Chapter 18
By the time I arrived at the studio, the line to get through security had diminished to something slightly less than a Monday morning at Starbucks. I waited impatiently, tapping my foot as I inched forward, all the while keeping my head down and trying to look small and inconspicuous.
Finally I made it to the front, watching Queen Latifah take inordinate pleasure in wanding an overweight PA.
Bug-eyed Billy looked up from his clipboard.
“Name?” he asked, eyeing me carefully.
I nervously cleared my throat and held my breath as I handed over my stolen press pass.
He glanced at it. Then up at me. Then back at the pass.
“Felix Dunn?” he asked, narrowing his eyes behind his Coke-bottle glasses. “You’re Felix?”
I nodded. “Uh-huh. That’s me!” My voice suddenly sounded helium laced. I cleared my throat again.
“Felix sounds like a man’s name, ” Billy said, glancing back at the pass.
“It’s, uh…French. It’s pronounced ‘Fe-lay.’ ”
He narrowed his eyes again. “Fe-lay?”
I nodded, mentally crossing my fingers. “Yep.”
“Like a Fe-lay-o’-fish?”
“Uh…yeah.” I nervously glanced from side to side, sure that at any moment someone would stand up and yell, “Fake!”
“And you’re with the
“Yes?” Which might have been more convincing if I hadn’t phrased it as a question. I bit my lip, tasting Raspberry Perfection lip gloss as I nervously shifted from one pink-pump-clad foot to the other.
Billy grunted. “Hmph.” He flipped through his list, his myopic squint searching for a “Fe-lay.” I held my breath, resisting the urge to peek over his shoulder.
Finally he checked off an entry and handed the press pass back to me. “Okay, you’re cleared. Go on through.”
I did an internal sigh of relief so loud it echoed inside my brain. I took off my earrings and belt and pulled my stolen keys out of my pocket, depositing them all in a plastic tub to ride through the X-ray machine. I did a silent prayer to the gods of false disguises and stepped through the plastic archway.
Oh, hell! I froze. What, what, what? I chewed my lip again, sure that panic was written all over my face.
Latifah glanced down. I think I heard her stifle a snicker. “Those your shoes?”
I looked down at my pink heels. “Yes, why?”
No disguising the snicker this time. “Nothin’.”
“Yeah, I know they clash with the red jacket.”
“Uh-huh. Well, maybe you wanna put them on the belt, there, honey. You know…take ’em off. Take ’em
“Uh…o-kay.” I slipped my shoes off and threw them into a plastic tub to ride through the machine.
I stepped back through again.
Silence. Blessed silence!
I gave Latifah a little wave, keeping my head low, and grabbed my belongings, just barely resisting the urge to sprint through the lot.
Step one accomplished.
On to phase two.
Ten minutes later I was slinking around the corner of stage 6G, carefully watching for any sign of a) Stein-man (lest he draft me for wardrobe duty), b) Ramirez (lest he notice me on wardrobe duty and slap a pair of handcuffs on me), or c) Dana (whom I desperately needed to get to before either a or b happened).
I entered the warehouse, keeping close to the walls and hoping I blended into the background as I slunk toward the soundstage. I picked my way over wires and ropes duct taped to the ground, thinking inconspicuous thoughts as I passed the Craft services area. Luckily, no one tried to stop me, though I did notice a couple of PAs looking at my shoes as I scuttled past. I think one even snickered, “Hot stuff, ” as I walked by. Okay, now I was starting to get a little self-conscious. Yes, they clash. I get it!
I was almost to the soundstage when a familiar voice hailed me from the wings.
“Hey, Maddie.”
I had a mini heart attack, spinning around so fast I feared whiplash. I breathed a sigh of relief when I saw who it was.
“Hi, Ricky.”
“What are you doing here? That big cop said you weren’t allowed on the set anymore.”
I cringed. Oh yeah, handcuffs were definitely in my future.
“I’m just here to see Dana. Know where she is?”
“Sure. She’s blocking out the next scene. Ashley and Chad are having makeup sex today. Apparently he doesn’t care who the baby’s daddy is after all.”
The wonders of television.
“Thanks, ” I said, turning to go.
“Hey, did that woman ever find you?” Ricky called.
I paused. “What woman?”
“There was this woman looking for you earlier. She didn’t leave her name but she had, like, really long black hair. And she seemed a little high-strung.”
Oh. Crap.
“She was here?” I squeaked out, sounding way too much like Minnie Mouse for my liking. I had no idea how she got onto the lot, but knowing she was anywhere in the vicinity of my person made my skin instantly break out in goose bumps.
Ricky nodded. “Yeah. Hey, you okay? You look kinda pale.”
I gulped down a dry lump in my throat. “Yeah, sure, fine. When was she here? What did she say?”
Ricky scrunched up his face as if he were thinking really hard. “Um, it was earlier this morning, right after I got in. I told her I wasn’t sure you’d be here, but she just said she’d hang around and ‘catch up to you.’ ”
Oh boy.
I mentally added one more name to the list of people whom I so did not want to run into today. In fact, I moved her name right up to the tippy-top of the list. I debated calling Ramirez and telling him that Isabel was lurking somewhere on studio property. But that would mean telling him
So, instead I mumbled, “Thanks, ” to Ricky and made a beeline for the soundstage.
I spotted Dana right away. She was lying in Ashley Culver’s bed, dressed in a peach-colored tube top and tight briefs that almost exactly matched her skin tone. Unless you squinted, it looked like she was in the buff. Which, it seemed, was the idea, as Steinman directed her though a series of seductive poses, all the while shouting about the white balance and backlighting.
Long extensions had been added to her hair, so that Ashley’s curly blonde locks now fell over Dana’s shoulders. Her makeup was done to perfectly match Mia’s skin tone, and I think she was even wearing green contacts. The dread I’d been feeling all morning kicked up a notch. Even I might have mistaken Dana for Mia.
Then again, it was perfect for what I was planning.
I waited behind an unused camera crane while Steinman blocked out the rest of the scene, Dana beaming and making kissy-faces at the camera the entire time. Never mind that the cameras weren’t on; Dana was milking her fifteen minutes for all it was worth.
Finally Steinman signaled one of the PAs in a headset to go get Mia for the real deal.
Dana slipped on a pair of flip-flops and a robe before stepping off the soundstage. I grabbed her arm almost immediately, dragging her into the shadows.