer to that poor child Clarissa” and indicate that the young woman had been suffering for some years from a severe mental aberration which her parents had tried to keep a secret from the neighbours and the authorities. The party in mention was supposed to have been planned to celebrate what her parents took for the recovery of her faculties.

As to the body of the young man later supposed to be in the wreckage, a thorough search has revealed nothing. It may be that the entire story is imagination, fabricated by the one brother in order to conceal the death of the other, said death probably being unnatural. Thus, the older brother knowing the story of the house tragedy may have used it for a fantastic evidence in his favour.

Whatever the truth, the older brother has never been heard of again either in this city or in any of the adjacent localities.

And that’s the story S.D.M.

11 – WET STRAW

It began some months after his wife died.

He had moved into a boarding house. There he lived a sheltered life; sale of her bonds had provided money. A book a day, concerts, solitary meals, visits to the museum-these sufficed. He listened to his radio and napped and thought a good deal. Life was good enough.

One night he put down his book and undressed. He turned out the lights and opened the window. He sat down on the bed and stared a moment at the floor. His eyes ached a little. Then he lay down and put his arms behind his head. There was a cold draft from the window, so he pulled the covers over his head and closed his eyes.

It was very still. He could hear his own regular breathing. The warmth began to cover him. The heat fondled his body and soothed it. He sighed heavily and smiled.

In an instant, his eyes were open.

There was a thin breeze stroking his cheek, and he could smell something like wet straw. It was not to be mistaken.

Reaching out, he could touch the wall and feel the breeze from the window. Yet, under the covers, where there had been only warmth before, was another breeze. And a damp, chilling smell of wet straw.

He threw the covers from him and lay on the bed, breathing harshly.

Then he laughed in his mind. A dream, a nightmare. Too much reading. Bad food.

He pulled up the covers and closed his eyes. He kept his head outside the blankets and slept.

The next morning he forgot about it. He had breakfast and went to the museum. There he spent the morning. He visited all the rooms and looked at everything.

When he was about to leave, he felt a desire to go back and look at a painting he had only glanced at before.

He stopped in front of it.

It was a painting of a countryside. There was a big barn down in the valley.

He began to breathe heavily, and his fingers played on his tie. How ridiculous, he thought after a moment, that such a thing should make me nervous.

He turned away. At the door he looked back at the painting.

The barn had frightened him. Only a barn, he thought, a barn in a painting.

After dinner he returned to his room.

As soon as he opened the door he remembered the dream. He went to the bed. He drew up the blanket and the sheets and shook them.

There was no smell of wet straw. He felt like a fool.

That night, when he went to bed, he left the window closed. He turned out the lights and got in bed and pulled the covers over his head.

At first it was the same. Silent and breathless and the creeping warmth.

Then the breeze began again and he distinctly felt his hair ruffled by it. He could smell wet straw. He stared into the blackness and breathed through his mouth so he wouldn’t have to smell the straw.

Somewhere in the dark, he saw a square of greyish light.

It’s a window, he thought, suddenly.

He looked longer and his heart jumped as a sudden flash of light showed in the window. It was like lightning. He listened. He smelled the wet straw.

He heard it starting to rain.

He became frightened and pulled the covers off his head.

The warm room was around him. It was not raining. It was oppressively hot because the window was closed.

He stared at the ceiling and wondered why he was having this illusion.

Again he pulled up the blanket to make sure. He lay still and kept his eyes tightly closed.

The smell was in his nostrils again. The rain was beating violently on the window. He opened his eyes and watched it and made out sheets of rain in the flashes. Then, rain began to beat above him, too, on a wooden roof. He was in some place with a wooden roof and wet straw.

He was in a barn.

That was why the picture had frightened him. But why frightened?

He tried to touch the window, but he couldn’t reach it. The breeze blew on his hand and arm. He wanted to touch the window. Maybe, he delighted in the thought, maybe open it and stick his head out in the rain and then pull down the covers quickly to see if his hair were wet.

He began to sense himself surrounded by space. There was no feeling of confinement in the bed. He felt the mattress, yet it was as though he lay on it in an open place. The breeze blew over his entire body. And the smell was more pronounced.

He listened. He heard a squeak and then a horse whinnying. He listened a while longer.

Then he realized he couldn’t feel the whole mattress.

It felt as though he were lying on a cold wooden floor from his waist down.

He reached out his hands in alarm and felt the edge of the blankets. He pulled them down.

Вы читаете Nightmare at 20,000 Feet
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату