Dodging Cupid's Arrow

Were the cops already on the scene? Or was there another piece to this puzzle she didn't know about? She slid over and risked a look at the melee across the street. Riordan's men were still shooting at her, but someone else was shooting at them. Her missing puzzle piece was heavily armed with semiautomatic weapons, mat much she could tell.

'Ma'am, please stay on the line. Is the shooting still going on?'

'Yes, it's still going on!' Perrie shouted. 'Can't you hear it?' She held the phone out, giving the operator a taste of her predicament.

'Just remain calm, ma'am.'

'I've got to get my camera,' she said, realizing it was the first calm and rational thought she'd had since the shooting started.

'Ma'am, stay right where you are. We'll have a car there in about two minutes.'

'I need my camera.' Perrie slid along the base of the building, back the way she'd come, her eyes fixed on the camera lying near a puddle of water on the rain-slicked pavement. Stretching her arm out, she reached for the strap just inches away from her fingertips. Another gunshot whizzed by and she could almost feel its heat through her jacket sleeve. She winced, then made one desperate lunge for the camera strap.

Her fingers closed around it and she dragged it and herself back to the safety of the shadows. 'A picture is worth a thousand words,' she muttered as she wiped off the wet lens with her jacket cuff. 'Not a thousand of my words. A picture would only be worth about a hundred of my words.' Her gaze fixed on a dark patch on her sleeve and she sighed as she tried to brush the mud away.

But it wasn't mud on her sleeve. The touch of her own fingers sent a shard of pain up her arm and she blinked in surprise. 'Oh, damn,' she murmured, rubbing the sticky blood between her fingers. 'I've been shot.'

A smile curled the corners of her mouth and she giggled to herself, half out of shock and half out of disbelief. 'I've been shot.' She picked up the cell phone. 'I've been shot,' she repeated to the emergency operator.

'Ma'am, you say you've been shot?'

'I've always wondered what it would feel like,' Perrie explained. 'A bullet piercing your own skin. Would it feel hot or cold? Would you know it happened right away or would it take a while?' She closed her eyes and fought back a wave of lightheadedness.

'Ma'am, please don't move. We'll have a car there in thirty seconds. And an ambulance is on the way. Can you tell me where you've been shot? Please, ma'am, stay right where you are.'

'I'm not going anywhere,' Perrie said as she tipped her head back to rest on the rough brick wall. The rain spattered on her face and she welcomed the cold. It was the only thing that seemed real about this whole incident. 'Wild horses couldn't drag me away from this story now,' she murmured as the wail of sirens echoed in the distance.

The next half hour passed in a blur of flashing red lights and frantic paramedics. They had hustled her inside an ambulance and bandaged her arm, but she'd refused to be transported to the hospital, choosing instead to watch the scene unfold in the rainy night in front of the warehouse, questioning the detectives who collected the evidence of the Shootout.

'Perrie!'

She glanced over her shoulder once to see Milt Freeman approaching, his expression filled with fury. Ignoring his summons, she turned back to the detective and continued her own interrogation.

'Damn it, Kincaid, what the hell happened here?'

'I'm sure you know all about it by now,' Perrie called.

The detective looked up as Milt grabbed her arm. She winced in pain and Milt frowned. 'Get her to the hospital,' the detective advised. 'And get her out of my hair. She took a bullet in the arm.'

'What?' Milt boomed.

'I'm fine,' Perrie insisted, her attention on the detective. 'Why don't you let me get a peek at that wallet?'

The detective gave Milt an exasperated look, then walked away, shaking his head.

'This is it,' Milt said, drawing her along toward the ambulance. 'Two weeks ago, they tampered with the brakes on your car. Last week, they broke into your apartment. And now you're dodging bullets in the middle of a wise-guy war. I want you out of Seattle. Tonight.'

'Yeah, right. Where am I going to go?' Perrie asked.

'Alaska,' Milt said, pushing her down to sit on the wide bumper of the ambulance.

'Alaska?' Perrie gasped. 'I'm not going to Alaska.'

'You're going,' Milt countered. 'And I don't want you to give me any grief about it. You were shot tonight and you're acting like it was just another day at the office.'

'It was only a flesh wound,' she grumbled, glancing at the bandage around her arm. 'The bullet just grazed me.' She grinned at her boss. He was not nearly as amused as she was. 'Milt, I can't believe I just said that. This is like those guys that used to cover combat zones in Vietnam. I feel like I've finally earned my stripes. I'm not some wimpy Lifestyles writer anymore. I've actually been wounded in the line of duty.'

Milt crossed his arms over his chest and leaned back against the rear door of the ambulance, sending Perrie a disapproving glare. 'I've called an old friend of mine up in a little town called Muleshoe. Joe Brennan is his name. He runs an air charter service. I go fishing up there in the summer and he always flies me in and out. He owes me a few favors.'

Perrie ignored his story and concentrated on her own. Milt was a little upset right now. He'd get over it. 'The way I see it, we should run the story now. As far as I'm concerned, we've got all the confirmation we need. So I didn't get a picture. I saw Dearborn's chief of staff there with Riordan. That's the connection.'

Milt cursed softly. 'All I see here is two dead wise guys and no sign of either Dearborn or Riordan. You've got a big empty hole where you thought you had a solid story.'

'I do have a story!' Perrie protested. 'And it's here, not in Alaska.'

Milt Freeman leveled his gaze on hers. 'You're acting like Alaska is Siberia. It is one of the fifty states, you know.'

'Yeah, but it used to be Siberia,' she shot back. 'Before we bought it from the Russians. I'm so close on this story, Milt, I can smell the ink already. I just need a few more pieces of the puzzle and we can run with it.'

'What you have right now, Perrin Kincaid, is a price on your head. Someone knows you're onto this story and they're not about to let you write it.'

Perrie stood. 'I've got to get back to the office.'

'You're going to the hospital and then you're going to Alaska.'

'My files are back at the office. I've got work to do.'

'You can turn all your files over to me,' Milt said. 'And I'll give them to the police.'

'You'll do no such thing!'

'And I sent Ginny over to your house to pack some clothes for you. After the doctors check you out, I'm taking you to the airport.'

'I'm not going to Alaska,' she repeated.

'Whoever shot you tonight will be looking for a second chance. And I've spent too much time turning you from a Lifestyles hack into a decent reporter to have you end up dead. You're going to Alaska, Kincaid.'

She shook her head stubbornly. 'No, I'm not. I'm staying right here and I'm going to break this story. Now, what do you think about-'

'The police are going to break this story,' he interrupted. 'After they figure out who shot you, you can come back and write it.' He reached into his jacket pocket and held out an envelope. 'I had a feeling something like this was going to happen. There's an airline ticket to Fairbanks in there. Joe Brennan will fly you into Muleshoe. I've got a nice safe, cozy cabin for you there. No phones, no bullets, no wise guys. Just peace and quiet. I even asked Joe to stock it with popcorn since you seem to think it's a fair substitute for all of the major food groups. I want you somewhere safe until things cool down around here.'

She snatched her notepad from the back pocket of her jeans, wincing as a pain shot down to her fingers, then scribbled an errant thought about the evening's events. 'I'm not going, Milt,' she said, flipping through her notes. 'I have work to do. I won't just sit around all day long waiting for you to call me back here. I can't.'

'That's why I've got you a story to cover,' he continued. 'And this is not a request, Ace-this is an order from your boss.'