Michael Angelo. Resembles that great artist, in fact. The back of his head is like this, and he wears his hat-brim tilted down on his nose to expose it.
I have been studying under De Mellville several months now. The first month I painted fences, and gave general satisfaction. The next month I white-washed a barn. The third, I was doing tin roofs; the forth, common signs; the fifth, statuary to stand before cigar shops. This present month is only the sixth, and I am already in portraits!
The humble offering which accompanies these remarks (see figure)—the portrait of his Majesty William III., King of Prussia—is my fifth attempt in portraits, and my greatest success. It has received unbounded praise from all classes of the community, but that which gratifies me most is the frequent and cordial verdict that it resembles the GALAXY portraits. Those were my first love, my earliest admiration, the original source and incentive of my art- ambition. Whatever I am in Art today, I owe to these portraits. I ask no credit for myself—I deserve none. And I never take any, either. Many a stranger has come to my exhibition (for I have had my portrait of King William on exhibition at one dollar a ticket), and would have gone away blessing ME, if I had let him, but I never did. I always stated where I got the idea.
King William wears large bushy side-whiskers, and some critics have thought that this portrait would be more complete if they were added. But it was not possible. There was not room for side-whiskers and epaulets both, and so I let the whiskers go, and put in the epaulets, for the sake of style. That thing on his hat is an eagle. The Prussian eagle—it is a national emblem. When I say hat I mean helmet; but it seems impossible to make a picture of a helmet that a body can have confidence in.
I wish kind friends everywhere would aid me in my endeavor to attract a little attention to the GALAXY portraits. I feel persuaded it can be accomplished, if the course to be pursued be chosen with judgment. I write for that magazine all the time, and so do many abler men, and if I can get these portraits into universal favor, it is all I ask; the reading-matter will take care of itself.
There is nothing like it in the Vatican. Pius IX.
It has none of that vagueness, that dreamy spirituality about it, which many of the first critics of Arkansas have objected to in the Murillo school of Art. Ruskin.
The expression is very interesting. J.W. Titian.
(Keeps a macaroni store in Venice, at the old family stand.)
It is the neatest thing in still life I have seen for years.
Rosa Bonheur.
The smile may be almost called unique. Bismarck.
I never saw such character portrayed in a picture face before. De Mellville.
There is a benignant simplicity about the execution of this work which warms the heart toward it as much, full as much, as it fascinates the eye. Landseer.
One cannot see it without longing to contemplate the artist.
Frederick William.
Send me the entire edition—together with the plate and the original portrait—and name your own price. And—would you like to come over and stay awhile with Napoleon at Wilhelmshohe? It shall not cost you a cent. William III.
DOES THE RACE OF MAN LOVE A LORD?
Often a quite assified remark becomes sanctified by use and petrified by custom; it is then a permanency, its term of activity a geologic period.
The day after the arrival of Prince Henry I met an English friend, and he rubbed his hands and broke out with a remark that was charged to the brim with joy—joy that was evidently a pleasant salve to an old sore place:
'Many a time I've had to listen without retort to an old saying that is irritatingly true, and until now seemed to offer no chance for a return jibe: 'An Englishman does dearly love a lord'; but after this I shall talk back, and say, 'How about the Americans?''
It is a curious thing, the currency that an idiotic saying can get. The man that first says it thinks he has made a discovery. The man he says it to, thinks the same. It departs on its travels, is received everywhere with admiring acceptance, and not only as a piece of rare and acute observation, but as being exhaustively true and profoundly wise; and so it presently takes its place in the world's list of recognized and established wisdoms, and after that no one thinks of examining it to see whether it is really entitled to its high honors or not. I call to mind instances of this in two well-established proverbs, whose dullness is not surpassed by the one about the Englishman and his love for a lord: one of them records the American's Adoration of the Almighty Dollar, the other the American millionaire- girl's ambition to trade cash for a title, with a husband thrown in.
It isn't merely the American that adores the Almighty Dollar, it is the human race. The human race has always adored the hatful of shells, or the bale of calico, or the half-bushel of brass rings, or the handful of steel fish-hooks, or the houseful of black wives, or the zareba full of cattle, or the two-score camels and asses, or the factory, or the farm, or the block of buildings, or the railroad bonds, or the bank stock, or the hoarded cash, or— anything that stands for wealth and consideration and independence, and can secure to the possessor that most precious of all things, another man's envy. It was a dull person that invented the idea that the American's devotion to the dollar is more strenuous than another's.
Rich American girls do buy titles, but they did not invent that idea; it had been worn threadbare several hundred centuries before America was discovered. European girls still exploit it as briskly as ever; and, when a title is not to be had for the money in hand, they buy the husband without it. They must put up the 'dot,' or there is no trade. The commercialization of brides is substantially universal, except in America. It exists with us, to some little extent, but in no degree approaching a custom.
'The Englishman dearly loves a lord.'
What is the soul and source of this love? I think the thing could be more correctly worded:
'The human race dearly envies a lord.'
That is to say, it envies the lord's place. Why? On two accounts, I think: its Power and its Conspicuousness.
Where Conspicuousness carries with it a Power which, by the light of our own observation and experience, we are able to measure and comprehend, I think our envy of the possessor is as deep and as passionate as is that of any other nation. No one can care less for a lord than the backwoodsman, who has had no personal contact with lords and has seldom heard them spoken of; but I will not allow that any Englishman has a profounder envy of a lord than has the average American who has lived long years in a European capital and fully learned how immense is the position the lord occupies.
Of any ten thousand Americans who eagerly gather, at vast inconvenience, to get a glimpse of Prince Henry, all but a couple of hundred will be there out of an immense curiosity; they are burning up with desire to see a personage who is so much talked about. They envy him; but it is Conspicuousness they envy mainly, not the Power that is lodged in his royal quality and position, for they have but a vague and spectral knowledge and appreciation of that; though their environment and associations they have been accustomed to regard such things lightly, and as not being very real; consequently, they are not able to value them enough to consumingly envy them.
But, whenever an American (or other human being) is in the presence, for the first time, of a combination of great Power and Conspicuousness which he thoroughly understands and appreciates, his eager curiosity and pleasure will be well-sodden with that other passion—envy—whether he suspects it or not. At any time, on any day, in any part of America, you can confer a happiness upon any passing stranger by calling his attention to any other passing stranger and saying:
'Do you see that gentleman going along there? It is Mr. Rockefeller.'
Watch his eye. It is a combination of power and conspicuousness which the man understands.
When we understand rank, we always like to rub against it. When a man is conspicuous, we always want to see him. Also, if he will pay us an attention we will manage to remember it. Also, we will mention it now and then, casually; sometimes to a friend, or if a friend is not handy, we will make out with a stranger.
