“I know, baby,” he said, bending over and giving the child a hug. “But this one is very special. Let me carry it, okay?”
“Okay,” she sniffed. “Can I carry your hat then?”
For an answer, Gabe had put his huge black Stetson on her head. It had engulfed the child, falling down over her eyes, covering everything down to her lips, which suddenly burst into a wide grin.
“I can’t see anything,” she said.
“That’s all right,” Gabe had said, reaching out and taking her hand. “I’ll lead you to the car.”
“What’s wrong?” Wanda asked, once they were in the Ford. “You got mad at Rita for just touching the book.”
“I wasn’t mad,” Gabe returned, although his protest was useless. After all their years together, Wanda knew him far too well for him to be able to get away with lying.
“It’s the book,” he said. “It’s dangerous. I didn’t want her near it.”
“How can a book be dangerous?” Wanda asked. “Rita’s just a little girl. She can’t even read.”
Gabe did not want to argue. “It just is,” he said.
“So what are you going to do?” Wanda asked. “Take the book to some other medicine man and have him shake a few feathers at it?”
With that, Wanda had squeezed her broad form against the door on the far side of the car. She had sat there with her arms crossed, staring out the window in moody silence as they started the sixty-mile drive back to Sells. It wasn’t a good way to end a birthday party.
Looks At Nothing had taught Gabe Ortiz the importance of understanding something before taking any action. And so, in the week following the party, he had read the book,
It was late when Fat Crack finally finished reading. Wanda had long since fallen asleep but Gabe knew sleep would be impossible for him. He had stolen outside, and sat there on a chair in their ocotillo-walled, dirt-floored ramada. It was early summer. June. The month the
It was true, he had known much of the story. In the late sixties, his cousin, Gina Antone, his Aunt Rita’s only grandchild, had been murdered by a man named Andrew Carlisle. Diana Ladd, then a teacher on the reservation, had been instrumental in seeing that the killer, a once well-respected professor of creative writing at the university, had been sent to prison for the murder. Six years later, when the killer got out and came back to Tucson seeking revenge, he had come within minutes of killing both women—Diana Ladd and Rita Antone—and Diana’s son, Davy, as well.
That much of the story Gabe already knew. The rest of it—Andrew Carlisle’s childhood and Diana’s, the various twists of fate that had put their two separate lives on a collision course—were things Fat Crack Ortiz learned only as he read Diana’s book. Knowing those details as well as the background on Andrew Carlisle’s other victims made Fat Crack feel worse instead of better. Nothing he read, including the knowledge that Andrew Carlisle had died of AIDS in the state penitentiary at Florence a few months earlier, did anything to dispel his terrible sense of foreboding about the book and the pain and suffering connected with it.
Gabe Ortiz was a practical man, given to down-to-earth logic. For an hour or more he approached the problem of the book’s danger through the teachings of Mary Baker Eddy. When, at the end of several hours of consideration, he had made no progress, he walked back into the house. Careful not to disturb Wanda, he opened the bottom drawer of an old wooden teacher’s desk he had salvaged from the school district trash heap. Inside one of the drawers he found Looks At Nothing’s buckskin medicine pouch—the fringed
In the years since a frail Looks At Nothing had bequeathed the pouch to Gabe, he had kept it stocked with sacred tobacco, picking it at the proper time, drying, storing, and rolling it in the proper way. Gabe had carefully followed the sacred traditions of the Peace Smoke, using it sparingly but to good effect, all the while hoping that one or the other of his two sons would show some interest in learning what the medicine man had left in Gabe’s care and keeping. Unfortunately, his two boys, Richard and Leo, nearly middle-aged now, were far more interested in running their tow-truck/auto repair business and playing the guitar than they were in anything else.
Back outside, seated on a white plastic chair rather than on the ground, as the wiry Looks At Nothing would have done, Gabe examined the contents of the bag—the medicine man’s World War II vintage Zippo lighter and the cigarettes themselves. He had thought that he would light one of them and blow the smoke over the book, performing as he did so the sacred act of
Rather than waste the sacred smoke, Fat Crack Ortiz decided to try blowing from his heart instead. He remembered Looks At Nothing telling him once that the process was so simple that even an old woman could do it.
Holding the book in his hands, he began the chant, repeating the verses four times just as he had been taught.
As Gabe did so, as he sang the words of the