Faithful

disputed territory. On the Sox website, there’s a petition for Connecticut residents to sign, pledging their loyalty based on “traditional New England values of hard work and fair play,” and denouncing the encroachment of, yes, the evil empire. I’ve signed, though what good it does against George’s bounty hunters and clone army, I have no idea.

The game goes on as scheduled. Ben Affleck’s in the front row beside the Sox dugout (he emceed the Sox Welcome Back luncheon the other day), and I expect he’ll be there tomorrow against the Yanks. With the rainouts, neither pitcher’s seen action for a while. Pedro gives up a leadoff home run to Roberts. He’s missing spots, walking people, giving up another run in the second, but Ponson loads the bases and Johnny singles to right, and then Bill Mueller breaks an 0-for-20 drought with a Pesky Pole wraparound, and we’re up 5–2. It’s early, but the game seems in hand, and the home folks have shows they want to watch, so we switch over to Survivor and then The Apprentice (don’t worry, Steve, we’re taping Kingdom Hospital), clicking back to NESN every so often.

It’s 5–4 Sox in the fourth when we check in, just in time to see Johnny knock in Bellhorn. Ponson’s struggling, and Tejada doesn’t help him by dropping the transfer on a sure DP. Ortiz grounds to the right side and Pokey scores. 7–4.

When we check in again, it’s 7–7 in the top of the fifth and Pedro’s still in there. What the hell? (Palmeiro hit a three-run shot into the Sox bullpen.) He’s given up 8 hits and 4 walks. Yank him already!

Ponson’s gone after four, and Malaska comes on for us in the top of the sixth. It’s the big finale of The Apprentice, and for two hours we play peek-aboo with the relievers: Lopez, Williamson, Timlin, Ryan, Foulke, Embree.

The Apprentice ends just in time for us to catch the biggest play of the game. It’s the bottom of the tenth, bases loaded and two out for Bill Mueller. He lifts one high and deep to left-center that looks like it’ll scrape the Monster. I’m up, cheering, thinking this is the game—that we’ll have a little cushion going into the Yankee series—but the wind knocks the ball down. Bigbie is coming over from left, and Matos from center, on a collision course. Bigbie cuts in front, Matos behind, making the grab on the track in front of the scoreboard, and that’s the inning.

Arroyo starts the top of the eleventh against Tejada. He hangs a curve, and Tejada hits it off the foot of the light tower on the Monster for his first homer of the year. 8–7 O’s. In a long and ugly sequence, they pile on four more. We go one-two-three, and that’s the game, a painful, bullpen-clearing, four-and-a-half-hour extra-inning loss very much like last week’s in Baltimore. Not the way we wanted to go into tomorrow’s opener against the Yanks, and not how I wanted to go to bed—late and pissed-off.

April 16th

The Sox are unveiling a statue of Ted Williams today outside Gate B—the gate no one uses, way back on Van Ness Street, behind the right-field concourse. The statue’s part of an ongoing beautification effort. We’ve already widened the sidewalks and planted trees to try to disguise the fact that Van Ness is essentially a gritty little backstreet with more than its share of broken glass. I’m surprised there’s not a statue of Williams already, the way the Faithful venerate him. During the Pedro-Halladay game, I chanced across a rolling wooden podium with a bronze plaque inlaid on top honoring Ted; it looked like something from the sixties, coated with antique green milk paint. It was pushed against a wall in the hallway inside Gate A next to the old electric organ no one ever plays. I’d never seen it before, and wondered why it was shoved to the side. In Pittsburgh there was a statue of Honus Wagner by the entrance of Forbes Field, and when the Bucs moved to Three Rivers, it moved with them, to be joined by a statue of Clemente, and now, at PNC Park, one of Willie Stargell. I wonder how long it will take the Sox to commission one of Yaz.

Because the game’s on Fox, the start time’s been pushed back to 8:05, giving me some extra time to deal with Friday rush hour. All the way up 84 and across the Mass Pike I see a lot of New York and New Jersey plates. When I pull into the lot behind Harvard Med Center a good hour before the gates open, it’s already half-filled.

