the gleaming car, and Jack gave his full attention, once more, to

Hassam Arkadian.

'My station is an island of cleanliness in a filthy sea, an eye of

sanity in a storm of madness,' Arkadian said, speaking earnestly,

unaware of sounding melodramatic.

He was slender, about forty, with dark hair and a neatly trimmed

mustache. The creases in the legs of his gray cotton work pants were

knife-sharp, and his matching work shirt and jacket were immaculate.

'I had the aluminum siding and the brick treated with a new sealant,'

he said, indicating the facade of the service station with a sweep of

his arm. 'Paint won't stick to it. Not even metallic paint. Wasn't

cheap. But now when these gang kids or crazy-stupid taggers come

around at night and spray their trash all over the walls, we scrub it

off, scrub it right off the next morning.'

With his meticulous grooming, singular intensity, and quick slender

hands, Arkadian might have been a surgeon about to begin his workday in

an operating theater. He was, instead, the owner-operator of the

service station.

'Do you know,' he said incredulously, 'there are professors who have

written books on the value of graffiti? The value of graffiti? The

value?'

'They call it street art,' said Luther Bryson, Jack's partner.

Arkadian gazed up disbelievingly at the towering black cop. 'You think

what these punks do is art?'

'Hey, no, not me,' Luther said.

At six three and two hundred ten pounds, he was three inches taller

than Jack and forty pounds heavier, with maybe eight inches and seventy

pounds on Arkadian. Though he was a good partner and a good man, his

granite face seemed incapable of the flexibility required for a

smile.

His deeply set eyes were unwaveringly forthright. My Malcolm X glare,

he called it. With or without his uniform, Luther Bryson could

intimidate anyone from the Pope to a purse snatcher.

He wasn't using the glare now, wasn't trying to intimidate Arkadian,

was in complete agreement with him. 'Not me. I'm just saying that's

what the candy-ass crowd calls it. Street art.'

The service-station owner said, 'These are professors. Educated men

and women.

Doctors of art and literature. They have the benefit of an education

my parents couldn't afford to give me, but they're stupid. There's no

other word for it. Stupid, stupid, stupid.' His expressive face

revealed the frustration and anger that Jack encountered with

increasing frequency in the City of Angels. 'What fools do

universities produce these days?'

Arkadian had labored to make his operation special. Bracketing the

property were wedge-shaped brick planters in which grew queen palms,

azaleas laden with clusters of red flowers, and impatients in pinks and

purples. There was no gnme, no litter. The portico covering the pumps

was supported by brick columns, and the whole station had a quaint

colonial appearance.

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