As she reached for the receiver, Annie was suddenly certain of her caller. But she refused to accept this intuitive knowledge as a presentiment.
'. . . do hope that
'Laurel'—Annie was outraged—'of course they're both fine! Barb's going by the house morning and evening to feed Dorothy L. And Dorothy L. purred like a steam engine when I went by the house this afternoon to pack a couple of suitcases.' Annie felt no need to elaborate on her packing objectives, which included not only clothes and toiletries, but a coffeemaker, two pounds of Colombian Supreme, and a container of peanut butter cookies. She'd stopped by Death on Demand, too, and borrowed two coffee mugs, one inscribed in red script with
'. . . surprised that I don't know of a single cat!'
Annie knew she'd missed something. Laurel knew many cats in addition to Agatha and Dorothy L. Could this be selective memory loss? What might it augur for the future? Would Laurel soon begin dismissing from her memory persons, as well as cats, for whom she didn't cherish an especial passion? Such as Annie?
'. . . it's curious to me because they are the
Oh, of course. No ghost cats. A ghost dog. And a hotbed of ghosts in Chastain. Since most references to ghosts with which
Annie was familiar stressed the icy coldness that enveloped those in close proximity to otherworld visitants, Annie thought the term 'hotbed' a curious word choice, but she had no intention of delving for the reason, ostensible or unstated.
'Annie, are you there?'
'Oh, yes, of course, Laurel. I was merely considering the question of no ghost cats.'
'My dear child'—a throaty sigh—'how like you to focus upon a philosophical aside. Your concentration here should surely be on the ghosts associated with Tarrant House.'
It was difficult not to be offended. After all, it was
Annie counterattacked. 'Oh, sure,' she said offhandedly,
'Oh.' The simple syllable sagged with deflation.
Annie felt an immediate pang of shame. How could she have been so selfish? Poor Laurel. Confined to bed, no doubt her ankles throbbing, reduced to phone calls (although Annie did remember that Laurel had elevated this means of communication to an art form), how could Annie have been so callous? 'But I'm sure you have a much better sense of what these appearances mean,' Annie said quickly.
Laurel was never quashed for long. 'Certainly there is
Annie raised a sardonic eyebrow. Was Laurel aspiring to true southernhood by referring to the Civil War simply as the War?
'Three sons lost fighting for hearth and home, the fourth lost through a father's uncontrolled rage—and you know the
guilt and misery that must have stemmed from such an act.' Her tone was funereal. 'One can only guess at the kind of passions aroused that day when Robert came home—only to shed his heart's blood on the very steps he'd lightly sped up and down as a beloved child.'
For just an instant, Annie experienced a wave of sadness that left her shaken. She could see the father's distraught face, feel Robert's determination, hear the sharp crack of a pistol shot.
'Laurel,' she cried. 'That's dreadful.'
'Oh, dear Annie, you feel it, too!'
Annie looked down at the sketch pad beneath her hand. Most of the sheet was taken up by notes she'd made concerning the Tarrant and Chastain families. It unnerved her to see that she'd also drawn a cat with a quizzical expression, a dog with his lips drawn back in a ferocious snarl, and a stairway with a dark splotch near the landing. Dammit, she wasn't a Ouija board!
'. . . so disturbing to all the family that Ross and his father had that hideous quarrel on the day both died.'
'Quarrel!' The pen in Annie's hand scooted along the page as if possessed, leaving a trail of question marks. 'What quarrel? How do you know?'
'Obviously, my dear.' The husky tone was just this side of patronizing. 'As a