'It's coming—coming right along. I'll slide, down and pull It in. You follow after me.'

Sellers, pale and a good deal agitated, opened the door and confronted Tracy. The old man could not at once get his voice: then he pumped out a scattering and hardly coherent salutation, and followed it with—

'Walk in, walk right in, Mr.—er—'

'Tracy—Howard Tracy.'

'Tracy—thanks—walk right in, you're expected.'

Tracy entered, considerably puzzled, and said:

'Expected? I think there must be some mistake.'

'Oh, I judge not,' said Sellers, who—noticing that Hawkins had arrived, gave him a sidewise glance intended to call his close attention to a dramatic effect which he was proposing to produce by his next remark. Then he said, slowly and impressively—'I am—YOU KNOW WHO.'

To the astonishment of both conspirators the remark produced no dramatic effect at all; for the new-comer responded with a quite innocent and unembarrassed air—

'No, pardon me. I don't know who you are. I only suppose—but no doubt correctly—that you are the gentleman whose title is on the doorplate.'

'Right, quite right—sit down, pray sit down.' The earl was rattled, thrown off his bearings, his head was in a whirl. Then he noticed Hawkins standing apart and staring idiotically at what to him was the apparition of a defunct man, and a new idea was born to him. He said to Tracy briskly:

'But a thousand pardons, dear sir, I am forgetting courtesies due to a guest and stranger. Let me introduce my friend General Hawkins—General Hawkins, our new Senator—Senator from the latest and grandest addition to the radiant galaxy of sovereign States, Cherokee Strip'—(to himself, 'that name will shrivel him up!'—but it didn't, in the least, and the Colonel resumed the introduction piteously disheartened and amazed),—'Senator Hawkins, Mr. Howard Tracy, of—er—'

'England.'

'England!—Why that's im—'

'England, yes, native of England.'

'Recently from there?'

'Yes, quite recently.'

Said the Colonel to himself, 'This phantom lies like an expert. Purifying this kind by fire don't work. I'll sound him a little further, give him another chance or two to work his gift.' Then aloud—with deep irony—

'Visiting our great country for recreation and amusement, no doubt. I suppose you find that traveling in the majestic expanses of our Far West is—'

'I haven't been West, and haven't been devoting myself to amusement with any sort of exclusiveness, I assure you. In fact, to merely live, an artist has got to work, not play.'

'Artist!' said Hawkins to himself, thinking of the rifled bank; 'that is a name for it!'

'Are you an artist?' asked the colonel; and added to himself, 'now I'm going to catch him.'

'In a humble way, yes.'

'What line?' pursued the sly veteran.

'Oils.'

'I've got him!' said Sellers to himself. Then aloud, 'This is fortunate. Could I engage you to restore some of my paintings that need that attention?'

'I shall be very glad. Pray let me see them.'

No shuffling, no evasion, no embarrassment, even under this crucial test. The Colonel was nonplussed. He led Tracy to a chromo which had suffered damage in a former owner's hands through being used as a lamp mat, and said, with a flourish of his hand toward the picture—

'This del Sarto—'

'Is that a del Sarto?'

The colonel bent a look of reproach upon Tracy, allowed it to sink home, then resumed as if there had been no interruption—

'This del Sarto is perhaps the only original of that sublime master in our country. You see, yourself, that the work is of such exceeding delicacy that the risk—could—er—would you mind giving me a little example of what you can do before we—'

'Cheerfully, cheerfully. I will copy one of these marvels.'

Water-color materials—relics of Miss Sally's college life—were brought. Tracy said he was better in oils, but would take a chance with these. So he was left alone. He began his work, but the attractions of the place were too strong for him, and he got up and went drifting about, fascinated; also amazed. 

CHAPTER XIX.

The perplexities and nobilities of materialization—The materializee eats a couple of apples— Horror of Hawkins and Sellers—It must be a mistake'

Meantime the earl and Hawkins were holding a troubled and anxious private consultation. The earl said:

'The mystery that bothers me, is, where did It get its other arm?'

'Yes—it worries me, too. And another thing troubles me—the apparition is English. How do you account for that, Colonel?'

'Honestly, I don't know, Hawkins, I don't really know. It is very confusing and awful.'

'Don't you think maybe we've waked up the wrong one?'

'The wrong one? How do you account for the clothes?'

'The clothes are right, there's no getting around it. What are we going to do? We can't collect, as I see. The reward is for a one-armed American. This is a two-armed Englishman.'

'Well, it may be that that is not objectionable. You see it isn't less than is called for, it is more, and so, —'

But he saw that this argument was weak, and dropped it. The friends sat brooding over their perplexities some time in silence. Finally the earl's face began to glow with an inspiration, and he said, impressively:

'Hawkins, this materialization is a grander and nobler science than we have dreamed of. We have little imagined what a solemn and stupendous thing we have done. The whole secret is perfectly clear to me, now, clear as day. Every man is made up of heredities, long-descended atoms and particles of his ancestors. This present materialization is incomplete. We have only brought it down to perhaps the beginning of this century.'

'What do you mean, Colonel!' cried Hawkins, filled with vague alarms by the old man's awe-compelling words and manner.

'This. We've materialized this burglar's ancestor!'

'Oh, don't—don't say that. It's hideous.'

'But it's true, Hawkins, I know it. Look at the facts. This apparition is distinctly English—note that. It uses good grammar—note that. It is an Artist—note that. It has the manners and carriage of a gentleman—note that. Where's your cow-boy? Answer me that.'

'Rossmore, this is dreadful—it's too dreadful to think of!'

'Never resurrected a rag of that burglar but the clothes, not a solitary rag of him but the clothes.'

'Colonel, do you really mean—'

The Colonel brought his fist down with emphasis and said:

'I mean exactly this. The materialization was immature, the burglar has evaded us, this is nothing but a damned ancestor!'

He rose and walked the floor in great excitement.

Hawkins said plaintively:

'It's a bitter disappointment—bitter.'

'I know it. I know it, Senator; I feel it as deeply as anybody could. But we've got to submit—on moral grounds. I need money, but God knows I am not poor enough or shabby enough to be an accessory to the punishing of a man's ancestor for crimes committed by that ancestor's posterity.'

Вы читаете The American Claimant
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату