vehicles.
The lot content was also remarkable because relatively few of the vehicles in it were pickup trucks. Mostly newish sedans and sports utility vehicles, and many of them wearing non-New Mexico license plates. Leaphorn had solved this minor mystery even before he’d noticed this. Today was the second Friday of the month, which meant the Crownpoint weavers cooperative was holding its monthly rug auction in the school gymnasium.
Which meant tourists and weaving collectors and tourist shop owners from all over had swarmed in looking for bargains.
He pulled into the lot, found a spot by the fence, fished out his cell phone, and called his home number. Maybe Louisa would be back from her University of Northern Arizona Ute history project earlier than she’d expected.
She wasn’t, but the answering machine informed him he had a message waiting. He punched in the proper code to retrieve it.
It was Louisa’s voice. “I don’t know if this is worth bothering you with,” she said. “But after I headed up toward the southern Ute country, I remembered I’d forgotten the new batteries I’d bought for my tape recorder so I went back to get them. There was a car parked in front of your house and when I pulled into the driveway, a man came out from behind the garage and said he was 150
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looking for you. He said his name was Tommy Vang, and that he lived in Flagstaff, and he wanted to talk to you.
Wouldn’t exactly say about what, but it seemed to have something to do with Mel Bork and that old rug you’re interested in. I think he works for the man who now owns the rug. Anyway, I told him I wasn’t sure where he could find you, but you had talked about going to Crownpoint to see a man named Rostic. Maybe he could find you there.
And he thanked me and left. He was maybe five feet six and slender. Probably in his thirties or early forties, well dressed. Looked like he might be from one of the Pueblo tribes, or maybe Vietnamese. Very polite. Anyway, this getting a late start means I probably won’t be back in Shiprock as soon as I’d hoped. And by the way, it sort of looked like he might have been poking around in the garage before he heard me driving up, but after he left I checked and there didn’t seem to be anything missing.
Anyway, old friend, take care of yourself. See you soon, I hope. Will exchange progress reports with you.” Leaphorn clicked off the phone and sat looking at it, considering Louisa’s tone when she said “Anyway, old friend.” And thinking maybe she was right about cell phones. It was handy to have one with you. He slipped it into his jacket pocket. Unless he was kidding himself, Louisa’s tone had sounded very affectionate, sort of sen-timental, which was good. What was bad was that she wouldn’t be at the house when he got home. It would be empty, silent, cold. He sighed. No reason to hurry home.
Maybe he would find someone at this collection of tribal weavers and the buyers of their work who could tell him something additional about the tale-teller rug. Or maybe he’d meet some old timers to talk to. Maybe, for exam-THE SHAPE SHIFTER
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ple, the auctioneer who always handled this might know something useful.
Leaphorn entered the auditorium and saw that conversation would have to wait. On the stage the auctioneer was a lanky, raw-boned middle-ager wearing the same oversized reservation hat with the same silver-decorated hatband Leaphorn remembered seeing him with at earlier auctions. He was instructing two teenagers who were helping him sort out weavings on the table beside his podium. Leaphorn stood just inside the rear entrance door of the auditorium and inspected the crowd.
As was customary, both sides were lined with chairs, mostly occupied by women—about half were the weavers who had come to watch the rugs, saddle blankets, scarves, and wall hangings, on which they had spent untold hours creating, have their value measured in
He spotted two such men. One, a tall, slender man 152
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wearing a black turtleneck sweater and a neatly trimmed goatee, was heavily engaged in discussing a very large and ornate New Lands rug with an elderly woman. Probably not helpful because Leaphorn had once testified on the other side of a legal action involving sale of Navajo artifacts in his Santa Fe shop. The other man was exactly the person Leaphorn had hoped to see—the operator of Desert Country Arts and Crafts in Albuquerque’s Old Town district. He was short, substantially over the recommended weight for his height, and was bent over a Two Grey Hills carpet, examining it with a magnifying glass.
Burlander was his name, Leaphorn remembered. Octa-vius Burlander.
Leaphorn stopped beside him, waiting. Burlander glanced at him. His eyebrows raised.
“Mr. Burlander,” Leaphorn said, “if you have a little time, I have a question for you?”
Burlander straightened to his full five feet five inches, smiled at Leaphorn, stuck his magnifying glass in his jacket pocket. “Officer,” he said. “The answer is, I am not guilty. Not this time anyway. And, yes, this rug is a genuine Two Grey Hills weaving, unimpaired by any chemical dyes or other indecencies.”
Leaphorn nodded. “And my question is whether you could tell me anything about an old, old rug supposedly woven about a hundred and fifty years ago. It was apparently a tale-teller rug, full of sorrowful memories of the Navajo Long Walk, and was supposed to have been destroyed in a trading post fire a long time—”
“At Totter’s place,” Burlander said, grinning at Leaphorn. “But us people in the business always figured the bastard looted his place himself before he burned it down, THE SHAPE SHIFTER
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