LATE THAT SUMMER Marconi and Flood Page and a recently hired engineer named Richard Vyvyan set out for Cornwall to search for a suitable location for the station that would serve as the English node of Marconi’s transatlantic experiment. After tramping the coast, through fog and along paths that crossed mounds of heather and gorse and wildflowers, they settled on land atop Angrouse Cliff, near the village of Poldhu and adjacent to the large and comfortable Poldhu Hotel. Marconi did not mind remote locations, provided that a source of fine food and wine lay near at hand.
The first construction on the cliff began soon afterward, in October, directed by Vyvyan. Marconi planned the antenna; Fleming worked out details about how to amplify power to provide a spark intense enough to create waves capable of jumping the Atlantic, and how to do so safely, for with so much voltage coursing through the system even the act of keying a message could prove lethal. No ordinary Morse key could handle the power. This key would be a lever requiring muscle to operate, and courage as well, especially when sending Morse dashes— which required longer pulses of energy and increased the threat that uncontrolled sparks, or arcs, would be unleashed.
The extreme power of the station raised anew the board’s concern about how its signals would affect transmissions from other, smaller wireless stations. Marconi by now had devised a means of tuning transmissions, for which he had received British patent no. 7777, often referred to as his “four sevens” patent. But the technology was fallible, as Fleming and Marconi well knew. In fact, they were sufficiently concerned that Marconi ordered George Kemp to build a second, far smaller station six miles away on a stretch of coast known as the Lizard, to gauge whatever interference might occur and to provide a receiver for trial messages once the new station began operation. Here Kemp directed the construction of an antenna consisting of three ships’ masts secured end to end and stayed against the wind, rising to a height of 161 feet.
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“But greater wonders followed,” Fleming wrote—at which point Oliver Lodge, reading
Fleming reported that the operators sent another round of simultaneous messages, one in English, one in French. This time both messages were received on a single antenna. Fleming gushed, “When it is realized that these visible dots and dashes are the results of trains of intermingled electric waves rushing with the speed of light across the intervening 30 miles, caught on one and the same short aerial wire and disentangled and sorted out automatically by the two machines into intelligible messages in different languages, the wonder of it all cannot but strike the mind.”
Anyone reading the letter closely, however, would have seen that it presented anything but an objective, verifiable account of the experiments and instead derived its credibility entirely from the fact that its author was the great Ambrose Fleming. In effect, Fleming once again was asking the audience to trust him.
This letter—its glowful praise, its failure to note that Fleming was a paid employee—would prove costly. Not immediately, however. For now it merely kindled the curiosity, and professional skepticism, of Nevil Maskelyne, the magician.
MARCONI SHUTTLED BETWEEN the Poldhu Hotel at Land’s End and the Haven Hotel at Poole, though he spent most of his time at the latter. No railway ran directly from Poldhu to Poole, so Marconi had to travel first to London then catch another train south. This left him a lot of time for thinking and not a lot for his American beauty, Josephine Holman.
The engagement was still secret, and with nearly all Marconi’s time consumed by travel and work, Holman must at times have wondered whether it was real or an artifact of imagination.
They wrote letters and sent telegrams. Marconi knew the news of their engagement would upset his mother, but he seemed not to realize that the longer he kept the engagement a secret, the more likely she was to feel hurt at his not sharing so important a part of his life. Annie Jameson had been his earliest and strongest ally, and she believed herself still to be his protector even in small things. Though he by now had turned twenty-six and was wealthy and famous the world over, she doted on him as if he were still a boy sequestered in his attic laboratory. She stayed often at the Haven Hotel. In one letter to him, written from there, she wrote, “After you left this morning I found you had not taken your rug with you…. I sent it to you at 3 o’clock today and hope you will get it all right by tomorrow.” She urged him to keep “plenty of blankets” on his bed. “I have put all your things as tidy as possible in your room, and the key to your wardrobe I have put in one of the little drawers of your looking glass on the dressing table, but indeed there is little use in locking the wardrobe for all the keys are the same.”
Later, from Bologna, she wrote, “I am thinking if it has got warmer at the Haven Hotel you will want your lighter flannels. Mrs. Woodward has the keys of your boxes. Your flannels are in the box with the two trays. Summer sleeping suits on the first tray. Summer vests under the two trays. Summer suit, jacket, waistcoat and trousers in the wardrobe (side of window).”
In London Ambrose Fleming awoke to the fact that he had taken on something far more involved and consuming than he had expected when he agreed to become scientific adviser. In a letter to Flood Page he complained that the company was making “extreme demands on my time” and cited by way of example a long letter from engineer Richard Vyvyan “which will take several hours to answer.” His pay, he complained, was “in no way adequate.”
He wrote, “I am willing to do this work on a scale of payment proportional to the responsibility. You are engaged in a gigantic experiment at Cornwell which if successful would revolutionize ocean telegraphy.”
For him to continue, he wrote, his pay would have to be increased to ?500 a year—more than $50,000 today. Further, he needed a promise of additional reward “if my work and inventions are of material assistance in getting across the Atlantic.”
One week later, on December 1, 1900, Flood Page wrote back to notify Fleming that the directors had approved the increase. He added, however, that the board wanted assurance that Fleming understood a crucial point.
“I am desired to say,” Flood Page wrote, “that while they recognize fully the great assistance you have given to Mr. Marconi with reference to the Cornwall Station, yet they cannot help feeling that if we get across the Atlantic, the main credit will be and must be Mr. Marconi’s. As to any recognition in the future in the event of our getting successfully across the Atlantic, I do not think you will have cause to regret it, if you leave yourself in the hands of the Directors.”
That Fleming truly understood the point—understood the lengths to which Marconi and his company would go to train the spotlight on Marconi alone—is doubtful. Fleming’s roots lay in the loam of British academic science and in the British ideal of fair play. In his acceptance note, which he mailed to Flood Page two days later, Fleming wrote, “As regards any special recognition in the event of my services assisting in the accomplishment of transatlantic wireless telegraphy I can confidently leave this to be considered when the time arrives, assured that I shall meet with generous treatment.”
As if on cue, the company now changed its name, from the Wireless Telegraph and Signal Co. to
SPEED WAS ESSENTIAL. Each week’s issue of
The Royal Navy installed thirty-one of its thirty-two new Marconi sets, but it shipped the last to an electrical equipment company where engineers, without authorization from Marconi, built fifty duplicates for the navy’s