right at the back, the motorcycle. He went to the motorcycle first.
He prized off a spoke and inserted it into the left exhaust pipe to retrieve a plastic bag. Out of the bag, he brought a knife and went to the sofa. He pulled off its slip-cover and began cutting through the stitching on its back. He worked without concern about any noise he was creating or with hiding the destruction. As soon as he’d opened a foot-long section, he dug within the stuffing and retrieved two more small plastic bags as well as a much larger padded one.
He pulled on the edges of the padded bag until it formed a box. He attached this to the motorcycle’s rear rack, ensuring its label faced out:
He moved on to the slip-covers on the two easy chairs and repeated his actions, retrieving scalpels, tweezers, surgical gloves, telephone wire, twine, and duct tape. From the bottom of the aquarium, he pulled out bags holding the false driver’s license and insurance cards, license plates for the motorcycle, the cell phone pack, and the one grenade. Then he cut the lining off the curtains and peeled out a change of clothes, several Tyvek suits still in their plastic covers, and his motorcycle leathers.
Tripper changed clothes, stuffing the remainder of the cheap cop costume into the back of the sofa before putting the slip-covers back on all the furniture. He put on the leathers and turned on the cell phone to check its charge. The manufacturers had been good to their word; it had held its charge since he’d last been at the unit. He typed in a text message and pressed
TWENTY-SIX
Mark Wilson plugged the flashdrive into the computer. He spoke as he tapped keys. ‘I just got off the phone with Gerrit Leuven. I think I know where King got his inspiration for the killings. Check this out.’
The projection screen at the end of the room switched to an image of a streambed bordered by tall reeds whose color was washed out to a pale yellow by bright sunlight. The clear sky above them looked almost white. Amongst the reeds was a black photo board. It looked out of place. Beyond it on the ground, a fluorescent orange plastic arrow pointed toward a plastic letter N.
Mark looked at Jayne and Steelie. ‘After you two left Kigali in ’ninety-six, Gerrit and King were called in by the Civilian Police to assist on a homicide investigation. At first, CivPol had thought it was related to the genocide but then they realized it couldn’t be because the body was fresh. So then they thought it was a retribution killing; like, a witness for the Tribunal killed so she couldn’t testify about the genocide. That was when CivPol called in Gerrit and he in turn asked King to photodocument. All right, look at this. Here’s the overall scene and the photo board’s right near the body parts.’
‘Parts?’ Scott asked.
‘She was dismembered.’
Scott muttered something but Mark continued: ‘Hang on. Look at this. I’m putting it on slide show.’ He pressed a button and the slide dissolved and was replaced by another, which stayed on the screen for a time before dissolving and being replaced. Each photo brought them closer to the reeds, but in the third shot, a body part was slightly visible. In the subsequent photographs, someone was holding back the reeds with a flat tool, exposing the body parts like eggs in a nest. Two feet, the brown skin mottled by decomposition and the soil beneath them darkened with dried blood. Two hands, each finger separated from the palm. Then a single body part that it took Jayne a moment to recognize as a neck.
Mark came to sit by Scott. ‘Remind you of anything?’
‘Yeah, the first body parts we found on the outskirts of Atlanta. The neck especially.’
‘And I don’t think it’s a coincidence. I think that when King was called in to photo these BP’s, it gave him ideas.’
Scott sounded doubtful. ‘But if he worked in the Bureau Lab, he’d have seen all kinds of stuff during his career. Why this particular case? Did they ID the body? Did they find the head?’
‘No, never. And they only made a probable ID – turns out there aren’t that many new missing persons in Rwanda. Most cases date to the spring of ’ninety-four when the genocide broke out. So the list of new mispers was small and most of the women on it were sex workers – and most of them weren’t even Rwandan. They came from elsewhere to cater to the peacekeepers and internationals. For this body, they liked a young woman from the Ivory Coast. She’d only been in Kigali for a short time but was already known to pick up Johns at a club called . . .’ He consulted his notes. ‘The Cadillac.’ He looked up interrogatively at Steelie and Jayne. ‘Heard of it?’
Steelie addressed Jayne. ‘Um, maybe now would be a good time to tell them.’
Scott held up an index finger as his cell phone rang.
Jayne could tell he was talking to Eric and the news wasn’t good. She looked back at the screen, where the slide show was progressing automatically. As she watched, she began to think,
Scott concluded by asking Steelie, ‘Now, what is it you were going to tell us?’
Jayne spoke without turning from the screen. ‘Hang on a sec. Mark, can you run the slides back and pause the show?’
He got up and punched a few keys at the computer. ‘How far back do you want to go?’
‘Go back two.’
The photo she was interested in was a close-up of a foot but it hadn’t been taken
Steelie got up to join Jayne at the screen. ‘Can we see the others in this section? Did Gerrit say where they took these shots?’
Mark replied, ‘He said that all the material came back to UN HQ and they did the detail shots there, at your guys’ temporary morgue.’
They looked at the photographs; separate ones of each dismembered finger, then the group placed in rough anatomical position to the palm. There were images of all surfaces of the hand and each shot was lit perfectly to show the cross-section of the cuts.
Jayne reached up, pointed at one of the cuts, and looked at Steelie, who nodded. They communicated silently like this two more times before Scott said, ‘Thirty-two One, there are other people in the room. What are you seeing?’
Jayne replied, ‘Gene wasn’t inspired by these cuts.’
Scott threw up his hands in exasperation. ‘You can’t rule out that he photographed them, came back here and copied them.’
She shook her head. ‘No, I mean . . . or at least, I think I mean that he wasn’t inspired by them. He made them.’
Both agents stared at her and she looked to Steelie for back-up.
Steelie elaborated, ‘We’ve seen these cuts before. We saw cuts just like this at Critter Central. Patterson’s arms. Same going between the joints, same careful approach toward not nicking bone. Dismemberment with hand tools – fine tools – not just going in with a bone saw.’ She drew breath to say more but Scott interrupted.
‘Are you seriously telling me that King
Steelie appeared to be choosing her words carefully, sounding more like a lawyer than ever. ‘All we’re saying is that there’s a strong possibility that the same person who was responsible for cutting off Patterson’s arms also dismembered this woman in Kigali. We don’t know who that person is and it could be that it’s actually two killers . . . though they’d be two peas in a pod.’
‘What, the woman was killed by some other perp King met over there, who then taught him how to do this