comes the curtain. McClintock's art is subtle; McClintock's art is deep.
Not many days afterward, as surrounded by fragrant flowers she sat one evening at twilight, to enjoy the cool breeze that whispered notes of melody along the distant groves, the little birds perched on every side, as if to watch the movements of their new visitor. The bells were tolling, when Elfonzo silently stole along by the wild wood flowers, holding in his hand his favorite instrument of music—his eye continually searching for Ambulinia, who hardly seemed to perceive him, as she played carelessly with the songsters that hopped from branch to branch. Nothing could be more striking than the difference between the two. Nature seemed to have given the more tender soul to Elfonzo, and the stronger and more courageous to Ambulinia. A deep feeling spoke from the eyes of Elfonzo—such a feeling as can only be expressed by those who are blessed as admirers, and by those who are able to return the same with sincerity of heart. He was a few years older than Ambulinia: she had turned a little into her seventeenth. He had almost grown up in the Cherokee country, with the same equal proportions as one of the natives. But little intimacy had existed between them until the year forty-one—because the youth felt that the character of such a lovely girl was too exalted to inspire any other feeling than that of quiet reverence. But as lovers will not always be insulted, at all times and under all circumstances, by the frowns and cold looks of crabbed old age, which should continually reflect dignity upon those around, and treat the unfortunate as well as the fortunate with a graceful mien, he continued to use diligence and perseverance. All this lighted a spark in his heart that changed his whole character, and like the unyielding Deity that follows the storm to check its rage in the forest, he resolves for the first time to shake off his embarrassment and return where he had before only worshiped.
At last we begin to get the Major's measure. We are able to put this and that casual fact together, and build the man up before our eyes, and look at him. And after we have got him built, we find him worth the trouble. By the above comparison between his age and Ambulinia's, we guess the war-worn veteran to be twenty-two; and the other facts stand thus: he had grown up in the Cherokee country with the same equal proportions as one of the natives—how flowing and graceful the language, and yet how tantalizing as to meaning!—he had been turned adrift by his father, to whom he had been 'somewhat of a dutiful son'; he wandered in distant lands; came back frequently 'to the scenes of his boyhood, almost destitute of many of the comforts of life,' in order to get into the presence of his father's winter-worn locks, and spread a humid veil of darkness around his expectations; but he was always promptly sent back to the cold charity of the combat again; he learned to play the fiddle, and made a name for himself in that line; he had dwelt among the wild tribes; he had philosophized about the despoilers of the kingdoms of the earth, and found out—the cunning creature—that they refer their differences to the learned for settlement; he had achieved a vast fame as a military chieftain, the Achilles of the Florida campaigns, and then had got him a spelling-book and started to school; he had fallen in love with Ambulinia Valeer while she was teething, but had kept it to himself awhile, out of the reverential awe which he felt for the child; but now at last, like the unyielding Deity who follows the storm to check its rage in the forest, he resolves to shake off his embarrassment, and to return where before he had only worshiped. The Major, indeed, has made up his mind to rise up and shake his faculties together, and to see if HE can't do that thing himself. This is not clear. But no matter about that: there stands the hero, compact and visible; and he is no mean structure, considering that his creator had never structure, considering that his creator had never created anything before, and hadn't anything but rags and wind to build with this time. It seems to me that no one can contemplate this odd creature, this quaint and curious blatherskite, without admiring McClintock, or, at any rate, loving him and feeling grateful to him; for McClintock made him, he gave him to us; without McClintock we could not have had him, and would now be poor.
But we must come to the feast again. Here is a courtship scene, down there in the romantic glades among the raccoons, alligators, and things, that has merit, peculiar literary merit. See how Achilles woos. Dwell upon the second sentence (particularly the close of it) and the beginning of the third. Never mind the new personage, Leos, who is intruded upon us unheralded and unexplained. That is McClintock's way; it is his habit; it is a part of his genius; he cannot help it; he never interrupts the rush of his narrative to make introductions.
