Darkness Becomes Her

became quieter, but no less colorful — the houses painted in the bright colors of the Caribbean. Long wooden shutters framed open windows, which allowed the breeze in from the river.

But even here in the residential space, voodoo was everywhere. Adorning every door, railing, and gate were beads, flowers, votive candles, gris-gris pouches, handmade dolls, beautiful scarves, trinkets, and effigies of saints.

Sebastian stopped in front of one such gate. The wrought iron whined as he pushed it open. We entered a tunnel, a dark space where the sound of our footsteps bounced off the vaulted brick ceiling of the courtyard passageway running between the West Indies — style homes on either side.

My eyes watered as we ventured from the darkness of the tunnel and into the bright light of a large walled courtyard. Water splashed from a fountain in the center and everywhere there were birds — chirping, fluttering, moving in the trees. Scarves and beads hung from the large banana tree in the back left-hand corner.

“This way,” Sebastian said quietly.

I followed him along the brick path to a stone patio that butted up to the first floor of the house. Three sets of French doors ran the length of the ground floor. The middle set was open, held ajar by potted plants and a crude, life-size wood carving of the Virgin Mary, her neck draped with beads.

Incense clouded the room inside. Fine particles of dust and wisps of smoke floated in random shafts of sunlight. The room was packed with things. Weird things. Old things. Gaudy things. So many things that I found it hard to concentrate.

“Sebastian Lamarliere,” said a deep, heavily accented Cajun voice with a slight singsong quality. A figure came around the corner in a thin, wide-sleeved robe that brushed the tops of long bare feet. Dark skin and eyes. Closely cropped gray, frizzy hair. Two large hoops in the ears. There were rings on the fingers of one hand and a bouquet of daisies in the other.

I was stumped.

It was the first time in my life I couldn’t tell a person’s gender. My eyes fell to the neck, looking for an Adam’s apple, but it was swathed in a colorful scarf, the ends trailing down the back of the gown.

“Jean Solomon,” Sebastian said with respect.

He said it in the French way. The French “Jean” was male. Male it is, then.

Jean went behind a long counter and retrieved a vase for the flowers. “These are for Legba,” he said, smelling a daisy before snuggling it into the vase.

Jean beckoned for us to step closer; the warm wise eyes and gentle tone of voice made me a little more at ease. I gave him a small smile, not sure what to say, and it took several uncomfortable minutes before he slid the vase aside and propped his arms on the counter. “What interesting thing have you brought into my shop, Bastian?” His eyes squinted at me, bright with amusement, but deep and knowing and mysterious.

“Sebastian brought me here to see if you can lift my curse. . an old one.”

An eyebrow rose at my words, or the fact that I’d answered for Sebastian; I couldn’t tell. “An old one, indeed.” He rested his chin on one hand. “Love the moon tattoo. What is your name, chere?”

“Ari.”

“And, what, Miss Ar-eee, will you offer the loa in return for removing this curse?”

I knew enough to know that loa were the spirits a voodoo priest called upon to aid him, and Legba was a spirit that acted as a guide between the priest and the spirit world. Or at least, that was how I thought it went. What I hadn’t considered was payment. And I was running low on funds.

“I tell you what,” Jean said, “we will see about this curse and the loa will tell you what they want for it, c’est bon?”

I released my breath. “Thanks.” His wink brought a smile to my face and eased the tension from my shoulders. Now we’re getting somewhere.

He moved around the counter, urging me and Sebastian into a large square room, ringed with items and chairs but empty in the center. On the far wall was a wide altar, caked with candle wax, small idols of voodoo and Christian religion, food, trinkets, and dried blood. There was a photograph of a woman in a turban and a large statue of Christ on the cross. Curled around the base of the statue was a yellow python. A small python, but size never really mattered when it came to snakes.

The blood drained from my face as the electric tingle of fear swamped me. My arms and legs went numb, and my heart began to pound like one of Sebastian’s drums. I froze, unable to move another step. Distance. Yes, keep your distance.

“It’s okay,” Sebastian said, sensing my distress. “Snakes are used to help the priest focus and connect with the spirits.”

“Come, come.” Jean shut the French doors and then shuffled to the altar, gently picking up the snake and setting it on his shoulders. Its tail curled under his neck as he lit the altar candles.

All the hairs on the back of my neck lifted. Jean turned to us and took two steps closer. One more and I knew I’d run. I wouldn’t be able to control it. The snake was staring straight at me.

But Jean stopped at the second step, took a deep breath, and closed his eyes. “Legba,” he whispered reverently, reaching both hands up to stroke the snake. “Papa Legba, open the gate for me, so I can go through. When I return, I will honor the loa. Papa Legba ouvri baye-a pou mwen, pou mwen pase. Le ma tounen, ma salyie lwa yo. Papa Legba ouvri baye-a pou mwen, pou mwen pase. Le ma tounen, ma salyie lwa yo.”

Jean repeated his incantation over and over again until it sounded like a song. Faster and faster. He swayed as he chanted the words, putting himself into a deep trancelike state. The snake moved back and forth with Jean, balancing in its creepy reptilian way, eyes never leaving me. Sebastian and I found ourselves swaying too.

Jean stopped suddenly, deathly still.

I almost jumped out of my skin.

Six seconds passed. I counted them, trying to calm my racing pulse, but it wasn’t working. Slowly his eyes opened, and they were different from before. Milkier. He smiled and said a few unintelligible words, looking at us or beyond us, I wasn’t sure.

“What do you seek?”

I swallowed hard, casting a quick glance at Sebastian. He looked as anxious as I did, and a little paler. I drew in a steadying breath, noticing that Jean’s eyes and head had tipped back and were fixed on the ceiling fan. “Um.” I cleared my throat. “I seek a way to remove my curse.”

It was so fast I didn’t even see his face tilt back down or his eyes move. They were on the ceiling and then suddenly they were on me. Too fast to be human. I froze. The snake held its head out and away from Jean’s shoulder, intent on me.

And then all hell broke loose.

Jean or Papa Legba — whoever the hell he was now — yelled, jumping up and down as though he’d caught fire. The snake dropped to the floor and slithered underneath the altar, turning its head around to hiss at me. A furious argument erupted between Papa Legba and Jean Solomon. The same person. Two different voices.

I backed away slowly, catching bits and phrases in the broken English and French and whatever else they were speaking.

Sebastian reached out and grabbed my hand as Jean said to himself, “She cannot hurt—”

“Bah! Legba is not scared!” His head swung around and he ran right up to me, stretched out his neck, and stuck his face in mine. I couldn’t move or breathe. “YOU DON’T FRIGHTEN ME!”

Blood vessels swelled on Jean Solomon’s head. His face shook with rage. Then he straightened and marched back to the altar, gesturing wildly. “Dishonor, dishonor, dishonor!”

And then Jean’s calm voice, “Shh. Shh. Shh. .” Followed by unintelligible, soothing mumblings as Jean tried to placate the angry spirit.

More angry words.

And then Jean Solomon doubled over, and all was quiet except the blood hammering through my eardrums and the birds outside that began their songs once more. Goose bumps covered my skin. My grip on Sebastian’s hand was brutal, but he didn’t let go. Actually, he was holding on to mine just as hard as I held on to his.