stenciled in yellow letters on the corrugated iron wall. The huge sliding doors were open, but there was nothing inside apart from a puddle of oily water and a pile of broken wood. Cables hung down from the ceiling. A pigeon cooed somewhere in the rafters, the sound amplified by the empty space. The second hangar was the same.
Alex was beginning to think he was wasting his time. There was nobody here. And what would someone like Desmond McCain want with an abandoned film studio, anyway? He must have been referring to a different Elm’s Cross after all. Alex looked at his watch. Quarter past eleven. Jack would be wondering where he was. He took out his mobile phone, thinking he would call her. There was no signal.
“It’s ready, ma’am . . .”
“Then I’ll leave you to it.”
Alex heard the voices and crouched behind a low brick wall—in fact made of painted cardboard and wood, another old piece of film scenery. He had already recognized the voice of Dr. Myra Beckett, and a moment later, there she was, walking out of the third studio dressed in a raincoat, which she had wrapped tightly around her waist. There were two men with her. Alex looked around for anyone else, but it seemed they were alone.
Beckett nodded at the men. “I’ll see you back at Greenfields,” she said.
For the first time, Alex noticed a couple of cars parked in the narrow driveway between Studios B and C. Beckett got into one of them and drove off. The two men went back into the studio. What could they possibly be doing there? Alex knew that he’d already been in enough trouble. Jack would kill him if she found out he’d come here. But he couldn’t just back out now. He had to know.
Beckett had left. Alex crept over to the studio entrance, fearful that the two men would reemerge at any moment. He peered inside. There was no sign of them, but it seemed that this studio was still in use. He could make out powerful lights on the other side of a huge screen stretched over a metal frame. The screen was a barrier between Alex and whatever was happening, but at least it was dark on this side. He could hear the two men muttering in the distance and knew that, for the moment, he was safe. He slipped inside.
“Some of this stuff must be worth a fortune.”
“You heard what she said. Leave it!”
The two voices carried easily in the enclosed space. Alex made his way along the back of the screen, keeping close to the outer wall. McCain was closing this place down. That is what he had said in Straik’s office. Perhaps Mr. Bray had done Alex a favor after all. If he hadn’t been suspended, he might never have had the opportunity to find out what was going on.
Then the two men appeared, coming around the side of the screen. But for the darkness, they would have seen Alex at once. Alex slipped behind a pile of boxes, crouching low. The men walked straight past him, so close that he could have reached out and touched them. He watched them disappear the way he had come. Good. Now he was on his own.
The sound of the door slamming shut echoed all around him like a gunshot. Alex twisted around, but he knew already there was nothing he could do. He heard the rattle of a chain being drawn through the handles, followed by the snap of a padlock. The men had finished here. They had left the lights on. But they had locked and bolted the main door. He heard their footsteps as they walked away and, a moment later, the sound of a car engine starting up. He would just have to hope there was another way out.
Alex straightened up, then continued around the side of the screen. And suddenly he was no longer in London, no longer in a grubby industrial area near Heathrow Airport.
He was in Africa.
Alex had never actually been to Africa, yet the scene that surrounded him was unmistakable. He was in the middle of a cluster of mud huts, half a dozen of them, with no windows and roofs made out of straw. They had been constructed close to each other in a dusty enclosure, surrounded by a wooden picket fence. An assortment of clothes, old but brightly colored, hung on a washing line between two stunted acacia trees. To one side, there was a well with a few objects—pots, pans, some tin plates—
scattered around it. A shield shaped like a leaf and two wooden spears had been propped up against one of the doorways as if guarding the way in.
It was only when he looked up that the illusion was broken. Electric arc lamps blazed down from a network of catwalks high above. Together, they were creating the heat and light of an African summer’s day. The giant screen was actually a cyclorama made out of a bright green fabric. Alex understood enough about film technology to know that a computer could insert anything into the green background. A flick of a switch and the village could be in a jungle, a desert, or beneath a clear blue sky.
But what sort of film was being made? With a shudder, Alex realized that the village was populated—
but not with anything that resembled life. There were three dead cows lying on their sides, their legs rigid, their stomachs bloated, their eyes glassy and empty. They had to be made out of plastic. There was no smell, no flies swarming over them as there would have been out in the wild. But that didn’t take away any of the horror. From the look of them, if these animals had been real, they would have died in pain.
They weren’t alone. As Alex moved farther into the set, almost drawn in against his will, he saw what had once been a large bird, perhaps an eagle, now a crumpled heap of bone and feathers lying in the dust. It was only when he reached the edge of the village that he came upon the first human being. A little black boy, maybe two or three years old, was lying curled up, one matchstick arm drawn across his eyes. Alex felt sick. He could tell that it was just a dummy, not a real child. But who would create something like this? And why?
He had seen enough. He could work out the reason for all of this later. Alex just wanted to be back out in the fresh air. He looked around him for a second door and saw one, set in one of the walls of the hangar. He tried it, but it was locked too. There were no windows. He looked up. He could see two barred skylights set in the roof, but there was no way he was going to be able to reach them, even if he climbed up to the lighting platforms. A rectangular air-conditioning shaft ran the full length of the hangar, suspended from the ceiling by a series of metal brackets. He might be able to reach the skylights if he climbed on top of it—but even then, how would he cut his way through the bars?
Perhaps he could blow them up. He still had the second gel-ink pen that Smithers had given him. He was already taking off his backpack when he remembered. He had left the pencil case with the pen and the pocket calculator beside his bed. He checked his mobile. There was no signal. So it looked as if he was just going to have to wait here until someone came back.
And then the whole world burst into flames.
Alex didn’t know what was more shocking—the fact that it was so silent, or so unexpected. All around him the ground simply erupted, tongues of fire shooting upward as if powered by hidden pipes below.
Alex could have been in the middle of a minefield. About half a dozen bombs, incendiaries perhaps, were being