I head for Lansdowne, but BP hasn’t started yet. There are some Yankee fans outside the Cask ’n Flagon having their pictures taken—skinny college girls in pink Yankee T-shirts and hats with a hefty dude in an A-Rod jersey. I pass a woman wearing a T-shirt that says THIS IS YOUR BRAIN (above a Red Sox logo), THIS IS YOUR BRAIN ON DRUGS (and a Yankees logo). TV crews are wandering around doing stand-ups, shooting B-roll of people eating by the Sausage Guy. Above, banner planes and helicopters crisscross.

I walk down Lansdowne past the nightclubs, figuring I’ll go around the long way and check out the statue. Fuel is playing the Avalon Ballroom; their fans are sitting against the wall to be the first in, and seem disgusted that their good time has been hijacked by a bunch of dumb jocks. When I turn the corner onto Ipswich, I find another line of young people waiting at the entrance of a parking lot. Everyone has an ID on a necklace, as if they’re all part of a tour group. Then I notice the yellow Aramark shirts hidden under their jackets. It’s the vendors, queuing up so they can get ready for a big night. It’s already cold in the shadows, and I pity the guys trying to move ice cream.

I expect the Williams statue to be ringed by fans taking pictures or touching it for luck, the way they do in Pittsburgh with Clemente and Stargell (if you reach up you can balance a lucky penny on Willie’s elbow), but it’s just standing there alone while a line waits about thirty feet away for day-of-game tickets.

It’s uninspired and uninspiring, a tall man stooping to set his oversized cap on a little bronze kid’s head. It’s not that Ted didn’t love kids (his work with the Jimmy Fund is a great legacy), it’s just that I expected something more dynamic for the greatest hitter that ever lived. In Pittsburgh, Clemente’s just finished his swing and is about to toss the bat away and dig for first; he’s on his toes, caught in motion, and there’s a paradoxical lightness to the giant structure that conveys Clemente’s speed and grace. Stargell’s cocked and waiting for his pitch, his bat held high; you can almost see him waggling the barrel back and forth behind his head. This Williams is static and dull and carries none of The Kid’s personality. He could be any Norman Rockwell shmoo making nice with the little tyke.

I take a couple of pictures anyway, then head back to Gate E to wait for my friend Lowry. Before a big game like this, people are handing out all sorts of crummy free stuff, and I accept a Globe just to have something to read (okay, and for the poster of Nomar). I buy a bag of peanuts and lurk at the corrugated door, and when Lowry comes, we’re first in line and then the first in and the first to get a ball, tossed to me by David McCarty in left. I snag a grounder by Kapler, and later an errant warm-up throw by Yanks coach (and former Pirate prospect) Willie Randolph—picking the neat short-hop out of sheer reflex.

A-Rod comes out to warm, and the fans boo. Some migrate over from other sections just to holler at him while he plays long toss, chucking the ball from the third-base line out to deep right-center. “Hey, lend me a hundred bucks, huh?” “How you liking third?” “Hey, A-Rod, break a leg, and I mean that.”

We boo Jeter when he steps in to hit. And Giambi (“Bal-co”) and Sheffield (“Ballll-coooo”).

The rest of the Yanks are friendly enough. Jose Contreras and Kevin Brown banter with the fans; even hothead Jorge Posada jokes with us. When Mussina comes by and chats and smiles, someone calls, “You’re the good Yankee, Mike.”

Miguel Cairo, one of the last Yankees to bat, smokes a grounder down the line. It’s mine. I catch it off- center, and it bends the fingers of my mitt back. The ball knocks off the wall and rolls away, out of reach, gone forever. It’s a play I’ll make 99 times out of 100, even if it was hit hard.

“Hey,” Lowry says, “you’ve got three.”

Yeah, I say, I know, but it’s always the one that gets away that you remember.

We stop by El Tiante’s for an autographed picture, saying hey to Luis and picking up some Cuban sandwiches, then fight the crowd to reach our seats. The choke point’s right behind home, where the concourse narrows to feed the first ramp to the stands. The crush is worse than Opening Day, and I think they’ve got to fix it somehow before something very bad happens.

The tide of people separates us. I find Lowry at our seats just as the anthem begins. As always, I’m