Here, however, there was no crematory fire to which I could hold his feet to force answers out of him.
Pinn stopped pacing and loomed over Father Tom. “No more threats against you, priest. No point to it. Just gives you a thrill to think of suffering for the Lord. So this is what’ll happen if you don’t stay out of our way — we’ll waste your sister. Pretty Laura.”
Father Tom raised his head and met Pinn’s eyes, but still he said nothing.
“I’ll kill her myself,” Pinn promised. “With this gun.”
He withdrew a pistol from inside his suit coat, evidently from a shoulder holster. Even at a distance and in this poor light, I could see that the barrel was unusually long.
Defensively, I put my hand into my jacket pocket, on the butt of the Glock.
“Let her go,” said the priest.
“We’ll never let her go. She’s too…interesting. Fact is,” Pinn said, “before I kill Laura, I’ll rape her. She’s still a good-looking woman, even if she’s getting strange.”
Laura Eliot, who had been a friend and colleague of my mother’s, was indeed a lovely woman. Although I hadn’t seen her in a year, her face came readily to mind. Supposedly, she had obtained employment in San Diego when Ashdon eliminated her position. Dad and I had received a letter from Laura, and we’d been disappointed that she hadn’t come around to say good-bye in person. Evidently that was a cover story and she was still in the area, being held against her will.
Finding his voice at last, Father Tom said, “God help you.”
“I don’t need help,” Pinn said. “When I jam the gun in her mouth, just before I pull the trigger, I’ll tell her that her brother says he’ll see her soon, see her soon in Hell, and then I’ll blow her brains out.”
“God help me.”
“What did you say, priest?” Pinn inquired mockingly.
Father Tom didn’t answer.
“Did you say, ‘God help me’?” Pinn taunted. “‘God help me’? Not very damn likely. After all, you aren’t one of His anymore, are you?”
This curious statement caused Father Tom to lean back against the wall and cover his face with his hands. He might have been weeping; I couldn’t be sure.
“Picture your lovely sister’s face,” said Pinn. “Now picture her bone structure twisting, distorting, and the top of her skull blowing out.”
He fired the pistol at the ceiling. The barrel was long because it was fitted with a sound suppressor, and instead of a loud report, there was nothing but a noise like a fist hitting a pillow.
In the same instant and with a hard
In the rhythmic sweep of light, though Pinn himself did not at first move, his scarecrow shadow leaped at other shadows that flapped like blackbirds. Then he holstered the pistol under his coat.
As the chains of the swinging light fixture torqued, the links twisted against one another with enough friction to cause an eerie ringing, as if lizard-eyed altar boys in blood-soaked cassocks and surplices were ringing the unmelodious bells of a satanic mass.
The shrill music and the capering shadows seemed to excite Jesse Pinn. An inhuman cry issued from him, primitive and psychotic, a caterwaul of the sort that sometimes wakes you in the night and leaves you wondering about the species of origin. As that spittle-rich sound sprayed from his lips, he hammered his fists into the priest’s midsection, two hard punches.
Quickly stepping out from behind the lute-playing angel, I tried to draw the Glock, but it caught on the lining of my jacket pocket.
As Father Tom doubled over from the two blows, Pinn locked his hands and clubbed them against the back of the priest’s neck.
Father Tom dropped to the floor, and I finally ripped the pistol out of my pocket.
Pinn kicked the priest in the ribs.
I raised the Glock, aimed at Pinn’s back, and engaged the laser sighting. As the mortal red dot appeared between his shoulder blades, I was about to say
I kept my silence, but to Father Tom, Pinn said, “If you’re not part of the solution, you’re part of the problem. If you can’t be part of the future, then get the hell out of the way.”
That sounded like a parting line. I switched off the laser sighting and retreated behind the angel just as the undertaker turned away from Father Tom. He didn’t see me.
To the singing of the chains, Jesse Pinn walked back the way he had come, and the jittery sound seemed to issue not from overhead but from within him, as though locusts were swarming in his blood. His shadow repeatedly darted ahead of him and then leaped behind until he passed beyond the arcing sword of light from the swinging fixture, became one with the darkness, and rounded the corner into the other arm of the L-shaped room.
I returned the Glock to my jacket pocket.
From the cover of the dysfunctional creche, I watched Father Tom Eliot. He was lying at the foot of the stairs, in the fetal position, curled around his pain.
I considered going to him to determine if he was seriously hurt, and to learn what I could about the circumstances that lay behind the confrontation I had just witnessed, but I was reluctant to reveal myself. I stayed where I was.
Any enemy of Jesse Pinn’s should be an ally of mine — but I could not be certain of Father Tom’s goodwill. Although adversaries, the priest and the mortician were players in some mysterious underworld of which I had been utterly unaware until this very night, so each of them had more in common with the other than with me. I could easily imagine that, at the sight of me, Father Tom would scream for Jesse Pinn, and that the undertaker would fly back, black suit flapping, with the inhuman caterwaul vibrating between his thin lips.
Besides, Pinn and his crew evidently were holding the priest’s sister somewhere. Possession of her gave them a lever and fulcrum with which to move Father Tom, while I had no leverage whatsoever.
The chilling music of the torquing chains gradually faded, and the sword of light described a steadily diminishing arc.
Without a protest, without even an involuntary groan, the priest drew himself to his knees, gathered himself to his feet. He was not able to stand fully erect. Hunched like an ape and no longer comic in any aspect of face or body, with one hand on the railing, he began to pull himself laboriously up the steep, creaking steps toward the church above.
When at last he reached the top, he would switch off the lights, and I would be left here below in a darkness that even St. Bernadette herself, miracle worker of Lourdes, would find daunting. Time to go.
Before retracing my path through the life-size figures of the creche, I raised my eyes for the first time to the painted eyes of the lute-playing angel in front of me — and thought I saw a blue to match my own. I studied the rest of the lacquered-plaster features and, although the light was weak, I was sure that this angel and I shared a face.
This resemblance paralyzed me with confusion, and I struggled to understand how this Christopher Snow angel could have been here waiting for me. I have rarely seen my own face in brightness, but I know its reflection from the mirrors of my dimly lit rooms, and this was a similar light. This was unquestionably me: beatific as I am not, idealized, but me.
Since my experience in the hospital garage, every incident and object seemed to have significance. No longer could I entertain the possibility of coincidence. Everywhere I looked, the world oozed uncanniness.
This was, of course, the route to madness: viewing
The priest was a third of the way up the stairs.
Stupefied, I studied the angel.