half a year since she had seen a hansom cab or felt the rumble of a subterranean locomotive racing through the darkness under her feet.
But Marconi, her keeper, had a different plan in mind.
LIBERATION
ON SATURDAY MORNING, JULY 9, 1910, Crippen left Hilldrop Crescent at his usual hour and went to his office at Albion House. At around ten he approached his assistant, William Long, and asked him to go to a nearby men’s shop, Charles Baker, and buy a few articles of clothing. Crippen gave him a list of things to acquire that included a brown suit cut for a boy, two collars, a tie, two shirts, a pair of suspenders, and a brown felt hat. He was to buy a pair of boots as well, from a shop on Tottenham Court Road. Crippen gave him the necessary money.
Ethel meanwhile took a taximeter cab to the home of her sister Nina and arrived there at about eleven. She asked the driver to wait.
Nina came to the door and exclaimed with delight at this surprise visit from her sister, but her joy quickly changed to concern. Ethel looked “rather troubled,” Nina said, and asked hurriedly if anyone else was at home. She was pale, agitated. When Nina stepped close to put her arms around her sister, she found that she was trembling.
Ethel said, “I had two detectives call to see me yesterday morning about quarter past eight, soon after Harvey had gone.”
(
Ethel said, “Belle Elmore’s friends don’t seem to think she is dead.” Her voice wavered. “Who am I?” she cried. “Everyone will think I am a bad woman of the streets.” She broke down. Nina tightened her embrace.
After a few moments Ethel calmed. “I can’t stop long with you,” she said, “but I could not go without coming and saying goodbye.”
This startled Nina. She asked where Ethel was going.
“I don’t know,” Ethel said. Crippen hadn’t told her. She promised that once settled she would send Nina her address.
But Nina could not understand
“What good is it for me to stop without means, and my character gone?” Ethel said.
And there was another reason, she said. Crippen had told her he wanted to find the person who had sent the cable about Belle’s death and, in so doing, perhaps locate his wife. Only by finding her, Ethel said, could he end this scrutiny by Scotland Yard. “For all I know she may not have gone to America at all,” Ethel told Nina, “she may still be in London and have got somebody across the water to send a bogus telegram informing of her death.” Ethel feared a conspiracy by Belle—that out of pure malice she might simply be hiding somewhere, waiting until Ethel and Crippen got married, and then, as Ethel put it, “confront us with bigamy.”
Ethel and Nina hugged again. Ethel said good-bye and stepped back into the taxi. She told the driver to head for Bloomsbury, to Albion House.
THAT MORNING AT NEW Scotland Yard Chief Inspector Dew considered what to do next regarding the disappearance of Belle Elmore. It was tempting to do nothing, but he had been in the police department long enough to know that doing nothing could be ruinous to a man’s career. He did not suspect foul play but recognized the case could not be closed with confidence until Belle was found. The doctor’s advertisement would help, but something more was needed, if only to prove to Superintendent Froest that he had done all he could for the Nashes.
Dew composed a circular in which he described Belle Elmore and classified her as a missing person. He arranged to have it sent to every police division in London. It was a routine step, unlikely to bear fruit, but necessary all the same.
AROUND NOON CRIPPEN and Ethel met in the work room of Yale Tooth, on the fourth floor of Albion House. Ethel’s spirits had improved. Her anger of the night before was gone, and having completed the sorrowful task of saying good-bye to her sister, she now found herself caught up in the daring of the moment.
Crippen showed her the suit of clothes that William Long had bought earlier that morning. “You will look a perfect boy in that,” Crippen said. He grinned. “Especially when you have cut off your hair.”
“Have I got to cut my hair?” she cried.
His delight increased. “Why, of course,” he said. “That is absolutely necessary.”
She wrote, “Honestly, I was more amused than anything. It seemed to me an adventure.”
She removed her clothes.
ETHEL’S BROTHER, SIDNEY, planned to visit Hilldrop Crescent that same day. Ethel had made the invitation a few days earlier, before everything changed, but was unable to reach him to cancel his visit.
Now he walked up the ten steps to the front door at No. 39 and knocked. The French maid gave him a note from Ethel.
“Dear Sid,” it said, “Am sorry to disappoint you to day; have been called away. Will write you later. My love dear to you and all and kisses. From your loving Sis, Ethel.”
AT ALBION HOUSE Ethel stood before Crippen in a white shirt, suspenders, tie, vest, brown jacket and pants, and a new pair of boots. In trying on the pants she had split the seat, but she reconnected the seam with safety pins. “It was not a good fit,” she wrote. “It was ludicrous.” To complete the outfit she put on the brown felt hat.
She laughed “at the absurdity” of dressing up as a boy. “Dr. Crippen was just as gay as I was at this transformation. It seemed a merry joke to him.”
Crippen picked up a pair of scissors.
“Now for the hair,” he said.
He began to cut. Hair flurried around her. “I did not think twice about this loss of my locks,” she wrote. “It was all part of the adventure.” She put the hat back on and walked back and forth across the room, trying to get used to the alien feel of the clothing. “I was like a child,” she wrote, “and strutted up and down, and very soon felt quite at ease, although for a time I missed the habit of holding my skirt.”
Crippen watched and smiled. “You will do famously,” he said. “No one will recognize you. You are a perfect boy.”
She feared she would not be able to muster the courage to wear her disguise on the street. It felt so odd. The nape of her neck was cold. The collar chafed. The boots hurt. The sensations reported to her brain from all quarters were strange. It was hard to imagine men wearing these things day in, day out, and not going mad from constriction and abrasion.
Crippen reassured her that she looked exactly like a sixteen-year-old boy. He instructed her to leave first, by the stairs, and to meet him at the Tube station at Chancery Lane, a dozen blocks east on High Holborn—the street along which, in the distant past, condemned men traveled on their way to be executed at Tyburn, at the northeast corner of Hyde Park. To enhance her costume, Ethel placed a cigarette in her mouth and lit it, “another novelty for me which I did not much appreciate.”
