'Your sources are shit,' said Dry Voice. 'You're a liar. You make them up.'

'Inspector Shmeltzer lacks tact,' said Sharavi, smiling, 'but I can't argue strongly with him, Mr. Wilbur.' Little bastard held out his hands palms up, all sweetness and light. The palm of the messy hand was puckered with scar tis-sue.

'Mutti Abramowitz as a biblical scholar,' he said, shaking his head. 'A clown like Samir El Said as a sociological scholar. Rumors of 'sacrificial mutilations.' You have a vivid imagination, Mr. Wilbur.'

'Lying shmuck,' said Dry Voice.

'Listen,' said Wilbur, 'this good-cop-bad-cop stuff isn't going to work. I've watched the same movies you have.'

'You like movies, don't you?' Sharavi reached in the briefcase, took out some papers, and handed them to Wilbur.

The notes and title page for his screenplay. Not the original, but photocopies.

'You have no right-'

'Very interesting reading,' said Sharavi. 'You seem to have many ideas about the Butcher.'

'That's fiction-'

Sharavi smiled. 'Many ideas,' he repeated. 'It was you who named him the Butcher, wasn't it? So in one sense you invented him.'

'What else did you steal from my office?'

'Tell me everything you know about the murders of Fatma Rashmawi and Juliet Haddad.'

'I already told you-everything I know is in my stories.'

'Your stories are shit,' said Dry Voice-Shmeltzer.

'This is outrageous,' said Wilbur.

'Murder is always outrageous,' said Sharavi.

'Breaking into my office, stealing my personal-'

'Just like Watergate,' suggested Sharavi.

'Wilburgate,' said Shmeltzer. 'Shitheadgate.' He said something in Hebrew. Handsome and Slant-Eye laughed.

Sharavi shook his head. The others quieted.

'A good imagination,' he said, returning his attention to Wilbur. 'You heard rumors that the police haven't heard, receive letters from someone you claim is the Butcher-'

'I claimed nothing of the sort, I simply-'

'You implied it strongly. Just as you implied that the Gvura people were responsible-'

'I analyze facts,' said Wilbur. 'Do my research and come up with feasible hypotheses-'

'Feasible hypotheses?'

'You got it, chief.'

'You seem to know more about the Butcher than anyone. His motives, his 'sacrificial mutilations,' what goes on inside his head. He must appreciate your understanding, think of you as a friend, because he sends you a letter-a letter without postage. A letter without any fingerprints or serum traces except the ones that match those removed from your liquor bottle and typewriter. Your fingerprints. Your serum type.'

'That envelope was stuck in my mail.'

'Yes, that's what Mutti says. However, the mail lay in the box there for an hour before he collected it and brought it to you.'

'Meaning what?'

'Meaning perhaps you placed it there yourself.'

'That's absurd.'

'No,' said Sharavi. 'That's a feasible hypothesis. Mutti Abramowitz as a biblical scholar is absurd.'

'Why would I do something like that?' asked Wilbur, knowing the question was stupid, the answer obvious. 'I report the news,' he said. Talking to the walls. 'I don't create it.'

Sharavi was silent, as if digesting that.

'This morning,' he said, finally, 'five men died, a woman will probably lose her baby, another man, a good portion of his intestines. Several others were injured. All because of 'news' that you invented.'

'Blame the messenger,' said Wilmur. 'I've heard it before.'

'I'm sure you have. My research reveals you have a history of inventing the news. Mardi Gras ritual murders that turn out to be suicides, exposes that end up exposing nothing.'

Wilbur fought to stay cool. 'We have nothing to talk about.'

'But that's old mischief,' said Sharavi. 'My primary concern is how far your current inventing went. Could you have been hungry enough for a juicy crime story to supply crime?'

Вы читаете Kellerman, Jonathan
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