Barker. Darwin Ridley's. As I'm sure you know, your daughter was involved to some degree. We need to find out exactly…'
Madeline Barker suddenly found her voice and swung around to face us. 'You don't think…Bambi couldn't have done it. She was here, in her room, all night. She never went out.'
'We're aware of that. You see, we've already talked to your daughter.'
'Oh,' she said. 'Then what are you doing here? Why are you still asking questions?'
'Was your husband here all night, too?' I asked.
She paled suddenly and retreated farther into the living room, instantly creating a larger physical buffer zone between my question and her.
'What do you mean?' she demanded. 'You think Tex had something to do with it?'
'If you'd just answer the question, Mrs. Barker. Was your husband here in the house with you all night or was he gone part of the time?'
Madeline Barker pulled herself stiffly erect. 'I won't answer that,' she said. 'I don't have to.'
There are times when no answer speaks volumes. This was one of those times. Tex 'Wheeler-Dealer' Barker had not been home all night the night Darwin Ridley died, of that we could be certain. That gave Barker two of the necessary ingredients for murder-motive and opportunity. When had he left the house and what time had he returned? Those were questions in need of answering. For right then we seemed to have taken a giant step toward getting some answers.
Peters did what he could to soothe Madeline Barker's ruffled feathers. 'You're absolutely right, Mrs. Barker. You don't have to answer that question if you don't want to,' he told her reassuringly.
The questioning process, conducted in pairs, is a subtle game. Peters and I had learned to play it well, using one another as foils or fall guys with equal ease. The slight nod he gave me said we were shifting to Good Cop/Bad Cop, and I was the bad guy.
'Could you tell us about the picture, then, Mrs. Barker?' I asked.
'Picture?'
'You know which picture, Mrs. Barker. We've seen it, and I'm sure you have, too.'
I've learned over the years that if someone doesn't want to talk about one thing, you give them an opportunity to talk about something else. They fall all over themselves spilling their guts. Madeline Barker was happy to oblige.
She made no further attempt to pretend she didn't know what we were talking about. 'It came in the mail,' she admitted. 'About ten o'clock that morning.'
'Here? To the house?'
She nodded. 'It was addressed to both of us, so I opened it. I couldn't believe my eyes. Bambi's always been such a good girl.'
'Was there anything else in the envelope besides the picture?' I asked. 'A note maybe? A demand for money?'
'No. Nothing. Just the picture. That awful picture.'
'Where is it now?' Peters inquired.
'It's gone,' she replied.
'Gone?'
' Tex told me to get rid of it. I burned it.'
'And the envelope?'
'That, too. In the kitchen sink. I ran the ashes down the garbage disposal. That's what it was,' she added. 'Garbage.'
'Let's go back to when you opened the envelope,' I put in. 'What happened then?'
Madeline Barker took a deep breath. 'I was so upset, I didn't know what to do. So I called Tex. At work.'
'And what did he do?'
'He came right home.'
'To look at the picture?'
'Yes.'
'And then what?'
'He went to school to get Bambi. To bring her home.'
'He was angry?'
'Angry! He was crazy. Bambi wasn't like Faline. Bambi was never a problem. She was always a good student, always popular, easy to get along with. And then this. I was afraid Tex would have a heart attack over it. He already has high blood pressure, you know.'
'What happened when he brought her here?'
'There was a fight, a terrible fight. She said she was going to the game no matter what we said, that we couldn't stop her.'
'And that's when he locked her in her room?'
Madeline nodded, then turned an appraising look on me. For the first time I think she realized that we had already heard the story once from Bambi, that we were simply verifying information we already knew.
'Who came up with the idea of sending her to Portland?' I asked.
'I did,' Madeline answered firmly. 'We've fallen away from the church, but I wanted her away from that man. I wanted her out of town. I called my sister. She's in a convent in Texas. She helped us arrange it.'
We didn't stay much longer after that. Madeline Barker had told us as much as she could, or at least as much as she would. There was no need to pressure her any more than we already had.
Once back in the car, Peters turned on the engine, then paused with his hand on the gearshift. 'She still thinks Darwin Ridley seduced her daughter.' Neither one of us had bothered to mention that it was the other way around.
I shrugged. 'It won't be long before she finds out differently, especially with the likes of Maxwell Cole hanging around.'
Peters drove us away from the Barker house. 'That raises another question, doesn't it?'
'What does?'
'The picture. Why wasn't there a note? That bothers me. Blackmail requires communication-two-way communication. According to what Joanna Ridley told us, there wasn't a note with her picture, either. How can it be blackmail?'
'How should I know? These are a bunch of school kids. Maybe they don't know all the ropes yet. They're just talented amateurs trying to break into the big time.'
'They've broken into it, all right,' Peters commented grimly. 'Murder's pretty big time.'
I allowed as how that was true.
CHAPTER 17
Peters drove us to Wheeler-Dealer Barker's Bellevue Ford, which sits on a sprawling piece of real estate smack in the middle of Bellevue 's auto row. The place was actually a total contradiction, a state-of-the-art auto dealership made up to look like an old-time, flagstone ranch house. The lot was lined with log-rail fences, and the salespeople were all decked out in cowboy boots and ten-gallon hats.
Obviously, Tex Barker had brought along the spirit of the Lone Star state as well as his name when he migrated to Washington.
The lady at the receptionist's desk wore a blue gingham outfit that would have been a lot more at home in a square dance convention than in an office. 'Can I help you find someone?' she asked in the thick drawl I had expected from Madeline Barker.
'We're looking for Mr. Barker.'
'He's on the phone just now, if you care to wait. Can I get you coffee, tea?'
'No, nothing. We're fine.'
The waiting area had two genuine brown leather sofas with wheel spokes in the armrests. I hadn't seen one of
