Silent Partner

full of shit. One thing I can tell you, he was no stud, despite how the papers played up his dating all those actresses. I did meet him. At a party. He used to hire off-duty cops for security. And sometimes not so off-duty- the department was in to him in a big way, kissing his rich ass until it sparkled.”

“Be specific,” said Milo.

“Yeah, right. Okay, one time, must have been back in ’49 or ’50, I got pulled off a child- molesting case and assigned to one of his bashes out in Bel Air- priorities, eh? Big charity thing, full orchestra, all the best folks tooting and shuffling, lots of female flesh, plenty of cloak-room clinches. But all Stud Belding did was watch everyone else. That’s what he was- a watcher. Like some frigging camera on legs. I remember thinking what a cold bastard he was- repressing. Latent.”

“That’s what you meant by meeting him?”

“Yeah. We shook frigging hands, okay?”

“Why’d you call him vicious?” I said.

“I call killing vicious.”

“Who’d he kill?” asked Milo.

Crotty wiped his brow and coughed. “Thousands of people, Lump- all the ones his frigging planes bombed.”

Milo looked disgusted. “Thanks for the political commentary. Anything more you want to tell us about Belding?”

“I told you plenty.”

“How about his sidekick, Vidal?”

“Billy the Pimp? He was at that party too. Very suave. Good teeth. Excellent-looking teeth.”

“Anything else besides his dental health?”

“He was supposed to be the one who supplied Belding with the girls.”

“What about the War Board parties?” asked Milo. “The ones Belding got investigated for. Did the department do guard duty on those?”

“Wouldn’t surprise me. Like I said, the department was in to him.”

“Name names,” said Milo, pencil poised.

“It was a frigging long time ago, Lump.”

“Listen, Ellston, I didn’t pay a hundred to get stuff I can get in the locker room.”

Crotty smiled. “Guy in your situation, Lump, doesn’t get anything in the locker room.”

Milo ran his hand over his face. A knot swelled his jawline.

“Okay, okay,” said Crotty. “The two I’m sure were in Belding’s pocket were a couple of shits named Hummel and DeGranzfeld. Working Ad-Vice when I came on- as head crackers. Soon after, Hummel was transferred out to be the chief’s chauffeur. A year later he was a lieutenant out at Newton Division, which was a hell of a match because he was a racist pig, used to go down to Main Street and beat colored whores to a pulp. Wore pigskin gloves- said he wanted to avoid infection.”

“How do you know he and the other guy were Belding’s boys?”

“It was obvious from the way they moved up fast without earning it- they were connected. And both of them always dressed good, ate good. DeGranzfeld had a big house out in Alhambra, horses, orchard land. You didn’t have to be Sherlock to see they were in somebody’s pocket.”

“Lots of pockets besides Belding’s.”

“Let me frigging finish, Lump. Later, both of them quit the force and went to work for Belding at probably six times the salary, all the graft they could eat.”

“First names,” said Milo, writing.

“Royal Hummel. Victor DeGranzfeld- Sticky Vicky we used to call him. He was a twerp and a sneak, too yellow-bellied to get physical but just as sadistic as Hummel. When he worked Vice he was head bagman, coordinated collections from all the downtown bookies and pimps. When Hummel moved to Newton he had DeGranzfeld transferred over there as day-watch commander. Bosom buddies, probably a couple of latents themselves. Later both of them were picked to head Metro Narcotics- this was in the early fifties, there was a big dope panic, and the department knew it could get funding increases by making big busts.”

“All right,” said Milo. “Let’s talk about the houses Belding owned- the party pads. Know where any of them were located?”

Crotty laughed. “Party pads? Isn’t that sweet? Where’d you come up with that, Lump? Party pads. They were fuck pads- everyone called ’em that, ’cause that’s what Mr. Leland Belding used ’ em for. Brought bigwigs there, had a stable of bimboes all set to clean their pipes until they were ready to sign on any frigging dotted line. And no, I don’t know any locations. Never got invited to those soirees.”

He got up, sidestepped a wall of boxes, and went through a doorway into what I assumed was the kitchen.

Milo said, “Sorry you had to hear his life story.”

“It’s okay. It was interesting.”

“Not after the thousandth time.”

“You bad-mouthing me?” Crotty had come out of the kitchen, was glaring at us, a glass of water in one hand, the other balled up in a fist.

“No,” said Milo. “Just admiring the decor.”

“Hah!” The old man opened his free hand, revealing a palmful of pills.

“Vitamins,” he said and swallowed some of them. He washed them down, grimaced, swallowed some more, and rubbed his abdomen. “I’m getting tired. Get the hell out of here and let me get some rest.”

“Tab’s not run yet,” said Milo.

“Make it snappy.”

“Got a couple more names for you. Actress named Linda Lanier, rumored to be one of Belding’s bimboes. And some doctor she screwed on a stag film- give him the physical description, Alex.”

As I did, Crotty lost color and put the glass down on a crate. Wiped his forehead, seemed to lose balance, and rested his hands on the back of a moth-eaten settee. He puffed out his cheeks.

Milo said, “Let’s have it, Ellston.”

“Why’re you poking around in the dead-letter pile, Lump?”

Milo shook his head. “You know the rules.”

“Sure, sure. Come here and squeeze me, then throw me a few crumbs.”

“A hundred buys a lot of squeeze,” said Milo, but he pulled out his wallet and gave the old man more money.

Crotty looked surprised. He stared at the bills.

“Linda Lanier,” said Milo. “And the doctor in the film.”

“In reference to Belding?” asked Crotty.

“In reference to anything. Spit it out, Ellston. Then we’ll leave you to dream of your Swede.”

“You should know such dreams,” said Crotty. He looked at the floor, rubbed his mustache, crossed his legs. “Linda Lanier. Well, well, well. Everything comes around in a circle, doesn’t it? Like my little blond banker and everything else in this frigging world.”

He straightened, stood, made his way to the gray piano, sat down and picked off a couple of notes. The instrument was badly out of tune. He extracted a dissonant boogie-woogie with his left hand, random high notes with his right.

Then, as abruptly as he’d begun, he stopped and said, “This is terribly weird, Lump. If I didn’t know better, I’d start using words like destiny- not that I’d want you in my destiny.” He played several bars of slow blues, let his hands fall to his sides. “Lanier and the doctor- you say they did it on film?”

Milo nodded and pointed to me. “He saw it.”

“She was beautiful, wasn’t she?”