Seize the Night

mother was Wisteria Jane Snow. After all, though she gave us such miracles as Orson and Mungojerrie, her life’s work also made possible the twitching thing at the end of the priest’s left arm. Though the human side of him surely did believe in the immortal soul and the sweet mercy of Christ, it was understandable if some other, darker part of him placed its faith in bloody vengeance.

No matter what else he was, Father Tom was still a priest, and my folks had not raised me to take punches at priests, or at people insane with despair, for that matter. Respect and pity and twenty-eight years of parental instruction overcame my survival instinct — which made me a disappointment to Darwin — and instead of aggressively countering Father Tom’s assault, I crossed my arms over my face and tried to turn away from him.

He was not an experienced fighter. Like a grade-school boy in a playground brawl, he threw himself wildly against me, using his entire body as a weapon, ramming into me with a lot more force than you would expect from an ordinary priest, even more than you’d expect from a Jesuit.

Driven backward, I slammed hard into a tall armoire. One of the door handles gouged into my back, just below my left shoulder blade.

Father Tom was hammering at me with his right fist, but I was more worried about that weird left appendage. I didn’t know how sharp the serrated edges on those little pincers might be, but more to the point, I didn’t want to be touched by that thing, which looked unclean. Not unclean in a sanitary sense. Unclean in the sense that the cloven hoof or the hairless pink corkscrew tail of a demon might look unclean.

As he pounded on me, Father Tom urgently repeated his statement of religious commitment: “I believe in the mercy of Christ, the mercy of Christ, the mercy, I believe in the mercy of Christ!”

His spittle sprayed my face, and his breath was disconcertingly sweet with the fragrance of peppermint.

This ceaseless chanting wasn’t meant to persuade me or anyone else — not even God — of the priest’s unshaken faith. Rather, he was trying to convince himself of his belief, to remind himself that he had hope, and to use that hope to seize control of himself once more. In spite of the malevolent sulfurous light in his eyes, in spite of the urge to kill that pumped uncanny strength into his undisciplined body, I could see the earnest and vulnerable man of God who struggled to suppress the raging savage within and to find his way back toward grace.

Shouting, cursing, Bobby and Roosevelt clutched at the priest, trying to tear him off me. Even as he clung fast to me, Father Tom kicked at them, drove his elbows backward into their stomachs and ribs.

He hadn’t been a skilled fighter when he launched himself at me, seconds ago, but he seemed to be learning fast. Or perhaps he was losing the struggle to subdue his new becoming self, the savage within, which knew all about fighting and killing.

I felt something pulling at my sweater and was sure that it was the hateful claw. The pincer serrations were snagged in the cotton fabric.

With revulsion thick in my throat, I grabbed the priest’s wrist to restrain him. The flesh under my hand was strangely hot, greasy, and as vile to the touch as might be a corpse in an advanced state of decay. In places, the meat of him was disgustingly soft, although in other places, his skin had hardened into what might have been patches of a smooth carapace.

Until now, our bizarre struggle had been desperate yet at least darkly amusing to me, something that you couldn’t laugh at now but at which you knew you would laugh later, over a beer, on the beach: this roundhouse fight with a chubby clergyman in a chintz-choked bedroom, a Looney Tunes collaboration between Chuck Jones and H. P. Lovecraft. But suddenly a positive outcome didn’t seem as assured as it had a moment ago, and it wasn’t amusing anymore, not slightly, not even darkly.

His wrist joint was no longer like the wrist joint you study on a skeleton chart in a general-biology class, more like something you might see during advanced delirium tremens while drying out from a ten-bottle bourbon binge. The entire hand turned backward on the wrist, as no human hand could do, as if it operated on a ball joint, and the pincers snapped at my fingers, forcing me to let go before he had a chance to cut me.

