The priest looked at her quizzically, but, calm as ever, nodded. “Please,” he said, spreading his hands invitingly.
Dalton got up and placed the laptop on a low table in front of the priest, and turned it so that they could all watch it. He hit the play button. The video from Antarctica, the edited piece they had sent the network, played. Gracie kept her gaze locked on Father Jerome, studying his face as he absorbed the images unfurling before him. She watched, on edge, expecting to see any one of a number of emotional responses to the clip—surprise, consternation, worry, fear even—and hoping it didn’t make the priest distraught. It didn’t. But it seemed to confuse him. His posture visibly stiffened as he leaned in for a closer look, his mouth dropped slightly, his forehead furrowed under the strain.
When it was finished, he turned to them, looking bewildered. “You filmed this?”
Gracie nodded.
The priest was lost for words. His eyes took on a haunted, pained expression. “What does this mean?”
Gracie didn’t have an answer for him. From the silence around her, it didn’t seem like anyone else did either. She winced a little as she said, “There’s been another sighting like that. In Greenland this time. Just a few hours ago.”
“Another one?”
“Yes,” Gracie confirmed.
Father Jerome pushed himself to his feet and shuffled over to the window. He stared at his desk, shaking his head in disbelief, then reached down and picked up one of his notebooks. He rifled through its pages until he found what he was looking for, and just stood there, staring at it. “I don’t understand it,” he mumbled. “It’s what I’ve been seeing. And yet . . .” He turned to face Gracie and the others, the open notebook in his hand. Gracie hesitantly reached out. He placed it in her hand, a faraway, haunted look in his eyes. She looked at the pages before her, then leafed through a few more pages. They were all similar: packed densely with an elegant, handwritten script, and dotted, here and there, with more elaborate renderings of the sign. She looked over at Finch and passed him the notebook, her fingers quivering slightly under the weight of what she’d seen on its pages.
“When I see it,” the old priest continued, “it . . . it speaks to me. Somehow, it’s as if it’s putting the words and ideas in my head.” He studied their faces intently, his gaze magnetic, his eyes jumping from one to the other, searching for comfort. “Don’t you hear them too?”
Gracie didn’t know what to answer. She felt the others shifting uncomfortably, not knowing what to say either. The abbot got up and crossed over to Father Jerome. He placed a comforting arm around his shoulder. “Perhaps we should take a small break,” he suggested, nodding at Gracie. “Let the good father’s mind settle down. It’s a lot to take in.”
“Of course,” Gracie agreed with a warm, supportive smile. “We’ll wait outside.”
The three of them left Father Jerome with the abbot and the younger monk and stepped out into the small clearing outside the cave’s entrance. The last vestiges of day that they’d witnessed on the climb up were now gone. With a total absence of ambient light as far as the eye could see, the ink-black dome above them looked unreal, blazing with a dazzling array of stars, an astounding and humbling display the likes of which Gracie had rarely seen.
No one said anything. They each seemed to be processing what the priest had said, looking for a rational explanation to it all. Gracie glanced absentmindedly at her watch, and saw that it was coming up to the hour. She suddenly remembered what they’d agreed with Ogilvy. “Where’s the satphone?” she asked.
Finch retrieved it from his bag, which he’d left at the door of the cave, inserted the battery back into it, and switched it on. Within seconds, it pinged with several text messages. The one that caught his eye was from Ogilvy. It simply said, in loud, capitalized letters, “CALL ME AS SOON AS YOU GET THIS.” He handed it to Gracie. “Something’s up.”
The curtness of the message unsettled her as she thumbed the redial key. Ogilvy picked it up inside of one ring, the words somersaulting out of his mouth.
“They just aired the documentary footage from the cave.”
Gracie froze. “What?”
“They showed it,” Ogilvy reiterated, breathless with urgency. “It’s out. The whole thing’s out. Father Jerome, the monastery, the symbol he’s painted all over his cave. It’s on every TV screen from here to Shanghai as we speak,” he told her, uncharacteristically nerve-wracked, clearly struggling to process the implications himself. “This thing’s just blown wide open, Gracie—and you’re standing right at ground zero.”
Chapter 33
Boston, Massachusetts
Larry Rydell was having a hard time focusing on what his chief advertising strategist and his director of interactive marketing were saying as they stepped out of the elevator. He’d had trouble concentrating on the conversation throughout their lunch at the firm’s laid-back canteen—a moniker that seriously understated the fine sushi and Mediterranean cuisine that were on offer. He knew both executives well. They were part of the brain trust that ran the firm—his firm, the one he’d founded twenty-three years earlier, before he’d dropped out of Berkeley. He used to thrive on their informal meetings. They were part of what fueled the company to its global success, and he normally enjoyed them with the enthusiasm of a young entrepreneur hell-bent on conquering the world. Lately, though, he’d been more distant, less focused, and today, he was only there in strictly physical terms. His mind was entirely elsewhere, locked on the events that were taking place continents away.
He gave them a casual half smile and a small wave as they parted, then strode down the wide, glass-covered hallway to his office. As he reached the secretarial pool stationed outside his door, he saw Mona, his trusted senior PA, and his three other assistants clustered around the bank of wall-mounted LCD screens that were constantly tuned to the major international news channels.
The sight surprised him somewhat. They’d already watched the Greenland sighting that morning. Mona turned and spotted him. She waved him over while gesturing at the screen. “Did you see this?” she asked. “It’s from a documentary they filmed six months ago in an old monastery in Egypt. You’ve got to see this.”
He felt a pinch of concern as he stepped closer to the screen, then the blood drained from his face as the significance of what it was showing sank in.
He managed to mask his unease and feigned sharing in their excitement for a minute or two before retreating into the sanctuary of his office, where he studied the news reports in private. He was familiar with Father Jerome, of course—who wasn’t—but he’d never heard of the monastery. Close-ups of the markings on the cave wall were everywhere he looked, and were definitely renderings of the sign. Which sent Rydell’s mind cartwheeling in all kinds of deeply troubling directions.
He flicked around TV channels and websites feverishly, looking for something, anything, to put his mind to rest. Nothing came to his rescue. On the screens, legions of commentators on the news networks were competing to make sense of it.
“Well, if what we’re seeing here is true, if this footage was really filmed when they’re saying it was,” one notable pundit was saying, “then clearly, it’s an association between this unexplained phenomenon and a highly regarded man of faith, and not just any faith—a Christian man of faith,” he emphasized, “who somehow foresaw these events we’ve been witnessing, while staying in one of Christianity’s oldest places of worship . . .”
The implications of the footage were obvious and inescapable, and it was already creating a huge stir. Evangelists and born-again Christians, parishioners and preachers alike, had begun staking their claim on the sign and making all kinds of prophetic proclamations. The followers of other faiths—predictably—didn’t share in their euphoria and felt excluded and threatened. A few angry denunciations had already been voiced by Muslim scholars. More would inevitably come, and from other religions too, Rydell was certain.
Which wasn’t part of the plan.
He pulled back and engaged his mind in a broader, less prejudiced analysis of what this might be. He knew
