screen lit up to reveal a lengthways shot of a young woman lying on a bed. Tina immediately recognized her as the final victim, Adrienne Menzies, a thirty-three-year-old accountant from Highgate with hair the same dark colour and style as her own, and whose DNA was on the hammer found at Kent’s apartment. She remembered the bed’s expensive yet old-fashioned teak headboard, which she later found out had been handmade by Adrienne’s father. It was always the little details that stayed with you, even amid the horror. And the horror here was unrelenting.
Adrienne was naked and bound to the bed with black PVC bondage straps of the kind Kent had used in all but one of his murders, and her mouth was gagged with duct tape. The picture quality was very good and Tina could make out the bruises and scratches on her thighs and round her breasts. The camera moved in slow, jerky movements more akin to a homemade film as the person holding it walked carefully round the edge of the bed, filming Adrienne’s vain struggle to free herself from the bonds that kept her firmly in place. Beneath the gag, her muffled cries of fear grew steadily more desperate and her eyes widened and bulged as if the fear in them was a living thing trying to squeeze its way out.
The cameraman stopped moving and focused in on her face so that it filled the screen entirely with a pleading expression Tina found hard to bear because she knew exactly what was about to happen to this pretty young woman who, until a few hours before this, had lived a generally happy, ordinary life with family and friends who cared for her. Tina had been at the murder scene. She had stood in that bedroom, looking down at the unrecognizable face in a mask of coagulated blood; the thick splatters on the bed linen and the walls; the long smear only just visible on the teak headboard. .
The camera panned out and the screen suddenly went black. Tina’s mouth was dry and she was conscious that she was rubbing her hands together with such force that it was almost painful. She needed a drink. More than she’d needed one in ages. A bottle of good Rioja with a couple of vodka chasers. Anything just to forget about all this.
The screen lit up again, and this time the camera had been placed in a fixed position about three feet away from Adrienne’s head, and slightly above it — most likely on a bedside table. Tina couldn’t remember if Adrienne had had a bedside table or not. Her head swung from side to side, the moans loud beneath the gag. There was music playing in the background. ‘Beautiful Day’ by U2. Only just audible. Tina would never be able to listen to that song again without being reminded of Adrienne Menzies’ bloody murder.
The hammer came out of nowhere, striking Adrienne full in the face, only the head and the top of the handle visible.
Tina flinched and turned away. She’d seen some terrible things in her career, including a young woman being shot dead in front of her, but this was somehow worse, because it felt sickeningly voyeuristic, almost as if she was giving the killer her tacit support by watching.
She could hear the crunching sound of the hammer as it struck Adrienne again and again, but it wasn’t that sound that Tina would remember. It was the rasping, gurgling wail of pain and terror that Adrienne made in time with her tortured but surprisingly deep breathing as she lay dying.
Tina forced herself to turn back, knowing that it was part of her job to view the evidence. She kept her eyes rigidly on the screen, her world reduced to this laptop and the savagery being played out on it.
It seemed to last for an interminably long time, although she found out later that the film was only seven minutes and twenty seconds long, and it involved the killer doing other things to his victim, terrible sexual things that she recalled from the autopsy reports. And throughout it all there was not a single glimpse of him, not even a gloved hand at the end of the hammer. Even in the midst of his bloodlust he was being careful and controlled in his actions, and when he’d finished, and what was left of Adrienne Menzies was no longer moving, the camera shut off abruptly. Just like that.
Tina swallowed hard, and for a number of seconds continued to stare at the blank screen, conscious of how hard and fast her heart was beating — a thought that made her feel ashamed. Beside her, she could hear DCI MacLeod’s laboured breathing. Then he stepped forward and shut the laptop’s lid, as if by doing so he could shut out the horror they’d just witnessed.
‘Good God,’ he said quietly. ‘What drives some people?’
There was no answer to this. All Tina knew for sure was that she’d met far too many of them in her police career, and the crimes they committed never got any easier to handle. More than once in recent months, her parents and brother, still reeling from the fact that she’d killed a man in the line of duty, and even more horrified that she’d joined the team tasked with tracking down a serial killer, had suggested that her job was doing her more harm than good. They were almost certainly right, yet Tina was capable neither of leaving the career that she seemed to love and loathe in equal measure, nor of coping with its constant pressures.
‘The hammer looked like the one we found at Kent’s place, didn’t it?’ she said at last.
‘Impossible to tell for sure, and that’s exactly what a defence lawyer would say in court. There must be plenty of hammers like that one in existence.’
‘It’ll be a lot harder for him to argue about the fact that Adrienne’s DNA was on it, and that there’s a video of the murder on his laptop.’ She shook her head, annoyed with herself for doubting even for a moment that Kent was the Night Creeper. He was just one of the better actors she’d come across in the interview room, and she should have remembered that that was exactly what true psychopaths were. Consummate actors who liked nothing more than pulling the wool over the eyes of those around them.
MacLeod gave her a sympathetic smile. ‘I’m sorry you had to watch that, Tina. I hope it doesn’t bring back any memories.’
She guessed he was referring to when she’d been kidnapped and shot the previous year, but if so, he was wrong, because the memories had never gone away, and as far as Tina was concerned they were her business and no one else’s. ‘I’m sorry you had to watch it too, sir,’ she told him. ‘And don’t worry, it didn’t.’
‘Good,’ he said simply, then turned to face DC Grier, who was approaching the two of them almost gingerly. He still looked pale, and Tina felt a renewed respect for him. At least he wasn’t trying to be all macho about it, pretending that it hadn’t affected him.
‘There’s another film on there along the same lines,’ he said. ‘It captures Diane Woodward’s murder.’ Diane was the third victim, and at thirty-seven, the oldest. She’d died ten months earlier in very similar circumstances.
‘Any clues as to the identity of the perpetrator on that one?’ asked MacLeod.
Grier shook his head. ‘It was all handheld stuff similar to the one you’ve just seen. There’s also a lot of further footage of the victims taken while they were still alive, but before he broke in to kill them.’
‘What do you mean?’
‘I mean he must have put hidden cameras in the apartments when he was fitting the alarms because it shows the victims going about their daily lives. It’s clear he’s edited it down a lot because it’s mainly of an intimate nature. Them getting changed, walking round naked. In one case having sex. That sort of thing. I suppose it made it more fun for him. Stalking them like that but without running any risk of getting caught.’
‘And is there footage like this of all of the victims?’
‘Three that we’ve found so far.’
MacLeod ran a hand across his brow. ‘Good God.’
‘Is there any way it could have been planted on his laptop?’ Tina asked.
Grier looked at her like she was mad, and she remembered immediately why she didn’t like him. ‘No way. There’s so much of it for a start, and the dates the footage was first added to the system tie in with the dates of the murders. This stuff’s been put on there over a long period of time. It’s authentic, and it belongs to that computer.’
‘Were the files well hidden?’
‘They were in a folder within a folder within a folder, squirrelled away among a lot of other files in the My Documents section, all with bland, irrelevant names. It was quite a trawl to locate them.’
‘They weren’t that well hidden though, were they? They didn’t have password protection or an encryption system like some of the paedophile networks put on their PCs to stop us accessing the hard drive?’
Grier looked defensive. ‘Are you suggesting they were easy to find, ma’am?’ he asked her.
‘I don’t think Tina’s saying that at all, Dan,’ put in MacLeod hastily.
‘No, I’m not. I’m just checking the facts. That’s all, Dan. OK?’
‘I’m sorry,’ he said. ‘I didn’t mean to sound disrespectful, it’s just I’ve been here with that laptop for most of the last twelve hours trawling through reams of crap until I finally found them.’
