only when we'd passed through an archway and found ourselves inside a courtyard overlooked by ornamental iron balconies did we pick a flat at random on the second floor. Its flaky door was unlocked and once inside we'd bolted it, only then collapsing onto its hallway floor.
After a while Cissie had roused herself and, without a word, crawled into my arms. I'd held her there, my back against the wall, legs spread across the hallway and touching the opposite side, my chin nestled into the singed curls of her matted hair. And she'd felt good to hold on to, good to keep close, and when eventually her hand reached up to my neck, her fingers curling round to caress me, well, that felt good too.
But, as time wore on and my strength returned, my anger began to burn.
22
CISSIE HAD PLEADED with me long into the night, insisted it was insane. But I hadn't listened. I knew what I was going to do.
'You're only one man,' she'd argued.
'Yeah, but
'Hoke, please ... let's just get away from here, out of the city, me and you...'
'I've done enough running. It's time to quit, time to bring it to an end.'
I'd struck a match and lit the Woodbine I'd taken from a pack lying on the kitchen table.
'Besides, others are involved now. Maybe I can save 'em if it's not too late.'
'But where will you find them? They could be anywhere in the city.'
'He told us, don't you remember?'
She'd looked at me curiously, slowly shaking her head.
'When they had us in the Savoy, me trussed up like a turkey, ready for some bloodletting. Hubble said something like, while I had my palace, he had his castle.'
I'd exhaled smoke, creating a cloud between us.
'S'far as I know,' I'd continued, 'there's only one castle in London, right?' I'd watched her steadily.
'Right?' I'd said again.
23
I TOOK A FINAL DRAG on the last Woodbine and dropped the butt onto the ground, for some reason - old habits? - grinding it into the concrete with the heel of my boot. It'd been a long morning. And it was only just beginning.
From where I stood near the top of the hill I could take in the whole north-west spread of the ancient fort and the great towered bridge looming beyond it. Wrinkled blimps, some lower than others, hung listlessly over the dockland wharves along the river's edges, while the jagged ironwork of tall cranes reached into the pale skyline like broken church spires. The bridge was raised, each side vertical, so that they almost scraped the two high walkways joining the twin towers: the tall ship they'd once opened for (it must have been something spectacular for the bridge to be fully raised like that) had long since drifted onwards to berth alongside some distant wharfside, its crew and passengers all dead, its cargo no longer needed, leaving the guardian of this stretch of the river frozen open behind it, the hands that had worked the bridge's machinery by now shrivelled to bone and gristle. A lone gull flew between the towers, then wheeled around in a swooping arc as if changing its mind, sensing this necropolis was no place to be; it headed back downstream, its white wings catching the early sun.
Squinting my eyes, I studied the castle, searching for signs of life. There were none.
Its centre keep - the White Tower, it was called - rose over the ramparts, a dishevelled flag drooping from the flagpole on its roof, its walls and corner turrets washed grey by centuries of city dirt and weather grime, as were the bastions of its outer walls. Even so, speckles of white showed through like chalk on a cliff face as if to reveal the real glory beneath the dulled facade; and buttresses, relieving arches and tops of battlements were like bleached bones, as if someone had scrubbed them clean; but it was no more than the nature of the stone itself, this effect, and had nothing to do with care and attention. Part of the northern bastion had been demolished by a lucky strike from a
I crouched to look inside the canvas bag at my feet, checking its contents, pulling its strap over my neck and shoulder as I straightened up again. Flipping open the button holster at my waist, I drew the Browning P-35 high power automatic and jacked a shell into the chamber. The double click as the slide came back, then returned, was a good sound, a satisfying sound. I'd chosen the P-35 because it was one of the best 9mm automatics around, if not
My first choice would've been the Bren gun, one of the best light machine guns of all time: reliable, pretty fair accuracy, steadiness in firing, and with a reasonably low rate of fire, which allowed a better aim without too much ammunition wastage. Also, it had only three kinds of stoppage factors (certain similar weapons had twenty-three, for Chrissake!) and I knew how to fix all three, and smartly at that. But now I nixed it, because even with its bipod folded forward the gun was awkward to carry if you intended to be moving fast - and before the hour was out I intended to be moving
So I turned to the Thompson, nicknamed the Tommy gun, lifting it and feeling its weight It handled well and could be switched to single-shot if required; but this one, the military version, carried a twenty-round box that took only two seconds of automatic fire to empty (with the fifty-round magazine cartridges would rattle around like nuts and bolts in a tin box, which could be a mite embarrassing if you were sneaking up on an enemy position). It also had a 'spray' effect, which was fine for trench warfare, but not so hot if the good guys were mixed up with the bad guys. I needed more control.
Laying down the Thompson, I picked up the Sten gun that had been standing next to it. This would have to be the one. Its main advantages were that it was easy to carry, especially using a fitted sling, and it was simply built so there were fewer things to go wrong. Another advantage was that the magazine fitted into the gun's left side so that it could lie across my forearm for additional stability and wouldn't interfere if I had to hit dirt and fire from the ground. It also had a thirty-round capacity which, with two spare mags inside the bag, should be more than enough for my purposes. Before I'd brought this particular model along I'd been faced with another choice. During the war, commandos and raiding parties understandably had favoured silenced weapons, so a variation Sten gun had been produced with its own inbuilt silencer and canvas heat-resistant cover, and these particular versions were among the collection I was able to pick from. After a few seconds' deliberation, I'd elected the unsilenced MKY, a quality 1944 model with wooden stock, pistol grip and rifle foresight, deciding that today I'd want
Removing the magazine, I shook it against my ear just to hear the slight but reassuring shift of cartridges, then slapped it back in. It entered smoothly, no fuss at all.
Satisfied with the 'artillery', I reached under the back of my sweatshirt and slid out the double-edged commando knife from the sheath attached to my belt. The thin, ridged handle was wrapped in leather and the tapering blade with its wickedly sharp point was coated in non-reflective black. It looked vicious and I hoped to God I wouldn't have to use it - I didn't want to be that close to the enemy. I put the knife away again, but left the handle protruding outside the sweatshirt for easy access.
I'd been lucky that in the early hours of the morning I hadn't needed to travel too far to find other items I'd be using that day, because when the