the kind of kid who, if he's been pulled into the game or onto the needle, might cut all ties.'
'Some self-respect, you mean?' asked Nelson. He wasn't a total loss, then, in the brains department.
'Might be salvaged,' she agreed. 'Well, gentlemen, it's been real. When you find out who made the call about that dangerous madwoman in the bushes, you might ask her if she's seen our young man. Here's my card, and my home number.' (Handing out a lot of these lately, she reflected.) 'Give me a ring if you get anything. Thanks for the drink.'
Kate drove the thirty miles home without thinking of much of anything, parked on the street in front of the house, and let herself in the front door. When she closed the door behind her, she was hit by the miasma of a house that was not merely empty but abandoned. She stood in the hallway of the house and heard its silence, smelled the staleness beneath the remnants of the breakfast Jules had cooked, and thought how happy she had once been to come home to this place; remembered how she and Lee had loved and labored to free it of its decades of neglect, remembered how she and Lee had loved. It had been their joy and their delight, and now its walls rang with emptiness: no Lee upstairs or in the consulting rooms on Kate's right, no Jon making magic in the kitchen or down in the basement apartment listening to his peculiar modern music, none of Lee's clients, none of Jon's impossible friends, no nothing, just the ache of its emptiness and Kate, standing in the hall.
She poured herself a glass of wine, ignoring the clock, and trudged up the stairs. At the top, not meaning to, she found herself in Lee's study, standing at Lee's desk, opening its right-hand drawer, and taking out the letter from Lee's mad aunt that had begun all this:
And to think, Kate reflected, that my first reaction was to laugh in delight at its absurdity. The memory made her feel ill, because in reality Lee's aunt had spoken, and Lee had answered, and now Kate was alone in the big house. She put the letter away and went into the hallway, where she gathered the shed clothes from the night before and took them not into their bedroom, but down to the small guest room at the end of the upstairs hall. She hung the denim jacket in the closet, stripped off her tank top and shorts and threw them along with the other dirty clothes into the guest hamper, and walked nude up the carpeted hall to get her work clothes out of the big bedroom. At the mirrored closet, she paused and eyed her reflection sourly. She wouldn't be surprised to find two more pounds on the scale: Long drives and comfort eating were killers. She looked pale, restless; her hair was nearly in her eyes. Even her fingernails were dirty and overlong.
'Christ, you're a mess,' she said to her reflected self, and went to take a long shower with a great deal of soap.
She did not consult the scales; she did cut her fingernails.
Going back downstairs, she checked a second time, but the answering machine was still obstinately free of messages, not a red light to be seen. She even pushed the playback button, rationalizing that the light could be broken, but it merely clunked and beeped at her and was silent. She decided to go in to work after all, although she was only on call.
After the brooding quiet of the house, the gritty chaos of the Department of Justice was almost a balm to Kate's spirit. She had been away for little more than a week, but it might have been a few minutes. Kitagawa nodded as he passed her, deep in conversation with a man in the garish uniform of a doorman. Tom Boyle raised a finger in greeting but did not take the phone from his ear. She went to her desk, stowed her gun and a thermos of coffee in the bottom drawer, and sat in her chair: home again.
Dellamonica had a new tie. April Robinette had spilled something on her skirt. Gomes came through cursing furiously and carrying a massive electronic typewriter under his arm. There was another new plant on Al Hawkin's desk, already looking resigned to a lingering death. The top of Kate's desk was covered with scribbled messages that would take most of the day to decipher and deal with. Among them she found a flyer with the grainy photograph of a young girl with short hair, and she did not need to read the description of the missing girl to know that the police in Washington - no, she corrected herself, this one was from Oregon - were afraid that the so-called Snoqualmie Strangler had claimed a sixth victim. It had been several days since Kate had heard or read any news, but Jules was no doubt more up to date: This was the maniac who worried Jules, although there was no boy among his victims. Kate thought briefly of the girl's apprehension - no, her fear - that the telephone call had caused, and then her own phone rang.
Despite what she had told Jules, people did die in San Francisco on a Tuesday afternoon. In this case it was a drive-by shooting, in broad daylight, in the Castro district, with three dozen eager and contradictory witnesses to sort out; she would not have much opportunity to doze off over her files that night.
Dropping the flyer into her wastebasket, Kate retrieved her gun and her thermos, and went out to do her job.
THREE
With September began the phone calls from Jules. In the first week, the girl called twice, to check on the search for Dio. They were brief calls, depressing for both of them. Kate was, in fact, looking for him, even after Al Hawkin had returned, because although Al had told Kate to concentrate on her own work, not sweat over some kid Jules shouldn't have been talking to in the first place, Kate could hear the pride and the loneliness in Jules's voice, and she remembered what it was like to feel abandoned by the adults you loved. Jules was going through a bad patch, and Kate could justify only just so many hours at work, so anything that filled the hours at home was all right with her - even talking to an angry twelve-year-old.
The tone of these telephone conversations evolved rapidly under the pressures from both sides. After the brief, uncomfortable calls of the first week, Kate half-expected that Jules would not try again; instead, the calls began hesitantly to take on a life of their own. Under the impetus of her summer experience, Jules's inevitable back-to-school essay of 'What I Did During Vacation' evolved into a major project on homelessness, with Kate as her primary resource.
Even after the paper had been turned in to the astonished but pleased teacher, the phone calls continued, always beginning with the ritual 'Anything about Dio?' before wandering off into twenty, even thirty minutes of discussion about homelessness; the ethics of capitalism; the lack of good teachers in the universe; her word for the