go if you're so set on this.”

“I'm fine. I'm okay. I'm feeling better. It was just the flu.”

The compromise was that they would travel with the top up and Charlie was to bring with her a Thermos of Lipton's chicken noodle and a carton of orange juice as well, which she was to use to minister to herself during the long drive to the southeast. In this fashion, they made their way to Temecula, down Highway 15 which squeezed a concrete valley through the rock-strewn hills that divided the California desert from the sea. Here, greedy developers had raped the dusty land, planting it with the seed of their neighborhoods, each identical to the last, all colored a uniform shade of dun, all unshaded by even a single tree, all roofed in a pantiled fashion that had prompted the builder of one site to name the monstrosity, ludicrously, “Tuscany Hills.”

They arrived in Temecula just after one in the afternoon, and it was no difficult feat for them to find Front Street. It comprised what the city council euphemistically called “The Historic District” and it announced itself from the freeway some mile and a half before the appropriate exit.

“The Historic District” turned out to be several city blocks separated from the rest of the town-its modern half-by a railroad track, the freeway, a smallish industrial park, and a public storage site. These city blocks stretched along a two-lane street, and they were lined with gift shops, restaurants, and antique stores, with the occasional coffee, candy, or ice-cream house thrown in for good measure. In short, “The Historic District” was another name for tourist attraction. It might have once been the center of the town, but now it was a magnet for people seeking a day's respite from the indistinguishable urban sprawl that oozed out from Los Angeles in all directions like a profitable oil slick. There were wooden sidewalks and structures of adobe, stucco, or brick. There were colorful banners, quirky signs, and a you-are-here billboard posted at the edge of the public parking lot. It was Disneyland's Main Street without having to pay the exorbitant entrance fee.

“And you ask me why I hate to venture out of LA,” Bethany commented as she pulled into a vacant space and gazed around with a shudder. “This is SoCal at its best. Phony history for fun and profit. It reminds me of Calico Ghost Town. You ever been there, chickadee? The only ghost town on earth that someone's managed to turn into a shopping mall.”

Charlie smiled and pointed at the you-are-here billboard. “Let's look at that sign.”

They found Time on My Side listed as one of the shops in the first block of the historic district. Between them, they'd decided on the drive that it was probably an establishment selling clocks but when they got to it, they discovered that it was-like so many of its companion businesses-an antique shop. They went inside.

A low growl greeted them, followed by a man's voice admonishing, “Hey you, Mugs. None of that,” which was directed to a Norwich terrier who was curled on a cushion on an old desk chair. This stood next to an ancient rolltop desk at which a man was sitting beneath a bright light, studying a porcelain bottle through a jeweler's lens. He looked over the countertop at Bethany and Charlie, saying, “Sorry. Some folks take her amiss. It's just her way of saying hello. You go back to sleep, Mugs.” The dog apparently understood. She sank her head back to her paws and sighed deeply. Her eyelids began to droop.

Charlie scanned the man's face, seeking a likeness, hoping to see projected on its elderly features an Eric who would never be. He was the right age to be Eric's dad: He looked about seventy. And he was wiry like Eric, with Eric's frank gaze and an Eric energy that expressed itself in a foot that tapped restlessly against the rung of his chair.

“Make yourself to home,” the old gentleman said. “Have a spec around. You looking for anything special?”

“Actually,” Charlie said as she and Bethany approached the counter, “I'm looking for a family. My husband's family.”

The man scratched his head. He set the porcelain bottle down on his desk and placed the jeweler's lens next to it. “Don't sell families,” he said with a smile.

“This one's called Lawton,” Bethany said.

“Marilyn and Clark Lawton,” Charlie added. “We were… Well, I was hoping that you might… Are you Mr. Lawton, by any chance?”

“Henry Leel,” he said.

“Oh.” Charlie felt deflated. More, the knowledge that the man wasn't Eric's father struck her more forcefully than she thought it would. She said, “Well, it was always only a chance, driving out here. But I hoped… You don't happen to know any family called Lawton in town, do you?”

