shoddy work to please the public. But something of the artist’s definiteness of impulse exists in very many men who are not artists. Because the impulse is deep and dumb, because what is called common sense is often against it, because a young man can only follow it if he is willing to set up his own obscure feelings against the wisdom and prudent maxims of elders and friends, it happens in ninety-nine cases out of a hundred that the creative impulse, out of which a free and vigorous life might have sprung, is checked and thwarted at the very outset: the young man consents to become a tool, not an independent workman, a mere means to the fulfilment of others, not the artificer of what his own nature feels to be good. In the moment when he makes this act of consent something dies within him. He can never again become a whole man, never again have the undamaged self-respect, the upright pride, which might have kept him happy in his soul in spite of all outward troubles and difficulties—except, indeed, through conversion and a fundamental change in his way of life.
Outward prohibitions, to which the will gives no assent, are far less harmful than the subtler inducements which seduce the will. A serious disappointment in love may cause the most poignant pain, but to a vigorous man it will not do the same inward damage as is done by marrying for money. The achievement of this or that special desire is not what is essential: what is essential is the direction, the
The integration of an individual life requires that it should embody whatever creative impulse a man may possess, and that his education should have been such as to elicit and fortify this impulse. The integration of a community requires that the different creative impulses of different men and women should work together towards some common life, some common purpose, not necessarily conscious, in which all the members of the community find a help to their individual fulfilment. Most of the activities that spring from vital impulses consist of two parts: one creative, which furthers one’s own life and that of others with the same kind of impulse or circumstances, and one possessive, which hinders the life of some group with a different kind of impulse or circumstances. For this reason, much of what is in itself most vital may nevertheless work against life, as, for example, seventeenth- century Puritanism did in England, or as nationalism does throughout Europe at the present day. Vitality easily leads to strife or oppression, and so to loss of vitality. War, at its outset, integrates the life of a nation, but it disintegrates the life of the world, and in the long run the life of a nation too, when it is as severe as the present war.
The war has made it clear that it is impossible to produce a secure integration of the life of a single community while the relations between civilized countries are governed by aggressiveness and suspicion. For this reason any really powerful movement of reform will have to be international. A merely national movement is sure to fail through fear of danger from without. Those who desire a better world, or even a radical improvement in their own country, will have to co-operate with those who have similar desires in other countries, and to devote much of their energy to overcoming that blind hostility which the war has intensified. It is not in partial integrations, such as patriotism alone can produce, that any ultimate hope is to be found. The problem is, in national and international questions as in the individual life, to keep what is creative in vital impulses, and at the same time to turn into other channels the part which is at present destructive.
Men’s impulses and desires may be divided into those that are creative and those that are possessive. Some of our activities are directed to creating what would not otherwise exist, others are directed towards acquiring or retaining what exists already. The typical creative impulse is that of the artist; the typical possessive impulse is that of property. The best life is that in which creative impulses play the largest part and possessive impulses the smallest. The best institutions are those which produce the greatest possible creativeness and the least possessiveness compatible with self-preservation. Possessiveness may be defensive or aggressive: in the criminal law it is defensive, and in criminals it is aggressive. It may perhaps be admitted that the criminal law is less abominable than the criminal, and that defensive possessiveness is unavoidable so long as aggressive possessive- ness exists. But not even the most purely defensive forms of possessiveness are in themselves admirable; indeed, as soon as they are strong they become hostile to the creative impulses. “Take no thought, saying, What shall we eat? or What shall we drink, or Wherewithal shall we be clothed?” Whoever has known a strong creative impulse has known the value of this precept in its exact and literal sense: it is preoccupation with possessions, more than anything else, that prevents men from living freely and nobly. The State and Property are the great embodiments of possessiveness; it is for this reason that they are against life, and that they issue in war. Possession means taking or keeping some good thing which another is prevented from enjoying; creation means putting into the world a good thing which otherwise no one would be able to enjoy. Since the material goods of the world must be divided among the population, and since some men are by nature brigands, there must be defensive possession, which will be regulated, in a good community, by some principle of impersonal injustice. But all this is only the preface to a good life or good political institutions, in which creation will altogether outweigh possession, and distributive justice will exist as an uninteresting matter of course.
The supreme principle, both in politics and in private life, should be
Education, marriage, and religion are essentially creative, yet all three have been vitiated by the intrusion of possessive motives. Education is usually treated as a means of prolonging the
The creative impulses in different men are essentially harmonious, since what one man creates cannot be a hindrance to what another is wishing to create. It is the possessive impulses that involve conflict. Although, morally and politically, the creative and possessive impulses are opposites, yet psychologically either passes easily into the other, according to the accidents of circumstance and opportunity. The genesis of impulses and the causes which make them change ought to be studied; education and social institutions ought to be made such as to strengthen the impulses which harmonize in different men, and to weaken those that involve conflict. I have no doubt that what might be accomplished in this way is almost unlimited.
It is rather through impulse than through will that individual lives and the life of the community can derive the strength and unity of a single direction. Will is of two kinds, of which one is directed outward and the other inward. The first, which is directed outward, is called into play by external obstacles, either the opposition of others or the technical difficulties of an undertaking. This kind of will is an expression of strong impulse or desire, whenever instant success is impossible; it exists in all whose life is vigorous, and only decays when their vital force is enfeebled. It is necessary to success in any difficult enterprise, and without it great achievement is very rare. But the will which is directed inward is only necessary in so far as there is an inner conflict of impulses or desires; a perfectly harmonious nature would have no occasion for inward will. Such perfect harmony is of course a scarcely realizable ideal: in all men impulses arise which are incompatible with their central purpose, and which must be checked if their life as a whole is not to be a failure. But this will happen least with those whose central impulses are strongest; and it will happen less often in a society which aims at freedom than in a society like ours, which is