Kate Kombothekra had the car keys ready when she opened her front door. ‘Here you go,’ she said, thrusting them at Charlie.

‘You sure this is okay? I don’t know when I’ll be able to bring it back.’

‘It’s fine. The boys and I’ll walk to school tomorrow. It’ll do us good, though don’t tell Sam I said that. When he said it to me I nearly throttled him. One thing: if you could avoid smoking in it…’

‘Do my best,’ Charlie shouted over her shoulder.

As she slammed the driver door, she heard Kate yell, ‘Or at least open the…’ Charlie beeped the horn. Steering with one hand, she pulled her phone out of her handbag on the passenger seat and pressed redial. ‘Villiers,’ said the voice that answered after three rings. ‘Claire Draisey speaking.’

‘Hello, it’s me again, Charlie Zailer. Any luck?’

‘I’m afraid not. There’s been some kind of emergency here, and the deputy head’s in a meeting. I’ve rung round everyone I can think of, and no one’s seen hair nor hide of a Simon Waterhouse. Are you sure he’s here?’

‘Not absolutely. It’s where he said he was going, that’s all I know.’ Charlie had rung the school when she couldn’t reach Simon on his mobile, and got a recorded message, tacked on to the end of which was an emergency out-of-hours number-Claire Draisey’s, as it turned out. Draisey had told her few mobile phones could get reception in Villiers’ grounds, which made Charlie all the more inclined to think that was where Simon was.

‘Look, I’m going to have to free up this line,’ said Draisey, sighing. ‘You’re from the Culver Valley, did you say?’

‘That’s right. So’s DC Waterhouse.’

‘Right. Then you’re nothing to do with the London police.’

‘London police?’ A burst of adrenalin set off Charlie’s internal antennae.

‘Yes. A colleague said they’re on their way here. Look, I don’t know much more than you do at this stage. A group of our girls went on a trip to the Globe Theatre tonight to see Julius Caesar. I’ve just checked the car park, and the minibus isn’t back yet, which it certainly ought to be, and we’re all rather anxious in case…’

‘I wouldn’t waste your time if this wasn’t important,’ said Charlie. ‘Are you sure you’ve checked everywhere?’

‘No, I haven’t,’ said Draisey bluntly. ‘I didn’t say I had. I’ve spoken to those members of house staff that I could get hold of, and that’s all I can do, I’m afraid. I’m not traipsing round the grounds at this time of night looking for your missing colleague. Do you have any idea of the size of our empire?’ The last word was loaded with sarcasm. ‘It’d take me most of the night.’

‘What about Garstead Cottage?’ Charlie asked.

‘What about it?’ Draisey said curtly. ‘It’s rented to a private tenant who I’m not about to disturb. Now, if you’ll-’

‘Wait,’ said Charlie. ‘I got a message to ring somebody-someone I think might be in trouble. When I rang her back on the number she gave me, I got through to a taxi-driver: Michael Durtnell, his name is. He works for a firm called N & E Cars.’

‘Newsham and Earle,’ said Draisey. ‘That’s our taxi firm-the one the school uses.’

‘Right.’ Charlie let out the breath she’d been holding. Progress. ‘He said he’d left Garstead Cottage twice today, each time with a different woman passenger. Both women then decided they didn’t want to go anywhere, and asked him to take them back to Garstead Cottage. He said both were behaving strangely. I think one of those women is the person who phoned me. DC Waterhouse might already be-’

‘Sergeant Zailer, if I could stop you for a moment?’ Draisey sounded exhausted, her voice fainter than it had been previously. ‘I should have realised when you said you were from Culver Valley Police. I don’t suppose I’m thinking straight, with the minibus missing and rumours of London coppers beating a path to our door. I know for a fact that the current resident of Garstead Cottage has a friend staying with her at the moment-a female friend.’

It had to be Ruth Bussey.

‘I also know, as perhaps you don’t, that she’s in the habit of pestering the local police, summoning them when there’s absolutely no need and generally making their lives a misery. Sounds like tonight she’s decided it’s your turn. She has another house in your neck of the woods, I believe.’

