inmate clerk, so chances are, Carlisle's got something on Mallory.
He's not going to lift a finger to help us.'
'Unless somebody holds his feet to the fire,' Farrell said.
'Now tell me, Walker, what's the real reason you're here?
What's your beep I can see how your ego might be hurt because this guy slipped off the hook once, but it seems like there's more at stake here than just the usual problem with the crook that got away.'
'The other man's wife,' Walker said. 'The widow of the guy who committed suicide. At the time, I convinced her that we'd take care of Carlisle. All she had to do was trust the system.'
'And the system screwed her over?'
'Without a kiss.'
'So it is ego damage. That's something this old man understands,' Farrell said with a sly grin. 'I've been there, too. Finish your coffee, Detective Walker. We'll go have a look up the mountain.'
Rita lay in the hospital bed and thought about her plan.
It was a daring trickster plan, one both I'itoi and Coyote would have liked. She was surprised Diana had agreed so readily. After all, Diana would run the greatest risk, for she was the bait, the one Carlisle would come looking for. They would lure Carlisle to the deserted cave by Rattlesnake Skull .Village and dispose of him.
Would he fall for it? Rita couldn't be sure, but she knew that people saw what they wanted to see, heard what they wanted to hear. She had already tried that once, and back home, in Tucson, she had Understanding Woman's original medicine basket stored safely away among her treasures as proof that it worked.
Mrs. Charles Clark wasn't particularly nice as she conducted the initial interview with her new employee. The Clarks were not accustomed to dealing with girls of dubious virtue, but Father Mark had begged them to make an exception in this case. Rita would be allowed to remain and work providing her behavior was absolutely above reproach. She must attend church regularly, do no drinking or smoking, and have no male visitors.
There was another young Tohono O'othham working in the household, a slender, shy girl named Louisa Antone.
Rita and Louisa shared the same last name, but they were not related.
Rita was from Ban Thak, while Louisa came from Hikiwoni, or Jagged Edge.
Although Louisa was two whole years younger than Rita, she was much more well versed in the ways of the Clark household. Louisa explained Adele Clark's complex housekeeping system that allowed every room in the house to be dusted at least twice a week. It wasn't until the third day that Dancing Quail opened the door to what was known as the basket room.
She remembered Father Mark saying that the Clarks were interested in baskets, but until she entered the sweet smelling room, she had seen no evidence of it. When she stepped inside, the clean, dry smell of yucca and bear grass overpowered her. Smelling them made her want to weep for her home, for her grandmother, and for all that was both familiar and lost to her. Tempted to cry, she forced herself to work.
Dancing Quail came from a society where baskets and livestock were signs of wealth. At home she had never seen so many baskets in one place.
Many were crammed together, stacked against walls or piled haphazardly in corners, as though they'd been gathered in a hurry and no one had yet taken the time to sort them. The girl recognized some of the designs and patterns as ones from the Tohono O'othham, but there were baskets of many other tribes as well-Hopi, Navajo, Yaqui, even some of the hated Apache.
Slowly, savoring the smell and touch of familiar objects, Dancing Quail worked her way around the room, coming at last to a glass-enclosed case where someone had bothered to arrange the fine baskets displayed there.
Cautiously, she opened one door, propped it up on its hinge, and began moving the baskets around on the shelf, gingerly dusting each basket as well as the shelf beneath it.
She had finished the first shelf and was ready to start on the next when she saw it sitting there, waiting- Understanding Woman's basket, not the crude one from the leather case upstairs, but the original one with its fine, straight seams and smooth, silky weave, the basket that had been taken from Dancing Quail's bedroll years before.
With trembling fingers, she took it in her hands and pried open the tight-fitting lid. Not only was the basket there, so were all of the things that had been inside, the sacred gifts her grandmother had given her, except for the missing geode. One at a time, Dancing Quail touched each precious item--the jagged piece of pottery with its etched turtle still clearly visible, the seashell her grandfather had brought back from the ocean, and the eagle feather Dancing Quail's father had brought to his own mother when he was still a boy.
They were all there and all perfectly safe, as though they had been waiting for Dancing Quail to find them. As she put each item back inside and carefully closed the lid, she felt Understanding Woman's spirit close beside her, guiding her.
Brandon swung by Tucson Medical Center on his way back through town.
Nothing had changed with Toby Walker. Louella refused her son's offer of a ride home.
'I've got to be going then, Mom,' he said.
'Going?' Louella asked vaguely. 'Where?'
'I'm working,' he lied. 'I'm on a case.,@ 'Oh,' she said distractedly.
'You go on then. I'll be fine.'
'What did the doctor say?' he asked gently.
Louella's, eyes filled with sudden tears. 'That it's up to me,' she said, 'and I don't want it to be. I want somebody else to make the decision, God or someone, just not me.'
