“Yes,” Donna said. “The burn unit. On the eighth floor.”
“So are you acquainted with Sister Anselm, a Sister of Providence who was working as a patient advocate there?”
Donna shook her head. “I might have seen her. I’m sure I’ve heard the name, but I don’t believe I ever met her.”
There was the tiniest tremor in the corner of her eyes when she gave that answer. Ali suspected that Donna was telling the truth, sort of. Perhaps she and Sister Anselm had never been formally introduced, but Donna Carson knew who Sister Anselm was and what she did.
“I suppose we should read her her rights,” Maria said casually to Ali. “Just in case she turns into a suspect.”
“Right,” Ali said agreeably. “Just in case.”
Maria recited the Miranda warning from memory. Ali waited until the Mirandizing was complete. Ali expected Donna to demand an attorney at that point. When she didn’t, Ali posed another question.
“What did you do with Mimi Cooper’s watercolor?” she asked. “We know what happened to the fake Paul Klee. What happened to the real one?”
“What painting?” Donna demanded in return. “I don’t have any idea what painting you mean.”
“Yes, you do,” Ali insisted. “You stole Mimi’s Klee months ago, when you took it out for reframing. You replaced it with a fake. The two house fires in Camp Verde were supposed to get rid of the evidence. So what’s your connection to Thomas McGregor?” Ali asked. “How did you persuade him to help you?”
Donna had been warned that anything she said could be held against her, but apparently she wasn’t listening.
“I didn’t have to persuade him,” she said dismissively. “He offered to help me. He wanted to help me. He hated those people as much as I do.”
A hint of a smile twitched at the corners of Detective Salazar’s mouth, but she said nothing.
“What people did he hate?” Ali continued. “Sister Anselm? Mimi Cooper? What did they ever do to you, or to him? You still haven’t said what you did with the real Paul Klee. Where is it?”
“It’s on its way somewhere you’ll never find it,” Donna answered. “You’ll never get it back. Neither will Serenity or Win. It’s mine. All mine.”
Donna sounded like a petulant little girl, frustrated because she hadn’t been allowed to have her own way and had been forced to share some beloved toy. She didn’t sound the least bit like someone capable of planning and executing a cold-blooded murder.
But if she’s damaged goods, Ali thought,
Ali decided to tackle that delicate subject head-on.
“Why did you do this?” she asked. “Why are you lashing out at Winston Langley’s family? Is it because your uncle molested you? Was he your lover?”
For a moment Donna stared at Ali in openmouthed amazement. “My lover!” Donna exclaimed. “Are you kidding? That bastard was never my lover.”
Ali and Maria exchanged looks. If Donna Carson and Winston Langley hadn’t been lovers…
“And he wasn’t my damned uncle, either,” Donna declared, trembling as outrage overtook her. “Oh, he played the good uncle, all right, the beneficent uncle. But he was my father-my biological father! He raped his own sister and convinced their parents that she was the wild one! She ran away and found someone who married her and gave me his name. Those are the names on my birth certificate, you know-Leah Lynette Carson and John David Carson.”
Ali was appalled by the whole idea. “You’re saying Winston Langley was your father, and that he raped his own sister?” she repeated.
“Yes.”
“What about your mother’s parents?”
“What about them? I never even met them until after my mother went to prison. That’s when Winston came riding to the rescue, playing the part of the generous uncle. And all this time, that’s what I thought he was.”
“Your mother never told you what happened?”
“Tom McGregor was the only person who ever told me the truth. Winston didn’t, not even when he was dying, and his goody-goody bitch of a wife didn’t tell me, either, although she knew. She claimed she didn’t, but she must have. As far as the world was concerned, Winston Langley was this really good guy-the magnanimous uncle who stepped up to the plate to help out his poor, deprived, and orphaned niece by seeing to it that I got an education and by giving me a job. All I had to do was keep my mouth shut about my mother. She was the bad seed, and the less said about her the better.
“So I went along with the program. I was the charity case. I wore Serenity’s cast-off clothing, but I had a place to live and food to eat. That was the price I was prepared to pay as long as I was an orphan. But it turns out I wasn’t an orphan at all. Once Tom told me the truth, I realized how badly I’ve been cheated-by Winston and Mimi and by Serenity and Win, too.
“What I’ve earned in paychecks over the years is a drop in the bucket compared to what Win and Serenity got when Winston died. I’m expected to bow and scrape and do whatever Serenity says, while she treats me like dirt. But then, she can afford to. She had access to her share of Winston’s estate, and mine, too.”
“That painting belonged to Mimi,” Ali put in. “How does stealing it even the score with her dead husband?”
“It didn’t,” Donna said. “Not nearly. All three of them got way more than I did.”
“Tell us about Tom McGregor,” Detective Salazar suggested. “What brought him into the picture?”
“He reached out to me after he saw Winston Langley’s obituary in one of the Phoenix papers,” Donna answered. “He didn’t think it was fair that the story said Winston had a son and a daughter when Tom knew it should have been a son and two daughters.”
“When did you first hear from him?”
“A little over a year ago. He said his conscience was bothering him and that he owed it to my mother to set the record straight. When he first told me, I didn’t believe it, either, but then I had some DNA testing done. You’re cops. DNA doesn’t lie, does it?”
“So you convinced Tom McGregor to help you,” Ali asked.
“I already told you. He offered to help me.”
“Why kidnap Sister Anselm? What did you have against her?”
“Because Tom blew it the first time around. Mimi was supposed to be dead, but she wasn’t. I was afraid she’d tell someone that I was involved before I had a chance to get away.”
“You’re right,” Ali said. “She did tell someone.”
“The nun?” Donna asked.
“No,” Ali told her. “She told her husband.”
“Tell me about your mother’s involvement with Tom McGregor,” Maria Salazar urged.
“He was lonely,” Donna said. “She loved him and he loved her. He told me that he never got over her, and that he felt responsible for what happened to her. Not that she died, but that she died in prison. He said that once he’d evened the score with my mother-once he’d repaid what he owed her by helping me-he didn’t care what happened. He said he was done and that chapter was finished. I’m not sure what he meant.”
Ali did. He was referring to all those handwritten notebooks-and to his suicide by cop.
The escrow officer, who had been listening to this whole exchange in slack-jawed amazement, rose to her feet.
“I shouldn’t be here,” she said. “I need to go.”
“But what about the papers?” Donna objected. “If I don’t sign them, I don’t get the money.”
“No one is getting any money today,” the woman said. “Under the circumstances, the closing can’t proceed. I’m sorry.”
She stood up to walk away. Before she made it out the door, Maria Salazar stopped her. “I understand Ms. Carson was leaving town today. Where were you expected to send the proceeds from the sale?”
Louise looked as though she was ready to object. “I can get a warrant,” Detective Salazar told her, “but it would be easier all around if you’d just tell me.”
Biting back a comment, the escrow officer opened the file and shuffled through the papers. Finally she settled
