dropped into the rear of the procession and in due time arrived again with a newly-invented delinquent list for liquidation.
We lunched in the shade of the pyramid, and in the midst of this encroaching and unwelcome company, and then Dan and Jack and I started away for a walk. A howling swarm of beggars followed us—surrounded us—almost headed us off. A sheik, in flowing white bournous and gaudy head-gear, was with them. He wanted more bucksheesh. But we had adopted a new code—it was millions for defense, but not a cent for bucksheesh. I asked him if he could persuade the others to depart if we paid him. He said yes—for ten francs. We accepted the contract, and said—
'Now persuade your vassals to fall back.'
He swung his long staff round his head and three Arabs bit the dust. He capered among the mob like a very maniac. His blows fell like hail, and wherever one fell a subject went down. We had to hurry to the rescue and tell him it was only necessary to damage them a little, he need not kill them.—In two minutes we were alone with the sheik, and remained so. The persuasive powers of this illiterate savage were remarkable.
Each side of the Pyramid of Cheops is about as long as the Capitol at Washington, or the Sultan's new palace on the Bosporus, and is longer than the greatest depth of St. Peter's at Rome—which is to say that each side of Cheops extends seven hundred and some odd feet. It is about seventy-five feet higher than the cross on St. Peter's. The first time I ever went down the Mississippi, I thought the highest bluff on the river between St. Louis and New Orleans—it was near Selma, Missouri—was probably the highest mountain in the world. It is four hundred and thirteen feet high. It still looms in my memory with undiminished grandeur. I can still see the trees and bushes growing smaller and smaller as I followed them up its huge slant with my eye, till they became a feathery fringe on the distant summit. This symmetrical Pyramid of Cheops—this solid mountain of stone reared by the patient hands of men—this mighty tomb of a forgotten monarch—dwarfs my cherished mountain. For it is four hundred and eighty feet high. In still earlier years than those I have been recalling, Holliday's Hill, in our town, was to me the noblest work of God. It appeared to pierce the skies. It was nearly three hundred feet high. In those days I pondered the subject much, but I never could understand why it did not swathe its summit with never-failing clouds, and crown its majestic brow with everlasting snows. I had heard that such was the custom of great mountains in other parts of the world. I remembered how I worked with another boy, at odd afternoons stolen from study and paid for with stripes, to undermine and start from its bed an immense boulder that rested upon the edge of that hilltop; I remembered how, one Saturday afternoon, we gave three hours of honest effort to the task, and saw at last that our reward was at hand; I remembered how we sat down, then, and wiped the perspiration away, and waited to let a picnic party get out of the way in the road below—and then we started the boulder. It was splendid. It went crashing down the hillside, tearing up saplings, mowing bushes down like grass, ripping and crushing and smashing every thing in its path—eternally splintered and scattered a wood pile at the foot of the hill, and then sprang from the high bank clear over a dray in the road—the negro glanced up once and dodged—and the next second it made infinitesimal mince-meat of a frame cooper-shop, and the coopers swarmed out like bees. Then we said it was perfectly magnificent, and left. Because the coopers were starting up the hill to inquire.
Still, that mountain, prodigious as it was, was nothing to the Pyramid of Cheops. I could conjure up no comparison that would convey to my mind a satisfactory comprehension of the magnitude of a pile of monstrous stones that covered thirteen acres of ground and stretched upward four hundred and eighty tiresome feet, and so I gave it up and walked down to the Sphynx.
