you going?'
'If I have your leave, father.'
The old gentleman stood musing some time, after his son was gone. This was his thought:
'He is a good boy, and lovable. Let him take his own course—as it would profit nothing to oppose him—make things worse, in fact. My arguments and his aunt's persuasions have failed; let us see what America can do for us. Let us see what equality and hard-times can effect for the mental health of a brain-sick young British lord. Going to renounce his lordship and be a man! Yas!'
CHAPTER II.
COLONEL MULBERRY SELLERS—this was some days before he wrote his letter to Lord Rossmore—was seated in his 'library,' which was also his 'drawing-room' and was also his 'picture gallery' and likewise his 'work-shop.' Sometimes he called it by one of these names, sometimes by another, according to occasion and circumstance. He was constructing what seemed to be some kind of a frail mechanical toy; and was apparently very much interested in his work. He was a white-headed man, now, but otherwise he was as young, alert, buoyant, visionary and enterprising as ever. His loving old wife sat near by, contentedly knitting and thinking, with a cat asleep in her lap. The room was large, light, and had a comfortable look, in fact a home-like look, though the furniture was of a humble sort and not over abundant, and the knickknacks and things that go to adorn a living-room not plenty and not costly. But there were natural flowers, and there was an abstract and unclassifiable something about the place which betrayed the presence in the house of somebody with a happy taste and an effective touch.
Even the deadly chromos on the walls were somehow without offence; in fact they seemed to belong there and to add an attraction to the room—a fascination, anyway; for whoever got his eye on one of them was like to gaze and suffer till he died—you have seen that kind of pictures. Some of these terrors were landscapes, some libeled the sea, some were ostensible portraits, all were crimes. All the portraits were recognizable as dead Americans of distinction, and yet, through labeling added, by a daring hand, they were all doing duty here as 'Earls of Rossmore.' The newest one had left the works as Andrew Jackson, but was doing its best now, as 'Simon Lathers Lord Rossmore, Present Earl.' On one wall was a cheap old railroad map of Warwickshire. This had been newly labeled 'The Rossmore Estates.' On the opposite wall was another map, and this was the most imposing decoration of the establishment and the first to catch a stranger's attention, because of its great size. It had once borne simply the title SIBERIA; but now the word 'FUTURE' had been written in front of that word. There were other additions, in red ink—many cities, with great populations set down, scattered over the vast-country at points where neither cities nor populations exist to-day. One of these cities, with population placed at 1,500,000, bore the name 'Libertyorloffskoizalinski,' and there was a still more populous one, centrally located and marked 'Capital,' which bore the name 'Freedomolovnaivanovich.'
The 'mansion'—the Colonel's usual name for the house—was a rickety old two-story frame of considerable size, which had been painted, some time or other, but had nearly forgotten it. It was away out in the ragged edge of Washington and had once been somebody's country place. It had a neglected yard around it, with a paling fence that needed straightening up, in places, and a gate that would stay shut. By the door-post were several modest tin signs. 'Col. Mulberry Sellers, Attorney at Law and Claim Agent,' was the principal one. One learned from the others that the Colonel was a Materializer, a Hypnotizer, a Mind-Cure dabbler; and so on. For he was a man who could always find things to do.
A white-headed negro man, with spectacles and damaged white cotton gloves appeared in the presence, made a stately obeisance and announced:
'Marse Washington Hawkins, suh.'
'Great Scott! Show him in, Dan'l, show him in.'
The Colonel and his wife were on their feet in a moment, and the next moment were joyfully wringing the hands of a stoutish, discouraged-looking man whose general aspect suggested that he was fifty years old, but whose hair swore to a hundred.
'Well, well, well, Washington, my boy, it is good to look at you again. Sit down, sit down, and make yourself at home. There, now—why, you look perfectly natural; aging a little, just a little, but you'd have known him anywhere, wouldn't you, Polly?'
'Oh, yes, Berry, he's just like his pa would have looked if he'd lived. Dear, dear, where have you dropped from? Let me see, how long is it since—'
'I should say it's all of fifteen years, Mrs. Sellers.'
'Well, well, how time does get away with us. Yes, and oh, the changes that—'
There was a sudden catch of her voice and a trembling of the lip, the men waiting reverently for her to get command of herself and go on; but after a little struggle she turned away, with her apron to her eyes, and softly disappeared.
'Seeing you made her think of the children, poor thing—dear, dear, they're all dead but the youngest.
'But banish care, it's no time for it now—on with the dance, let joy be unconfined is my motto, whether there's any dance to dance; or any joy to unconfine—you'll be the healthier for it every time,—every time, Washington—it's my experience, and I've seen a good deal of this world. Come—where have you disappeared to all these years, and are you from there, now, or where are you from?'
'I don't quite think you would ever guess, Colonel. Cherokee Strip.'
'My land!'
'Sure as you live.'
'You can't mean it. Actually living out there?'
'Well, yes, if a body may call it that; though it's a pretty strong term for 'dobies and jackass rabbits, boiled beans and slap-jacks, depression, withered hopes, poverty in all its varieties—'
'Louise out there?'
'Yes, and the children.'
'Out there now?'
'Yes, I couldn't afford to bring them with me.'
'Oh, I see,—you had to come—claim against the government. Make yourself perfectly easy—I'll take care of that.'
'But it isn't a claim against the government.'
'No? Want to be postmaster? That's all right. Leave it to me. I'll fix it.'
'But it isn't postmaster—you're all astray yet.'
'Well, good gracious, Washington, why don't you come out and tell me what it is? What, do you want to be so reserved and distrustful with an old friend like me, for? Don't you reckon I can keep a se—'
'There's no secret about it—you merely don't give me a chance to—'
'Now look here, old friend, I know the human race; and I know that when a man comes to Washington, I don't care if it's from heaven, let alone Cherokee-Strip, it's because he wants something. And I know that as a rule he's not going to get it; that he'll stay and try—for another thing and won't get that; the same luck with the next and the next and the next; and keeps on till he strikes bottom, and is too poor and ashamed to go back, even to Cherokee Strip; and at last his heart breaks—and they take up a collection and bury him. There—don't interrupt me, I know what I'm talking about. Happy and prosperous in the Far West wasn't I? You know that. Principal citizen of Hawkeye, looked up to by everybody, kind of an autocrat, actually a kind of an autocrat, Washington. Well, nothing would do but I must go Minister to St. James, the Governor and everybody insisting, you know, and so at last I consented—no getting out of it, had to do it, so here I came. A day too late, Washington. Think of that—what little things change the world's history—yes, sir, the place had been filled. Well, there I was, you see. I offered to compromise and go to Paris. The President was very sorry and all that, but that place, you see, didn't belong to the
