master and mistress of the household. These two are mighty good and loving and faithful and honest, but hang it, they do just about as they please, they chip into a conversation whenever they want to, and the plain fact is, they ought to be killed.'
It was a random remark, but it gave him an idea—however, nothing could happen without that result.
'What I wanted, Hawkins, was to send for the family and break the news to them.'
'O, never mind bothering with the servants, then. I will go and bring them down.'
While he was gone, the earl worked his idea.
'Yes,' he said to himself, 'when I've got the materializing down to a certainty, I will get Hawkins to kill them, and after that they will be under better control. Without doubt a materialized negro could easily be hypnotized into a state resembling silence. And this could be made permanent—yes, and also modifiable, at will—sometimes very silent, sometimes turn on more talk, more action, more emotion, according to what you want. It's a prime good idea. Make it adjustable—with a screw or something.'
The two ladies entered, now, with Hawkins, and the two negroes followed, uninvited, and fell to brushing and dusting around, for they perceived that there was matter of interest to the fore, and were willing to find out what it was.
Sellers broke the news with stateliness and ceremony, first warning the ladies, with gentle art, that a pang of peculiar sharpness was about to be inflicted upon their hearts—hearts still sore from a like hurt, still lamenting a like loss—then he took the paper, and with trembling lips and with tears in his voice he gave them that heroic death-picture.
The result was a very genuine outbreak of sorrow and sympathy from all the hearers. The elder lady cried, thinking how proud that great-hearted young hero's mother would be, if she were living, and how unappeasable her grief; and the two old servants cried with her, and spoke out their applauses and their pitying lamentations with the eloquent sincerity and simplicity native to their race. Gwendolen was touched, and the romantic side of her nature was strongly wrought upon. She said that such a nature as that young man's was rarely and truly noble, and nearly perfect; and that with nobility of birth added it was entirely perfect. For such a man she could endure all things, suffer all things, even to the sacrificing of her life. She wished she could have seen him; the slightest, the most momentary, contact with such a spirit would have ennobled her own character and made ignoble thoughts and ignoble acts thereafter impossible to her forever.
'Have they found the body, Rossmore?' asked the wife.
'Yes, that is, they've found several. It must be one of them, but none of them are recognizable.'
'What are you going to do?'
'I am going down there and identify one of them and send it home to the stricken father.'
'But papa, did you ever see the young man?'
'No, Gwendolen-why?'
'How will you identify it?'
'I—well, you know it says none of them are recognizable. I'll send his father one of them—there's probably no choice.'
Gwendolen knew it was not worth while to argue the matter further, since her father's mind was made up and there was a chance for him to appear upon that sad scene down yonder in an authentic and official way. So she said no more—till he asked for a basket.
'A basket, papa? What for?'
'It might be ashes.'
CHAPTER IX.
The earl and Washington started on the sorrowful errand, talking as they walked.
'And as usual!'
'What, Colonel?'
'Seven of them in that hotel. Actresses. And all burnt out, of course.'
'Any of them burnt up?'
'Oh, no they escaped; they always do; but there's never a one of them that knows enough to fetch out her jewelry with her.'
'That's strange.'
'Strange—it's the most unaccountable thing in the world. Experience teaches them nothing; they can't seem to learn anything except out of a book. In some uses there's manifestly a fatality about it. For instance, take What's-her-name, that plays those sensational thunder and lightning parts. She's got a perfectly immense reputation—draws like a dog-fight—and it all came from getting burnt out in hotels.'
'Why, how could that give her a reputation as an actress?'
'It didn't—it only made her name familiar. People want to see her play because her name is familiar, but they don't know what made it familiar, because they don't remember. First, she was at the bottom of the ladder, and absolutely obscure wages thirteen dollars a week and find her own pads.'
'Pads?'
'Yes—things to fat up her spindles with so as to be plump and attractive. Well, she got burnt out in a hotel and lost $30,000 worth of diamonds.'
'She? Where'd she get them?'
'Goodness knows—given to her, no doubt, by spoony young flats and sappy old bald-heads in the front row. All the papers were full of it. She struck for higher pay and got it. Well, she got burnt out again and lost all her diamonds, and it gave her such a lift that she went starring.'
'Well, if hotel fires are all she's got to depend on to keep up her name, it's a pretty precarious kind of a reputation I should think.'
'Not with her. No, anything but that. Because she's so lucky; born lucky, I reckon. Every time there's a hotel fire she's in it. She's always there—and if she can't be there herself, her diamonds are. Now you can't make anything out of that but just sheer luck.'
'I never heard of such a thing. She must have lost quarts of diamonds.'
'Quarts, she's lost bushels of them. It's got so that the hotels are superstitious about her. They won't let her in. They think there will be a fire; and besides, if she's there it cancels the insurance. She's been waning a little lately, but this fire will set her up. She lost $60,000 worth last night.'
'I think she's a fool. If I had $60,000 worth of diamonds I wouldn't trust them in a hotel.'
'I wouldn't either; but you can't teach an actress that. This one's been burnt out thirty-five times. And yet if there's a hotel fire in San Francisco to-night she's got to bleed again, you mark my words. Perfect ass; they say she's got diamonds in every hotel in the country.'
When they arrived at the scene of the fire the poor old earl took one glimpse at the melancholy morgue and turned away his face overcome by the spectacle. He said:
'It is too true, Hawkins—recognition is impossible, not one of the five could be identified by its nearest friend. You make the selection, I can't bear it.'
'Which one had I better—'
'Oh, take any of them. Pick out the best one.'
However, the officers assured the earl—for they knew him, everybody in Washington knew him—that the position in which these bodies were found made it impossible that any one of them could be that of his noble young kinsman. They pointed out the spot where, if the newspaper account was correct, he must have sunk down to destruction; and at a wide distance from this spot they showed him where the young man must have gone down in case he was suffocated in his room; and they showed him still a third place, quite remote, where he might possibly have found his death if perchance he tried to escape by the side exit toward the rear. The old Colonel brushed away a tear and said to Hawkins:
