stairs, bone weary, with two things: a name and a direction. His weariness he bore like a badge of accomplishment, and he felt himself a fortunate man. A break.

The police artist Susan Chin was not the only one he had disturbed that night. First was Chief Walker, from whom he had asked two things: the whereabouts of Andy Lewis's aunt and her family, and further information concerning the reliability of Lewis's alibi the night of the murder eighteen years ago. Hawkin would have preferred to do that himself, but as it was not strictly his case, it would be hard to justify another couple of days up there. Next week, maybe, but not now.

Then he reported in. The man listened, concealed three yawns, grunted approval, and went back to bed.

Then the hospital: no change. Hawkin heard the first prickle of worry in the back of the doctor's voice, but as there was nothing he could do in that department, he pushed the thoughts away and called Trujillo.

That young man sounded older than he had a week before. He confirmed that a guard was now installed next to Vaun's bed instead of in the corridor, with orders not to step outside the door, and not even to close the bathroom door when he needed to use the room's toilet. She was not to be out of his sight.

Trujillo was disappointed that the photo was bad, though not surprised, and agreed to set Susan's drawings up in the main room to guarantee the most contact.

He then told Hawkin that he was not sure how much longer he could keep control. The Road's uneasiness was nearly to the breaking point. He'd had to let two families with children leave during the day (one of the men was black, the other in his late fifties) to take refuge with suburban friends, and the efficient bush telegraph had spread the news clear up to old Peterson's place that Vaun's near death was not being treated as a suicide. Trujillo had spent the day going up and down the Road—Tyler had been forced to suspend the anticar rule—reassuring people and reminding them to inquire first before they let fly with buckshot or bullet. The bedrooms at Tyler's were full tonight with nervous residents (peasants come to the castle during a siege, thought Hawkin with amusement, right down Tyler's alley), and he, Trujillo, would be staying there too. Sharp-nosed newsmen were back to camping outside, and it was only a matter of time…

There had been no immediate response that afternoon to the tattoo inquiry, although only a couple of dozen people had been asked. Hawkin told him in all honesty that he was doing a fine job. The younger man responded to the confidence in Hawkin's voice, and after a few minutes Hawkin told him to go to bed.

After that he went and took a long, mindless shower, wrapped his stocky body in his favorite soft and threadbare kimono, and settled down with a glass.

The time with the Jamesons had proven a gold mine. He now had Vaun Adams; he could now see her walking the halls of that unremarkable high school, an extraordinary teenager with an aura of untouchability and genius to keep the world at bay. And her short liaison with clever, nasty, sophisticated Andy Lewis—even that was not as completely unlikely as it had first seemed.

But what to do about the maddening shadow figure of Andrew C. Lewis? Hawkin's eyes were caught by the enthusiastic rooting of the eel-like loach in the gravel, and his mind wandered into a side track. What, he mused, does that C stand for? Charles? Clifford? Coleoptera? The father's name on the transcript had been Edward, or Edmund… He caught himself angrily and dragged his wayward thoughts back to the problem at hand. Lewis was on Tyler's Road; Hawkin knew it in his very bones. If he had not made a break for it by now, he wouldn't, not until he knew for certain that Vaun was not about to die. Perhaps not even then, if he felt sure enough that he had covered his tracks. Andy Lewis was not a man to panic blindly. How best to find him? And, once found, how to tie him to the wispy bits of circumstance, how to weave his involvement into a fabric strong enough to hold up in court? How to spin a sliver of wood, a hypothetical tattoo, and a deliberate concealment of identity into a rope strong enough to hang a man? Best would be if Lewis could be forced into an incriminating bolt—that would help to solve both problems at once. Hawkin lay there considering and discarding options and ideas, building up a plan around the geography and the psychological makeup of his prey and the people he had to work with.

The level in his glass went down very slowly, but eventually it was dry, and he sat up.

Twenty-four hours, he thought. If nothing's happened in twenty-four hours—no photograph has appeared, no description has clicked—I'll bring down the retired sheriff and Coach Shapiro and anyone else I can find and drive them up and down Tyler's Road in Trujillo's shiny new wagon until one of them says, 'Say, wait a minute…' Tomorrow night I'll decide whether or not to turn Tyler's Road inside out. The thought of that possibility gave him a moment of pleasurable anticipation, seventy-four long-haired adults and twenty minors dragged in and printed and grilled until something gave under the pressure.

(I wonder what that C stands for? he thought in irritation.)

Yes, something will happen. If not tomorrow (today!) then Wednesday for certain. As for Monday, he could end it content that he had done all he could.

He put his glass on the table, said good night to the fish, and went to bed.

He was not to know until the sun rose that succumbing to the day's all-too-rare glow of satisfaction had been a mistake.

Two hours to the south a woman with black curls lay in a hospital bed, her hands tucked neatly beneath the crispcov ers, her remarkable ice-blue eyes staring, unblinking, up into the dim room. The hour was very late, or very early, but a disturbance down the hall and the rapid departure of a much-attended gurney had brought her eyes open some minutes before. One could not say that she was awake, exactly; only that her eyes were currently open, where before they had been closed.

The room's machinery had been edged back from the bed, save for the tall pole with the intravenous drip and the rolling cart with the monitor, whose wires were connected to little round sensors taped onto the woman's chest. The tracery of the heartbeat was slow but regular, and the cart would be removed later that day.

The woman did not know that, though. There was considerable debate over what she did, or would, know. The bruised puffiness of her mouth had subsided, the marks of her resurrection were fading, but Vaun Adams had given no sign of anything other than a mere physical presence. The words 'brain damage' and 'oxygen deprivation' had slid into the room and been carried away again, but they waited just outside her door and would return.

The room was lit solely by the corner reading lamp that sent its beam across the guard's paperback novel and laid a stretched circle of light along the wall and across a corner of Vaun's bed. She gazed passively up at the reflection of her face in a bit of polished metal overhead, distorted but familiar. One tiny part of Vaun saw it and recognized it, but that part was disconnected from her now, in abeyance, hiding.

The brain of the woman who had been Vaun Adams and Eva Vaughn was not physically damaged, not badly at any rate. Her mind, however, and her spirit—those had been severely wounded. The spark of being that was Vaun Adams, the spark that had flamed into being as Eva Vaughn, lay smothered beneath a burden that had finally proven intolerable. Vaun was covered by a blanket of despair, a thick, gray blanket that was crushing her, stifling her will to move and create and live, a thick gray blanket that said, 'Enough.'

Enough.

Enough was the ruling principle that governed what there was left of this life. Enough. I can no more. Since I was two years old I have fought for the right to be what I am, and I can fight no longer. I yield. I give up. I can no more. Enough.

I choose to die.

The blue eyes were still open when a nurse came in ten minutes later to check the drip. Vaun's ears registered sound waves, and some dim hidden part of her automatically deciphered them as words, but they did not connect, did not penetrate the thick gray blanket. The nurse leaned over her eyes, and behind the white shoulder appeared the face of a man above a dark uniform. More sounds came, a few squawks and a rumble, and the male face withdrew.

The nurse addressed Vaun with professional cheeriness, though even the guard could hear the uneasiness in her voice. Vaun was a problem, a VIP who was in an unclear state of either arrest or protection, or both. She was also, to all appearances, a vegetable. This mysterious black-haired woman with the unseeing, crystalline eyes gave a number of people the creeps, and the night nurse was one of them. She left after servicing the body in the bed, and eventually the eyes drifted shut again.

In the dark hills between Vaun Adams's hospital bed and the city where two detectives slept, a shadow moved onto Tyler's Road. The man who had been Andy Lewis closed the door on its oiled hinges and slipped silently away from the house he had thought of as home these last years. He felt no regret at leaving the woman who slept behind him in the bed he had built from a single oak tree, and only slight regret at leaving the child in the room his hands had made. There was no room for any feeling other than the white-hot, piercing-cold, all-consuming rage that

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