answer. “Fine,” she said flatly. “You got what you wanted, Kyle.”

Chapter 7

Erica woke before the sunrise, to a scratchy little tongue trying to wend its way into her ear. Her hand automatically reached outside of the covers to stroke the cat. A thunderous purr resulted.

Unsmiling, she opened her eyes. The room was gray in the predawn light, lifeless and silent. She had locked the door to the loft; she had no idea where Kyle had slept.

The air was chilly, and a crisp breeze stirred the draperies at the open windows. The cat nuzzled insistently, uncaring of the early hour, the chill, anything so irrelevant as heartache. Nuisance wanted food, and to go back out on the prowl. In a few minutes, Erica was dressed in a short, loosely knit topaz top and dark brown jeans. She tried applying makeup to hide the shadows under her eyes, but the effect looked painted; she wiped it off, brushed her hair vigorously, and headed downstairs, the cat leading the way.

Kyle and Morgan were both in the kitchen nursing their coffee, their shoulders hunched and weary. The sun was peeking through the kitchen window; the men for the building project would be arriving soon. Kyle and Morgan were talking in low, morning voices, but she felt both pairs of eyes on her as she prepared a bowl of milk for the cat and then poured a cup of coffee for herself.

She felt Morgan. He radiated concern. She didn’t want it.

Kyle looked-the problematic Celt he was. He had not brushed his black hair yet, and he had probably slept in his T-shirt, but he had the kind of good looks that were enhanced rather than obliterated by hollows beneath his eyes. He was straddling the stool, his jeans stretched taut over his lean thighs, all hard muscle and no waste. He had the look of a very strong and complicated man, who could wear his melancholy like an air of mystery, and whose dishevelment implied sensuality to her, even now.

The cat lapped up the milk. Erica found a breakfast roll for herself, and as soon as Nuisance was done drinking, she opened the back door and followed the cat outside.

“Erica?”

She heard Kyle’s quick step, but she closed the door behind her quietly, deliberately. She wasn’t giving him the silent treatment, nor was she sulking. She simply had nothing to say. What could she possibly say when he had all but told her he no longer loved her?

Her mind was still spinning webs of anger and hurt just as it had through the long night. It was not the kind of morning on which she noticed the crystal gleam of sunlight on dew-soaked grass, or the bright chatterings of cardinals and blue jays above her head as she walked toward the old shop. She just kept remembering the sting of her palm, the cold look in his eyes, the nauseating realization that her love and loyalty meant nothing to him…

Absently, she tossed the unfinished breakfast roll to a trio of squirrels waiting hopefully at the edge of the woods. Kyle seemed to have been trying to tell her last night that it was over. There’s no love without an active choice, he’d said.

But there was love without choice: the feeling a parent had for a child; the sensations one felt on seeing an attractive person of the opposite sex; the feeling one had when the sun was out on a certain kind of day. But the kind of love that mattered in a marriage was not free at all; it involved commitment, an active choice day after day, just to live through those days when the sun wasn’t shining, the days after a spat over a good-looking man who had made a pass, the days when one of them had the flu and courtesy was the only thing that helped them get through the hours. One made that choice to muddle through because the love was worth it, because the relationship was worth it…because the man was worth it, she thought achingly. And she’d made her choice; it just increasingly seemed that Kyle was choosing differently.

Leave? she wondered wrenchingly. Was that what this was all about? Did he want her to leave? Toss away nine years of marriage… She couldn’t. She just couldn’t, no matter how he felt-or what he didn’t feel for her any longer. Not this minute, not just like that, like the blind turn of a card…

What she needed, she told herself, was work. And the work was there, waiting for her in the shop. The new building was almost finished; very soon everything would have to be moved, which meant packing all the small items… There were bills to pay and invoices to make out, orders for materials to check through…

She sat at the ancient desk with her coffee cup and buried herself for almost two hours-succeeding, almost, in putting a share of her problems on hold until she felt better able to cope with them. Weary finally, she stood up and stretched, then wandered idly to the window.

Her eyes widened in surprise. A pickup was pulling up outside the door, a decrepit old thing that had been painted a shiny yellow and was decorated with decals shaped like bright orange-and-green flowers. In the back was a huge table secured with ropes. Beside it stood a monster of a dog, woofing, his nose jutting out precariously to catch every last vestige of wind on his dark, furry face. In spite of herself, Erica managed a smile and hurried outside.

“Hi there!” The speaker was a little sprite of a woman, with brownish-gray curls fringing her forehead and snapping gray eyes. Perhaps forty, the lady had the kind of wrinkles on her face that said she’d never been as careful about staying out of the sun as she should have been and a smile that never did quit. “Down, you ornery old thing, and stop all that barking!” she scolded the huge shaggy dog, then turned to Erica. “I’ve got a problem I’m hoping you can help me with. You’re Kyle’s wife, aren’t you?”

Her step was as sprightly as the brilliant orange blouse she wore, never minding the arm encased in a heavy plaster cast. She offered her left hand for Erica to shake instead of her right, which obviously couldn’t do the job. Her hand was warm and welcoming, her handshake firm. “I’m Martha Calhoun; we’re neighbors. Got a dairy farm about five miles down the road. We were friends of Joel McCrery’s once upon a time. He used to stop for dinner once a month and take us all at poker. All right, get down,” she shouted to the whining animal. “But don’t go scaring everyone all over the place!”

Erica blinked when the dog promptly vaulted over the side of the pickup. “He’s half horse?” she questioned dryly.

The lady laughed. “He’s half rabbit. Likes raw carrots. Intimidates half the countryside with the look of him. I never did know whom he belongs to, but he’s got a thing about riding in my truck. We call him Lurch.”

“I can see why.” The dog had a loping, crooked gait as if his legs didn’t quite know how to accommodate his size; he also had ears that flopped, the soft eyes of a spaniel, the tail of a setter and the thick, soft coat of a St. Bernard.

“He’s the stud of the neighborhood,” Martha Calhoun said disgustedly. “If I were a female dog, I’d take one look at him and turn my nose in the air. But I know of four litters in the last two years, and one of the bitches was a prize English setter. Nancy Chase hasn’t talked to me since.”

Erica gathered that Nancy Chase owned the setter. The dog bounded close enough to sniff her, and she extended her palm for him to check out. The dog promptly washed her whole hand, sitting down next to her to do a most concentrated job of it.

“He doesn’t like people,” Martha offered sadly.

“I can see that.”

Martha laughed, motioning to the bed of the daisy-yellow pickup. “I should have come over here to meet you before! Come and look, would you, while I tell you all about my aunt Beatrice.”

With Lurch dogging her heels, Erica made her way to the back of the truck. The table was mahogany and had perhaps been intended to stand in someone’s castle hall a century or so earlier. The legs were intricately carved, an N in an upholstered wreath dominating one drop leaf, a carved eagle on the other. At one time, the top must have been faced with leather, but sometime in the recent past it had simply been finished and varnished-and, unfortunately, all but destroyed. Huge whitish rings, apparently caused by potted plants, scarred the wood…

“I’m sure it’s very valuable,” Erica said tactfully.

“Very. The N is for Napoleon. The period is Empire French, just so you can avoid it in the future. I covered it with plants so I wouldn’t have to look at it, but now you can see what I’ve done.”

Erica nodded with another glance at the water spots.

“It’s all right,” Martha said cheerfully. “Go ahead and say it.”

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