explain entropy to me again. My head still hurts from the last time.”
“Hush, man,” said JC. “It would seem our Intruder is accumulating power and adjusting local conditions to suit its own needs. But to what end, what purpose? Why does it need a physical presence in our world? What’s it all about?”
“My name is not Alfie,” Happy said sternly.
Melody checked her instrument panels again. “I can tell you this; there’s more than one centre down here, more than one power source. The energy readings are off the scale in a dozen different locations. If I’m interpreting these data correctly . . . we’ve got ghosts, demons, and abhuman creatures swarming all over this station. Drawn here, like moths to a flame . . . or tourists to a disaster site. Something very big, and very bad, is slowly coming into focus here. Once it’s fully manifested in our material plane, it will have established a beachhead, a door between its dimension and ours . . . one we might not be able to force shut again. In which case, the haunting would spread, and the whole of London would get hit by the psychic fall-out.”
“Damn,” said JC. “And I thought Happy was the gloomy one.”
“And,” said Melody, “I’m pretty sure . . . we’re not the only living people down here. Someone else is down here with us.”
FOUR
TWO MONSTERS AND A GHOST
Whereas the Carnacki Institute is concerned with gathering knowledge of the unseen world in order to protect Humanity, the Crowley Project doesn’t give a damn. All they care about is amassing knowledge and power for the sake of the Project. They only investigate hauntings so they can take advantage of the situation and exploit it for their own ends. Some say they want to rule the world, and some say they already do. The Crowley Project loot and brutalise all the manifestations of the unseen world because they want to know the secrets of Life and Death. They want to rule not only this world but the afterworlds, too. They want it all.
Some of them eat ghosts, consuming their energies and absorbing their knowledge and memories. Some of them create bad places on purpose, poisoning the psychic wells of the world with awful technologies and bad intent, dropping bloody bait into the waters to attract otherworldly monsters. For the fun of it, and the sport. They create disasters and glory in destruction, and dance in the aisles of crashing planes. Just because they can.
Field agents Natasha Chang and Erik Grossman have come to Oxford Circus Tube Station on behalf of the Crowley Project. And they’re not there for the ghosts.
Natasha Chang was a self-made femme fatale, her bright eyes and merry smile a cover for a cutting edge and a concealed agenda. A beautiful creature in her late twenties, she had artfully bobbed dark hair, dark, slanted eyes, and an even darker heart. Daddy was a corrupt Hong Kong businessman with a thing for the English aristocracy, who fled Hong Kong in a hurry, one step ahead of the police and all the people he’d cheated and betrayed. He brought his considerable fortune to the United Kingdom and married a very minor member of a very old family, who needed the money. Daughter Natasha grew up half-Chinese, half-English rose, privileged and cosseted but still looked down on as a half-breed by all her peers at school. She emerged from that venerable institution driven to win at any cost. The coldly ruthless child of cold and ruthless parents, Natasha struck out for freedom and an independent income at an early age. By helping Mummy murder Daddy when she was fourteen years old. She could have spent the rest of her life partying, pampering and indulging herself; but that wasn’t enough for Natasha. There were slights to be avenged. She ached to be out in the world, doing things. Bad things, preferably. Because every femme fatale needs more-and-more-difficult objectives to test herself against, to reassure herself that no-one runs her life but her.
Natasha cultivated an arrogant aristocratic poise that never failed to fascinate and intimidate those around her, and she strode through the world as though she fully intended to walk right over anyone who didn’t get out of her way fast enough. A lot of men found that attractive, and a challenge, as they were supposed to, the fools. Natasha’s mixed-race background gave her an exotic air that she exploited mercilessly in affairs of the heart. She’d been married three times and widowed four. (That last one took a lot of killing.) She wore the very best clothes by the very best designers and never looked less than stunning. Because for Natasha, her beauty was another weapon she could use. Currently, her make-up was bold and striking, with subtle Egyptian touches around the eyes; her long, sharp fingernails were painted with real gold leaf; and she wore enough heavy rings on both hands for them to qualify as knuckle-dusters. She was wearing a pink leather cat suit, her favourite, because she had seen Eleanor Bron wear one in the Beatles movie
She was also a gifted telepath. She’d won that ability in the divorce settlement from her first husband.
Erik Grossman couldn’t have passed for a beautiful creature in a dark room during a total eclipse of the sun. A rogue scientist and self-made mad doctor in his early thirties, Erik had been banned from universities all over Europe for his unorthodox and unethical medical experiments. At the last count, Interpol had arrest warrants out for him under eleven different names. Erik had his own private gallery of Wanted posters with his face on them, the one touch of personal vanity he allowed himself. Erik’s problem was that he saw the human body as a series of fascinating but inherently flawed and inefficient mechanisms; and he couldn’t resist the urge to tinker and try to improve them. To begin with, he cut bodies open and committed terrible, ruthless surgeries on what he found there. When that didn’t work, or didn’t work well enough to satisfy him, he moved on to cybernetics and the brutal introduction of technology into living bodies. And, occasionally, vice versa.
Erik’s other problem was that he couldn’t always be bothered to find properly willing subjects. So he used stray animals and homeless people, along with drugs and machines and techniques he was forced to create in his own very private laboratories because they didn’t exist anywhere else. He had his successes and his failures, but he wasn’t nearly as efficient as he should have been in disposing of the remains. Erik was on the run, hunted across Europe by a dozen different organisations, when the Crowley Project found him and lured him to its cold bosom with the offer of well-stocked laboratories, cutting-edge technology, and more untraceable animal and human test subjects than he could shake a scalpel at. In return, of course, for his exclusive services.
Erik wasn’t cruel, as such—unlike Natasha. He didn’t care enough about his subjects to feel anything for them. They were only raw materials. For him, the end was everything.
He wasn’t much to look at. Medium height, a bit podgy, with flat blond hair and pale blue eyes. People found his presence disturbing because on some level they could sense they meant nothing to him. There was less human feeling in Erik than in many of the ghosts he pursued. He tended to slide and shuffle along, head down, as though always half-expecting to be shouted at, or struck. But when his eyes came up, they were always fierce and angry, a man rehearsing his revenges against an indifferent and ungrateful world. He did have feelings. But typically, he only wanted the things and people he couldn’t have, to justify his doing terrible things to those who denied him what he wanted. This was obvious to many people, but no-one had ever been foolish enough to tell him. It wouldn’t have been safe.
Erik wore a good suit, badly. Grace and elegance were not in him, only a brute, stubborn persistence. There was always a general air of untidiness and grime about him, and nearly always a few spots of blood down his shirt front. In the field, he carried the bare minimum of useful technology, in a pack on his back.
Erik didn’t give much of a damn about ghosts or hauntings. But helping investigate them was part of the price he paid for the Crowley Project’s indulgence and protection. They only called on him when they absolutely had to, not least because most other agents wouldn’t work with him, no matter what they were promised or threatened with. Natasha Chang was the first field agent they’d found who’d put up with him, because she found tormenting him amusing. Erik put up with Natasha for his own, very private reasons.
Natasha strode around the Oxford Circus entrance lobby like the Queen on a state visit, giving every impression that she was slumming just by being there. She took a keen interest in everything but didn’t touch
