from the University of Arizona.
She had earned it all, with the timely help of both George Deeson and her mother.
Lying in bed at her home in Gates Pass, Diana's eyes misted over. What would have happened to her if George Deeson hadn't driven into her life, bringing Waldo with him? Where would she be now? Married to some drunken logger in Joseph Re Charlene was, or else still living in the house by the garbage dump. Would her life have been worse or better?
There was no way to tell.
Her grief for George Deeson, dead now these four years, spilled over into grief for Waldo, who had broken a leg during her first semester in Eugene and had to be put down.
While she was at it, she shed a tear for her mother, and finally a few for herself as well. What if Brandon Walker was right? What if she didn't have guts enough to pull the trigger? What if Andrew Carlisle killed her? What kind of legacy would she leave for her child?
Still wide awake, she thought of all those boxes sitting in the root cellar, waiting for someone to sort through them-her mother's boxes and, more than that, her husband's. Whose job was that? Who was the person whose responsibility it was to go through them, to sort the wheat from the chaff so Davy or someone else wouldn't have to do it later? There were things in those boxes that should be kept and saved for him and others that should be thrown away and never again see the light of day.
It was weeks before she could face returning to Gary's office, weeks before she could approach the desk again with its stilled typewriter and haunting stack of blank paper She started with the bottom drawer, thinking that would be the least painful but of course, she was wrong.
Had Gary been smart enough, he would have got rid of it, would have destroyed it, but she found the damning envelope with its University of Arizona return address almost immediately.
Curious, she pulled out the sheaf of loose papers and scanned through them, recognizing at once the clumsy effort of one of her own early short stories, the one she had submitted as part of her application to the Creative Writing program.
At first she noticed only the stilted phrases, the graceless prose that flows at tedious length from the minds and hearts of beginning writers, but then her eyes were drawn to the handwritten comment at the end.
'Gary,' it said, 'Your work here is, naturally, a beginning effort, but it shows a good deal of promise. We'll discuss the possibilities for this manuscript in greater detail once you're enrolled in the program and fully underway.' it was signed, 'A. Carlisle.'
For a full minute, she stared down at the paper, trying to make sense of it all. Then the full weight of Gary's betrayal thundered over her, burying her in a landslide of emotion.
Gary had gained admission to Andrew Carlisle's program using her story, not his own. Not that she would have wanted to be in it after all, she thought bitterly, but the rejection had caused her to doubt her own ability, to retreat into teaching, to settle for second best rather than following her own aspirations.
Up to that very moment, in spite of everything else, Diana Ladd had grieved for her dead husband. Now she exploded in a raging fit of anger.
'Damn you!' she screamed in fury at Gary Ladd's unconcerned Smith-Corona. 'Damn you, damn you, damn you!'
Having once allowed herself to succumb to anger, it never once left her.
It functioned as a whip and a prod, goading her to succeed at writing no matter what obstacles might fall in her path.
Diana dropped the papers, scattering them like leaves across the desk and floor. She fled Gary's office and never returned. Only as she left for the hospital to have Davy, with the arrival of the movers barely minutes away, did she give Rita permission to go into Gary's abandoned office and pack up whatever she found there.
With the exception of appropriating the typewriter for her own, in the intervening years, Diana had never examined any of the boxes, but Rita was nothing if not thorough.
Therefore, that purloined short story must still be there, carefully packed away among all of Gary Ladd's other books and papers. That story was one of the things that demanded both attention and destruction, although there were probably plenty of others. Only Diana could tell the difference. It was her job, her responsibility, and nobody else's.
'Mom?' a small voice asked from the doorway. 'Are you awake yet?'
'I'm awake, Davy.'
'I'm hungry. Are we going to have breakfast? We're still out of tortillas.'
'We're going to have breakfast,' she said determinedly, getting out of bed. 'I'm going to fix it.'
While Myrna Louise was making breakfast, Andrew Carlisle made a quick survey of her room. He found her extra checkbooks and the savings-account book in the bottom of her lingerie drawer, the same place where she'd always kept it, along with a fistful of twenties in hard, cold cash. The balance in both accounts was pitifully small in terms of lifetime savings for someone of her age. It was just as well she wouldn't be around to get much older, Carlisle thought. He was actually doing her a favor. Maybe she was planning to land on his doorstep when the time came, expecting her son to support her in her old age. Fat chance.
Out in the garage, he eased Jake's partially opened bag of lime into the trunk, careful not to spill any of it on Johnny Rivkin's Hartmann bag.
Garden-variety lime probably wouldn't be enough to strip all the meat off the bones, but it would help kill the odor.
They had breakfast, a cheerful, family-style breakfast.
Myrna Louise was careful not to fuss too much. Afterward, while she cleaned up the kitchen, Andrew loaded the car.
Lida Givens, that nosy old bat from next door, came over to the fence to see what he was doing and to chat for