After years of waiting, it was before me at last. The great face was so sad, so earnest, so longing, so patient. There was a dignity not of earth in its mien, and in its countenance a benignity such as never any thing human wore. It was stone, but it seemed sentient. If ever image of stone thought, it was thinking. It was looking toward the verge of the landscape, yet looking at nothing—nothing but distance and vacancy. It was looking over and beyond every thing of the present, and far into the past. It was gazing out over the ocean of Time—over lines of century-waves which, further and further receding, closed nearer and nearer together, and blended at last into one unbroken tide, away toward the horizon of remote antiquity. It was thinking of the wars of departed ages; of the empires it had seen created and destroyed; of the nations whose birth it had witnessed, whose progress it had watched, whose annihilation it had noted; of the joy and sorrow, the life and death, the grandeur and decay, of five thousand slow revolving years. It was the type of an attribute of man—of a faculty of his heart and brain. It was MEMORY—RETROSPECTION—wrought into visible, tangible form. All who know what pathos there is in memories of days that are accomplished and faces that have vanished—albeit only a trifling score of years gone by—will have some appreciation of the pathos that dwells in these grave eyes that look so steadfastly back upon the things they knew before History was born—before Tradition had being—things that were, and forms that moved, in a vague era which even Poetry and Romance scarce know of—and passed one by one away and left the stony dreamer solitary in the midst of a strange new age, and uncomprehended scenes.
The Sphynx is grand in its loneliness; it is imposing in its magnitude; it is impressive in the mystery that hangs over its story. And there is that in the overshadowing majesty of this eternal figure of stone, with its accusing memory of the deeds of all ages, which reveals to one something of what he shall feel when he shall stand at last in the awful presence of God.
There are some things which, for the credit of America, should be left unsaid, perhaps; but these very things happen sometimes to be the very things which, for the real benefit of Americans, ought to have prominent notice. While we stood looking, a wart, or an excrescence of some kind, appeared on the jaw of the Sphynx. We heard the familiar clink of a hammer, and understood the case at once. One of our well meaning reptiles—I mean relic- hunters—had crawled up there and was trying to break a 'specimen' from the face of this the most majestic creation the hand of man has wrought. But the great image contemplated the dead ages as calmly as ever, unconscious of the small insect that was fretting at its jaw. Egyptian granite that has defied the storms and earthquakes of all time has nothing to fear from the tack-hammers of ignorant excursionists—highwaymen like this specimen. He failed in his enterprise. We sent a sheik to arrest him if he had the authority, or to warn him, if he had not, that by the laws of Egypt the crime he was attempting to commit was punishable with imprisonment or the bastinado. Then he desisted and went away.
The Sphynx: a hundred and twenty-five feet long, sixty feet high, and a hundred and two feet around the head, if I remember rightly—carved out of one solid block of stone harder than any iron. The block must have been as large as the Fifth Avenue Hotel before the usual waste (by the necessities of sculpture) of a fourth or a half of the original mass was begun. I only set down these figures and these remarks to suggest the prodigious labor the carving of it so elegantly, so symmetrically, so faultlessly, must have cost. This species of stone is so hard that figures cut in it remain sharp and unmarred after exposure to the weather for two or three thousand years. Now did it take a hundred years of patient toil to carve the Sphynx? It seems probable.
Something interfered, and we did not visit the Red Sea and walk upon the sands of Arabia. I shall not describe the great mosque of Mehemet Ali, whose entire inner walls are built of polished and glistening alabaster; I shall not tell how the little birds have built their nests in the globes of the great chandeliers that hang in the mosque, and how they fill the whole place with their music and are not afraid of any body because their audacity is pardoned, their rights are respected, and nobody is allowed to interfere with them, even though the mosque be thus doomed to go unlighted; I certainly shall not tell the hackneyed story of the massacre of the Mamelukes, because I am glad the lawless rascals were massacred, and I do not wish to get up any sympathy in their behalf; I shall not tell how that one solitary Mameluke jumped his horse a hundred feet down from the battlements of the citadel and escaped, because I do not think much of that—I could have done it myself;
I shall not tell of Joseph's well which he dug in the solid rock of the citadel hill and which is still as good as new, nor how the same mules he bought to draw up the water (with an endless chain) are still at it yet and are getting tired of it, too; I shall not tell about Joseph's granaries which he built to store the grain in, what time the Egyptian brokers were 'selling short,' unwitting that there would be no corn in all the land when it should be time for them to deliver; I shall not tell any thing about the strange, strange city of Cairo, because it is only a repetition, a good deal intensified and exaggerated, of the Oriental cities I have already spoken of; I shall not tell of the Great Caravan which leaves for Mecca every year, for I did not see it; nor of the fashion the people have of prostrating themselves and so forming a long human pavement to be ridden over by the chief of the expedition on its return, to
