Eva Braun

superficial one at first, Hitler immediately had the girl investigated. Martin Bormann, at whose wedding Hitler had recently been a witness, was given the assignment as early as 1930 to determine whether the Braun family was “Aryan,” that is, had no Jewish ancestors.²⁶ Bormann, who had meanwhile risen to the SA Supreme Staff, was to remain one of Hitler’s closest and most trusted friends from 1933 until Hitler’s death.²⁷

Eva Braun, still a minor at that point, presumably did not suspect a thing about Bormann’s vetting. It is easy to imagine that this girl was impressed by her new acquaintance’s prominence and was open to his political ideas. There is no evidence as to whether she herself, or her parents, held anti-Semitic views. Since Ilse Braun, four years older than her sister Eva, worked as a receptionist for a Jewish doctor who was also a close friend of hers, there seem not to have been ideological prejudices in Braun’s family. Photographs of Eva Braun from her early years working in Hoffmann’s photography store show a very childish-seeming girl, who obviously liked to be photographed and was not shy about striking poses in the office rooms.²⁸ Her relationship with Hitler is said to have remained purely “platonic” until 1932. Heinrich Hoffmann, in his memoir Hitler Was My Friend (London, 1955; German translation, 1974), claimed that his employee had pursued the relationship and had let it be known that “Hitler was in love with her and she would definitely succeed in getting him to marry her.”²⁹ He did not perceive any “intense interest” on Hitler’s part at first, though. In truth, what Hoffmann’s observations reveal is the difference between a young woman—still a teenager, in fact—and a bachelor rather more advanced in years: while she spontaneously and enthusiastically expressed her feelings, he set store by the utmost discretion.

Trustee in Personal Matters

The mutual trust between Hitler and Hoffmann—indispensable for the long sittings in the portrait studio and attested by the countless photographs in which Hitler struck uninhibited poses—extended to their private lives.³⁰ Henriette von Schirach later recalled that her family moved into a “tremendously modern apartment in Bogenhausen” in 1929, “which Hitler liked” to visit. He ate spaghetti there, with “a little muscat, tomato sauce on the side, then nuts and apples,” and improvised on the piano after the meal.³¹ Hitler felt “at home” with Hoffmann and his family, according to Albert Speer in Inside the Third Reich. In the garden of the photographer’s villa in Munich-Bogenhausen, Hitler could, as Speer observed in the summer of 1933, behave without the slightest formality, “lie down on the grass in shirtsleeves” or recite from “a volume of Ludwig Thoma.”³²

^{Hitler practicing oratorical poses, photographed by Heinrich Hoffmann, 1926 (Illustration Credit 1.2)}

By that point Hoffmann and Hitler had been friends for at least a decade. Hoffmann’s son-in-law Baldur von Schirach later reported that Hitler had come to know “family life” with Hoffmann; Hoffmann’s first wife, Therese (Lelly); and their children, and that he had been taken in as a member of the family.³³ The photographer and his family were, so to speak, the core of the private circle around the unmarried NSDAP leader. After Therese Hoffmann’s early death in 1928, the bond between the two men seemed to grow even stronger. During Hitler’s many trips in the service of the Nazi Party’s ambitions, not only Hoffmann himself but also—at Hitler’s request—Hoffmann’s daughter Henriette accompanied him, to bring a little youthful freshness into the company of men.³⁴ Family celebrations, such as Hoffmann’s son Heinrich’s confirmation in March 1931, his daughter Henriette’s wedding the following year, or Hoffmann’s remarriage in 1934, were celebrated together. Not only that, the weddings were organized by Hitler himself in his apartment on Prinzregentenplatz.³⁵

In Obersalzberg and Berlin as well, Hoffmann was there as Hitler’s constant companion.³⁶ Despite never holding an official position in the government or the Party, the photographer enjoyed a position of trust—and thus power—that important Party members such as Goebbels or Bormann envied, thanks to his practically unlimited access to Hitler until 1944. Others, such as Otto Wagener, head of the political-economic department of the Nazi Party, were annoyed that Hitler would occasionally discuss “the most secret matters in the presence of his close companions.” Wagener “sometimes heard something of truly decisive importance only by complete accident from the photographer, Hoffmann.”³⁷