It could not escape Ambulinia's penetrating eye that he sought an interview with her, which she as anxiously avoided, and assumed a more distant calmness than before, seemingly to destroy all hope. After many efforts and struggles with his own person, with timid steps the Major approached the damsel, with the same caution as he would have done in a field of battle. 'Lady Ambulinia,' said he, trembling, 'I have long desired a moment like this. I dare not let it escape. I fear the consequences; yet I hope your indulgence will at least hear my petition. Can you not anticipate what I would say, and what I am about to express? Will not you, like Minerva, who sprung from the brain of Jupiter, release me from thy winding chains or cure me—' 'Say no more, Elfonzo,' answered Ambulinia, with a serious look, raising her hand as if she intended to swear eternal hatred against the whole world; 'another lady in my place would have perhaps answered your question in bitter coldness. I know not the little arts of my sex. I care but little for the vanity of those who would chide me, and am unwilling as well as ashamed to be guilty of anything that would lead you to think 'all is not gold that glitters'; so be no rash in your resolution. It is better to repent now, than to do it in a more solemn hour. Yes, I know what you would say. I know you have a costly gift for me—the noblest that man can make—YOUR HEART! You should not offer it to one so unworthy. Heaven, you know, has allowed my father's house to be made a house of solitude, a home of silent obedience, which my parents say is more to be admired than big names and high-sounding titles. Notwithstanding all this, let me speak the emotions of an honest heart—allow me to say in the fullness of my hopes that I anticipate better days. The bird may stretch its wings toward the sun, which it can never reach; and flowers of the field appear to ascend in the same direction, because they cannot do otherwise; but man confides his complaints to the saints in whom he believes; for in their abodes of light they know no more sorrow. From your confession and indicative looks, I must be that person; if so deceive not yourself.'
Elfonzo replied, 'Pardon me, my dear madam, for my frankness. I have loved you from my earliest days— everything grand and beautiful hath borne the image of Ambulinia; while precipices on every hand surrounded me, your GUARDIAN ANGEL stood and beckoned me away from the deep abyss. In every trial, in every misfortune, I have met with your helping hand; yet I never dreamed or dared to cherish thy love, till a voice impaired with age encouraged the cause, and declared they who acquired thy favor should win a victory. I saw how Leos worshiped thee. I felt my own unworthiness. I began to KNOW JEALOUSLY, a strong guest—indeed, in my bosom,—yet I could see if I gained your admiration Leos was to be my rival. I was aware that he had the influence of your parents, and the wealth of a deceased relative, which is too often mistaken for permanent and regular tranquillity; yet I have determined by your permission to beg an interest in your prayers—to ask you to animate my drooping spirits by your smiles and your winning looks; for if you but speak I shall be conqueror, my enemies shall stagger like Olympus shakes. And though earth and sea may tremble, and the charioteer of the sun may forget his dashing steed, yet I am assured that it is only to arm me with divine weapons which will enable me to complete my long-tried intention.'
'Return to yourself, Elfonzo,' said Ambulinia, pleasantly: 'a dream of vision has disturbed your intellect; you are above the atmosphere, dwelling in the celestial regions; nothing is there that urges or hinders, nothing that brings discord into our present litigation. I entreat you to condescend a little, and be a man, and forget it all. When Homer describes the battle of the gods and noble men fighting with giants and dragons, they represent under this image our struggles with the delusions of our passions. You have exalted me, an unhappy girl, to the skies; you have called me a saint, and portrayed in your imagination an angel in human form. Let her remain such to you, let her continue to be as you have supposed, and be assured that she will consider a share in your esteem as her highest treasure. Think not that I would allure you from the path in which your conscience leads you; for you know I respect the conscience of others, as I would die for my own. Elfonzo, if I am worthy of thy love, let such conversation never again pass between us. Go, seek a nobler theme! we will seek it in the stream of time, as the sun set in the Tigris.' As she spake these words she grasped the hand of Elfonzo, saying at the same time—'Peace and prosperity attend you, my hero; be up and doing!' Closing her remarks with this expression, she walked slowly away, leaving Elfonzo astonished and amazed. He ventured not to follow or detain her. Here he stood alone, gazing at the stars; confounded as he was, here he stood.
Yes; there he stood. There seems to be no doubt about that. Nearly half of this delirious story has now been delivered to the reader. It seems a pity to reduce the other half to a cold synopsis. Pity! it is more than a pity, it is a crime; for to synopsize McClintock is to reduce a sky-flushing conflagration to dull embers, it is to reduce barbaric splendor to ragged poverty. McClintock never wrote a line that was not precious; he never wrote one that could be spared; he never framed one from which a word could be removed without damage. Every sentence that this master has produced may be likened to a perfect set of teeth, white, uniform, beautiful. If you pull one, the charm is gone.