Although I felt as though I had been struggling with the priest long enough to justify having his name tattooed on my biceps, he had been in this pummeling frenzy for no more than half a minute before Roosevelt tore him off me. Our usually gentle animal communicator communicated to the animal inside Father Tom by lifting him off the floor and throwing him as if he were no heavier than the real Death, who is, after all, nothing but bones in a robe.

Cassock skirt flaring, Father Tom crashed into the footboard of the bed, causing the pair of suicides to bounce as though with postmortem delight, springs singing under them. He toppled facedown to the floor, but instantly sprang to his feet with inhuman agility.

No longer chanting about his faith, now grunting like a boar, spitting, making strange strangled sounds of rage, he seized a walnut chair that featured tie-on cushions in a daffodil print and slip-on daffodil arm protectors, and for an instant it seemed that he would use it to smash everything around him, but then he pitched it at Roosevelt.

Roosevelt spun away just in time to take the chair across his broad back rather than in the face.

From the television came the mellifluous and emotional voice of Elton John, with full orchestral and choral accompaniment, singing “Can You Feel the Love Tonight?”

Even as the chair was cracking against Roosevelt’s back, Father Tom threw a vanity bench at Sasha.

She didn’t dodge quickly enough. The bench clipped her shoulder and knocked her over an ottoman.

As the furniture struck Sasha, the possessed priest was already firing items off the vanity at me, at Bobby, at Roosevelt, and though bestial sounds continued to issue from him, he also snarled a few broken but familiar words, with a vicious glee, to punctuate his attack: a silver hairbrush, an oval hand mirror with mother-of-pearl frame and handle — “in the name of the Father” — a heavy silver clothes brush — “and the Son” — a few decorative enamel boxes — “and the Holy Spirit!” — a porcelain bud vase that hit Roosevelt so hard in the face he dropped as if he’d been smacked with a ball-peen hammer, a silver comb. A perfume bottle sailed past my head and shattered against a distant hulk of furniture, flooding the bedroom with the fragrance of attar of roses.

During this barrage, ducking and dodging, protecting our faces with raised arms, Bobby and I tried to move toward Tom Eliot. I’m not sure why. Maybe we thought that together we could pin him down and hold the pitiable wretch until this seizure passed, until he regained his senses. If he had any senses left. Which seemed less likely by the second.

When the priest fired the last of the clutter from the arsenal atop the vanity, Bobby rushed him, and I went after him, too, just a fraction of a second later.

Instead of retreating, Father Tom launched himself forward, and when they collided, the priest lifted Bobby off the floor. He wasn’t Father Tom at all anymore. He was something unnaturally powerful, with the strength and ferocity of a mad bull. He lunged across the bedroom, knocking over a chair, and slammed-jammed-crushed Bobby into a corner so hard that Bobby’s shoulders should have snapped. Bobby cried out in pain, and the priest leaned into him, punching, clawing at his ribs, digging at him.

Then I was in the melee, too, on Father Tom’s back, slipping my right arm around his neck, gripping my right wrist with my left hand. Got him in a chokehold. Jerked back on his head. Just about crushed his windpipe, trying to pull him away from Bobby.

He retreated from Bobby, all right, but instead of dropping to his knees and capitulating, he seemed not to need the air that I was choking out of him, or the blood supply to the brain that I pinched off. He bucked, trying to throw me over his head and off his back, bucked again and more furiously.

I was aware of Sasha shouting, but I didn’t listen to what she was saying until the priest bucked a fourth time and nearly did pitch me off. My chokehold slipped, and he snarled as if sensing triumph, and I finally heard Sasha saying, “Get out of the way! Chris! Chris, get out of the way!”

Doing what she demanded took some trust, but then it’s always about trust, every time, whether it’s deadly combat or a kiss, so I released my faltering chokehold, and the priest threw me off even before I could scramble away.

Father Tom rose to his full height, and he appeared to be taller than before. I think that must have been an illusion. His demonic fury had attained such intensity, such blazing power, that I expected electric arcs to leap from him to any nearby metal object. Rage made him appear to be larger than he was. His radiant yellow gaze seemed