But why did Hitler choose Hoffmann in particular—someone known as a hard-drinking bon vivant, someone whose character and habits actually didn’t match his at all—as his confidant and constant companion? It is an important question because the relations between Hitler and Hoffmann are analogous to the relationship between Hitler and Eva Braun. She, too, seemed not to match her lover, either in outward appearance or in inner temperament. Hoffmann and Hitler were connected by their similar experiences in World War I, their nationalistic and anti-Semitic convictions, their petit bourgeois backgrounds, and their early ambitions to be artists. Nevertheless, what was decisive for Hoffmann’s status as “personal photographer” was his absolute loyalty and fidelity to Hitler himself, which he made clear from the beginning. Hoffmann followed to the letter any and all of the restrictions on photographing or publishing that were imposed upon him, and retouched his pictures according to instructions.³⁸ Hitler in turn ensured that the position of his personal photojournalist remained more or less unofficial to the end, so that Hoffmann remained dependent on him and under his control at all times.

In fact, Hoffmann was not only Hitler’s fellow Party member, friend, and photographer, but a kind of go- between—even, in a sense, his private ambassador—in ways that crossed the boundaries between propaganda work, private life, and, later, political activities in the realm of art. It was at Hoffmann’s house that Hitler could meet Eva Braun for afternoon tea or dinner, informally and out of the public eye.³⁹ And it was Hoffmann to whom Hitler entrusted his girlfriend when she accompanied him to Party events, unbeknownst to the uninitiated, under the guise of an “official photographer of the NSDAP.” Financial transactions concerning Braun, too, such as the purchase of a house, were carried out via Hoffmann in the early years. At the same time, Hitler also entrusted him with political tasks far outside the purview of a propaganda photographer, and for which Hoffmann actually had no experience. For example, Hoffmann was allowed to select artworks for the prestigious “House of German Art” (Haus der Deutschen Kunst) exhibit in Munich in 1937, to the amazement and annoyance of several contemporaries, and was later placed in charge of the “Great German Art Exhibition” that was held yearly. Hoffmann became Hitler’s personal art adviser and art buyer, in which capacity he committed art theft on a grand scale. As further signs of the position of trust he enjoyed, he was made a member of the Committee for the Utilization of Products of Degenerate Art, as established by Goebbels in May 1938, and was granted a professorship in July of the same year.⁴⁰

During the preparations for war against Poland, and the signing of the Nonaggression Pact with the Soviet Union which Hitler pursued to that end, Hitler even promoted his friend to Special Ambassador and sent him with Foreign Minister Joachim von Ribbentrop’s delegation to Moscow on the evening of August 22, 1939. Hoffmann later boasted that he was supposed not only to photograph the event, but, more important, to report back to Hitler about Stalin and his entourage.⁴¹ The reason for this was not least that Hoffmann was indispensable to Hitler as an informer: the loyal factotum would have access to everyone in Moscow and be able to give Hitler rumors and information about the behavior of everyone there—including the Germans. “Keep your eyes and ears open” was Hoffmann’s assignment. As a result, it is hardly surprising that Ribbentrop suggested, after the fact, that Stalin had objected to Hoffmann’s “activities.”⁴² In fact, Hoffmann’s presence must have displeased Ribbentrop as well, and also Friedrich-Werner Graf von der Schulenburg, the German ambassador.

It would therefore considerably understate Hoffmann’s importance to describe him merely as an “interlocutor” of Hitler’s, who enjoyed “the fool’s freedom” to say what he wanted and who, in contrast to the “Fuhrer,” understood nothing about politics so that Hitler’s conversations with him about politics were useless.⁴³ Hoffmann himself fostered this interpretation in his postwar memoirs by presenting himself as an apolitical person, for obvious reasons.⁴⁴ During the denazification proceedings in 1947–1948, while the press labeled him one of the “greediest parasites of the Hitler plague,” and his own goal was to establish the greatest possible plausible distance between himself and the Nazi system in order to save his own life and livelihood, he cast his role in an even more modest light. In an unpublished defense attestation from 1947 he insisted that he had “avoided political topics” with Hitler, and that Hitler had come under the “bad influence” of