'Yes, sir,' said Ruskin with an exhausted sigh, a hint of moisture appearing at the corners of his eyes. 'Not himself. Not himself at all. Won't leave his rooms. Shouts at me through the door. Won't take his breakfast.'
'Could you show us to him, Ruskin?' asked Sparks.
'I don't think the Master wishes to be disturbed at the moment, sir, all due respect. He hasn't been well lately. Not well at all.'
'I understand your concern, Ruskin. Perhaps it would set your mind at rest if Dr. Doyle here were to have a consultation with him.'
'Oh, are you a doctor, sir?' Ruskin said, looking up, his face brightening, an effect not unlike a full moon rising.
'I am,' said Doyle, holding up his bag by way of evidence.
'If you could direct us to the Master's chambers, we'll leave you to your work,' said Sparks, and then, in response to Ruskin's second elaborate attempt to rise: 'No need to announce us, Ruskin, I'm sure we can manage—are his rooms on this floor then?'
'Far end of the hall. Last door on jour right. Knock first, if you would.'
'Thank you, Ruskin. The silver looks splendid.'
'Do you really think so, sir?' Ruskin said, eyes whelming with pathetic gratitude.
'I'm sure the dinner will be a great success,' said Sparks.
He gestured for Doyle to follow and started back down the hallway. Doyle hung back.
'What's the wall for, Ruskin?' Doyle asked.
Ruskin looked at him, screwing his face into a puzzle. 'What wall, sir?'
'The wall outside.'
'I'm sure I don't know what you mean, sir,' said Ruskin, with blank but attentive concern.
Sparks signaled Doyle to discourage pursuing the point. Doyle nodded, then stepped carefully forward through the field of silver. As he moved closer to Ruskin, Doyle could see the man's lips were parched and blistered, his eyes as red as embers. He put a hand to Ruskin's pale forehead; it was burning with fever. Ruskin stared up at him with the blind adoration of a beloved and dying dog.
'You're not feeling very well, are you, Ruskin?' Doyle said softly.
'No, sir. Not very well, sir,' he said weakly.
Doyle took out his handkerchief, dipped it in the water basin, and tenderly wiped the grime off Ruskin's forehead. Beads of moisture ran down his broad face; Ruskin dabbed at them hungrily with his tongue.
'I think it would be a very good idea,' said Doyle, 'for you to go to your room now and rest for a while.'
'But the preparations, sir—'
'You needn't worry, I'll speak to the Master. And I'm sure he'd agree that the dinner will proceed much more smoothly if you're properly refreshed.'
'I am so very tired, sir,' he said, pathetically grateful for the kindness, his mouth drooping, his chin trembling with the approach of more tears.
'Give me your hand now, Ruskin. Let's help you up ... here we go.'
With all his strength, Doyle was able to leverage the fevered wretch to his feet. Ruskin wobbled like a tenpin struck with a glancing blow. Doyle wondered just how long the man had been sitting there. He retrieved a vial from his vest pocket, asked Ruskin to hold out his hand, and tapped into his pillowy mitt four pills from the vial.
'Take these with water, Ruskin. They'll help you to rest. Promise me you'll do as I ask.'
'I promise,' Ruskin said, with the grave docility of a child.
'Off you go then,' said Doyle, handing him the candle and patting him on the shoulder; the fabric of his shirt was wet and clammy.
'Off I go,' Ruskin echoed with cheerless, empty mimicry.
Ruskin's lumbering steps down the hall recalled to Doyle's mind a shopworn elephant in leg irons he'd once seen in a circus parade. After Ruskin had shambled out of sight, Doyle and Sparks moved back along the corridor the way they'd come.
'We can be sure of one thing,' said Sparks. 'Ruskin didn't chop that hole in the wall. He couldn't knock the skin off a rice pudding.'
'I don't think he's left the house in weeks. The Master's most loyal servant.'
'At this late date, the Master's only servant. This house employed a staff of thirty in its heyday. Not the most congenial atmosphere at present, .wouldn't you say?'
They reached the intersection just as Barry was coming up the stairs.
'House is empty. Boarded up,' Barry said—more to the point than his brother, thought Doyle—'Kitchen's a mess. Been up to a fair amount of spud-bashin' without botherin' 'bout washin' up.'
'The work of the lamentable Ruskin, no doubt,' said Sparks.
'Two queer things,' Barry continued. 'There's salt been poured in all the hallways and across the thresholds—'
'Yes, and the other?'
'There's a false wall in the larder off the kitchen. Behind it's a door—'
'To where?'
'Couldn't get it open without me tools. Below stairs by the smell—'
'To the cellar.'
'Already been to the cellar: This ain't the cellar. And there's an odd wind coming up under that door.'
Sparks showed keen interest. 'Bring our bags in from the carriage if you would, Barry. And then open that door.'
Barry doffed his hat and headed back down the stairs.
'So if we agree Ruskin was on the inside and couldn't have managed it, who cut the hole through the wall?' asked Doyle, as they continued down the hall.
'It was our late friend from the stables, the footman. Peter Farley's his name; he'd been away on business, the transfer of four horses to Topping from family property in Scotland,' Sparks said, handing Doyle a paper.
'What's this?' Doyle asked, unfolding the paper and reading.
'A bill of lading: a list of horses' names, their descriptions, analysis of their health. Signed Peter Farley. I found that in the pocket of the footman's coat, hanging on a peg in the groom's bedroom. Sometime during the last few days— follow my thinking—Farley returns with the horses. The wall has gone up in his absence; clearly some madness has overwhelmed his home. He's four prized horses to tend and feed after a hard ride and perhaps a wife or family working inside—he must find a way in.'
'That's why he cut through instead of scaling the wall.' 'There's broken glass set on its edges to discourage such access. And remember the dimensions of the hole.' 'Just high and wide enough for a horse to pass.' 'He worked fast for the better part of a day. He had to get those horses in quickly; there are a great number of deep hoofprints in the ground around the entrance.'
'Something was spooking them. Something approaching.' 'Unfortunately for our brave stablehand, the door he carved to save those horses proved his undoing.' 'I don't follow.'
'Reason it out: The hole is finished, he leads the horses to stable, which he finds deserted but otherwise unaffected. He doesn't venture into the main house, that's not his place; he's a simple man, his world is in that barn. If the Master's gone off his kilt and built a big wall, it's no concern of his. He puts the horses up, brushes them down, feeds them. He makes himself some tea and heats up a meat pie. He hears something outside, something disturbing the horses, leaves his supper on the table and goes to the barn to investigate, where he's done in by something his doorway has allowed to follow him inside the compound.'
'Poor devil. What could have done such a thing to him?' They had negotiated their way to the end of the hall, out-
side of what Ruskin had described as the Master's doorway. The floor at this end of the corridor was completely covered with a layer of salt.
'What good is salt? What does it provide defense against?' pondered Sparks.
The air was shattered by a loud crash of breaking crockery and an angry holler from inside the room.
'Foppery! Fops and frippery! Ha!'
Sparks put a finger to his lips, asking for silence, and knocked on the door. No response, but the sounds inside ceased. He knocked again.