‘What’s her name?’ asked Charlie, driving too fast in her excitement.

‘If you don’t know, I don’t think it would be appropriate for me to-’

‘Mary Trelease?’

A heavy sigh. ‘If you know, why are you asking me?’

‘I’m on my way to you now,’ Charlie told Draisey. ‘When I get there, I’ll need you to-’

‘I’ll either be too busy to help you, or I’ll be asleep,’ came the firm reply. ‘I’d strongly advise you to save yourself the trip. You’re not the first police officer I’ve said this to, and you won’t be the first to wish you’d listened to me when you’ve wasted a good night’s sleep for absolutely no reason. Good night, sergeant. ’

‘Mary Trelease died in 1982,’ Charlie shouted into her phone, but Claire Draisey was gone.

Charlie drove at twice the speed limit all the way to the motorway. Once she was on it, she rang the number Coral Milward had left on her voicemail. When the DS answered, she said, ‘It’s Charlie Zailer.’

‘Where the fuck are you? Where’s Waterhouse? Anyone’d think we weren’t all on the same side here. Who the fuck do you both think you are, treating me like I don’t exist?’

‘I think Simon’s at Villiers,’ Charlie told her. ‘I’m on my way there now.’

‘You’re on your way to my office is where you’re on your way to.’

‘’Fraid not,’ said Charlie.

‘They should have got rid of you two years ago-I would have done, if you’d been one of mine. They’re sure as hell going to wish they did once they’ve heard what I’ve got to say about you. Once a fuck-up, always a fuck-up. I’m going to take your career and your future and every fucking thing you’ve got and stick it up my big fat arse before shitting it out again. You’d better-’

Charlie switched her phone off. On the same side? Funny, that was never the impression Milward gave. She’d said nothing about having dispatched anyone to Villiers. Despite what Claire Draisey had told her, Charlie had no way of knowing if anyone from the Met was on their way to the school. She decided to stick with her original plan and head for Garstead Cottage, even if it meant losing her job. Ruth Bussey and Mary Trelease were there-hadn’t Draisey said so?

She turned on Kate’s car stereo and heard what sounded like a live gig-raucous applause and cheering, electronic music almost drowned out by hands and voices. When the clapping died down, a man started to speak. He didn’t say who he was, but Charlie guessed he was Kate’s sons’ headmaster, or one of their teachers. This was a school concert on CD. He was thanking something called the Wednesday Club Ensemble for its synthesised rendition of ‘Ten Green Bottles’.

Hearing the title jolted something at the back of Charlie’s brain. She breathed in sharply and turned off the stereo. Six Green Bottles-that was the name of a painting in Aidan’s TiqTaq exhibition. Surely… no. If it was true, it would be crazy. She forgot to steer, and drifted halfway into the next lane as, suddenly, several other things clicked in her mind, then swerved to get herself back on track, ignoring irate beeps from other drivers. It was crazy, no doubt about that, but she was right. She had to be.

She’d seen several unframed paintings on the walls at Mary’s house. One was of a man, woman and boy sitting round a table covered with empty wine bottles. Green bottles. Charlie hadn’t counted, but she was willing to bet there were six of them. She’d also seen a picture of a woman looking in a mirror, the same woman from the bottles picture. And from the photographs in Kerry Gatti’s file. That’s why Charlie had recognised the face-she’d seen it before, on Mary’s walls. The first Mary Trelease, the one who died in 1982. A woman looking in a mirror… Another of the titles Charlie had seen on Aidan’s TiqTaq sales list was Who’s the Fairest? Mirror, mirror, on the wall, who’s the fairest of them all?

And the picture Ruth Bussey had described to her that had been in one of the downstairs rooms at 15 Megson Crescent, of a boy writing ‘Joy Division’ on a wall-that had to be Routine Bites Hard, another of Aidan’s titles. The first line of Joy Divison’s best known song, ‘Love Will Tear Us Apart’, a song Charlie had heard thousands of times, contained those words, that phrase. She sang it under her breath, trying to assemble the bizarre chain of events in her mind.

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