Henry Leel shook his head. “Can't say as I do. They antiques people?” He gestured at the shop around him, crowded to a claustrophobic degree with furniture and bric-a-brac.

“I don't…” Charlie felt a slight dizziness come over her, and she reached for the counter.

Bethany took her arm. She said, “Here. Take it easy,” and to Henry Leel, “She's just getting over the flu. And her husband… He died about a week ago. His parents don't know about it and we're looking for them.”

“They the Lawtons?” Henry Leel said, and when Bethany nodded, he cast a sympathetic gaze on Charlie. “She looks mighty young to be a widow, poor thing.”

“She is mighty young to be a widow. And like I say, she's been sick.”

“Bring her behind here then and sit her down. Mugs, get off that chair and give it to the lady. Go on. You heard me. Here. Let me get the pillow off, Miss… Mrs… What'd you say the name was?”

“Lawton,” Charlie said. “Forgive me. I haven't been feeling well. His death… It was sudden.”

“I'm sure sorry about that. Here. I'm making you some tea with a tot of brandy in it. It'll set you up. You stay where you are.”

He locked the front door of the shop and disappeared into the back. When he returned with the tea, he brought a local telephone directory with him, eager to be of help to the ladies. But a search through its pages turned up no Lawtons in the area.

Charlie quelled her disappointment. She drank her tea and felt revived enough to tell Henry Leel how she and Bethany had come to choose this shop in Temecula as the jumping-off point to find Eric's family. When she'd completed the story and brought forth the wedding picture of Eric's parents, Henry gazed at it long and hard, his brow furrowed as if he could force recognition out of his skull. But he shook his head after a minute of study. He said, “They look a touch familiar, I'll give you that. But I wouldn't want to say that I know them. Sides, I sell old pictures not much different from this, so after a while everyone in a picture looks like someone I've seen somewhere. Here. Let me show you.”

He went to a dark far corner of the shop and brought out a small bin that stood on the shelf of a kitchen dresser. He carried this back to Charlie and Bethany saying, “I don't sell many. Mostly to tearooms, theater groups, frame shops wanting to use them for display. That sort of thing. Here. Have a look-see yourself.” He plopped the bin on the desk. “See. This here one of yours… it fits right in with this last bunch in the bin. A little more recent, but I've got some that age. Looks like… let me see for a second. Yep. It looks like a fifties shot. Late fifties. Maybe early sixties.”

Charlie had begun to feel uneasy with the first mention of the photographs. She didn't want to look at Bethany, afraid of what her own face might reveal. She fingered through the photographs cooperatively, unable to avoid noticing the fact that they represented all styles and all periods of time. There were tintypes, there were old black and white snapshots, there were studio studies, there were hand-tinted portraits. Some of them had handwriting on the back, identifying either the subjects or the places. Charlie didn't want to think what this meant. Jessie-Lynn just before Merle's wedding.

Henry Leel said, “So how'd you come to think these Lawton folks'd be here? At this shop in Temecula.”

“There was a receipt,” Bethany responded. “Charlie, show him what you found in that frame.”

Charlie handed over the slip of paper. As Henry Leel squinted down at it, she said, “It must have been a coincidence. The picture… this one of his parents… it was a bit loose in the frame, and he must have been just using it to fill in the gap. I saw it and… Since I was hoping to track down his family, I made a leap that wasn't warranted. That's all.”

Henry Leel pulled thoughtfully at his chin. He cocked his head to one side and tapped his index finger-its nail blackened by some sort of fungus-against the receipt. He said, “These're numbered. See here? One-oh-five-eight in the top right-hand corner? Just hang on a minute. I might be able to help you.” He rustled within his rolltop desk, rousing Mugs from her slumber at its side. She lifted her head and blinked at him sleepily before pillowing herself once again in her paws. Her master brought forth a worn, black, floppy-covered book of an official nature and he plopped it onto his desktop, saying, “Let's see what we can come up with in here.”

In here turned out to be copies of the sales receipts for merchandise for Time on My

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