help with regarding the priest’s house and as we were up here anyway I’ve been to have a word with…”

She ended the sentence with a nod toward the house.

“But it’s got nothing to do with…” asked Anna-Maria.

“No, when I came up here I didn’t even know… no. What did you have?” asked Rebecka, trying to force a smile onto her face.

“A boy. I’ve just come back to work after my maternity leave, so I’m helping out with the investigation into Mildred Nilsson’s murder.”

Rebecka nodded. She looked up at the sky. It was completely empty. The bunch of keys weighed a ton in her pocket.

What am I? she thought. I’m not ill. I haven’t got an illness. Just lazy. Lazy and crazy. I have no words of my own to speak. The silence is eating its way inward.

“Funny old world, isn’t it?” said Anna-Maria. “First Viktor Strandgard and now Mildred Nilsson.”

Rebecka nodded again. Anna-Maria smiled. She seemed completely unconcerned about the other woman’s silence, but she was waiting patiently for Rebecka to say something.

“What do you think?” Rebecka managed to force out. “Is it somebody who’d been keeping a scrapbook about Viktor’s murder, and decided to make a sequel of their own?”

“Maybe.”

Anna-Maria gazed up into a pine tree. Heard a squirrel scampering up the trunk, but couldn’t see it. It stayed on the other side, reached the top and rustled about among the branches.

Maybe it was some lunatic who was inspired by Viktor Strandgard’s death. Or it might have been somebody who knew her. Who knew she’d conducted a service in the church, knew what time it finished and that she’d go down to where she kept the boat. She didn’t defend herself. And why did somebody hang her up? It’s like in the Middle Ages, when they used to impale people’s heads on a spike. As a warning to others.

“How are you?” asked Anna-Maria.

Rebecka replied that she was fine. Just fine. Things had been difficult immediately afterward, of course, but she’d had help and support. Anna-Maria said that was good, really good.

Anna-Maria looked at Rebecka. She thought about that night when the police went to the cottage in Jiekajarvi and found her. She hadn’t been able to go with them because her contractions had started. But she’d often dreamed about it afterward. In the dream she was riding a snowmobile through the darkness and the blizzard. Rebecka lay bleeding on the sledge. The snow spraying up into her face. All the time she was afraid of running into something. Then she got stuck. Standing there in the cold. The snowmobile roaring in vain. She usually woke up with a start. Lay there gazing at Gustav, sleeping and snuffling between her and Robert. On his back. Completely secure. Arms by his sides, pointing upward at a ninety degree angle, typical of new babies. Everything worked out fine, she usually thought. Everything worked out fine.

Everything didn’t work out fine at all, she thought now.

“So are you off back to Stockholm now?” she asked.

“No, I’ve taken a bit of time off.”

“Your grandmother had a house in Kurravaara, is that where you’re staying?”

“No, I… no. Here in the village. The pub’s got a couple of chalets.”

“So you haven’t been to Kurravaara?”

“No.”

Anna-Maria looked searchingly at Rebecka.

“If you want some company we could go up there together,” she said.

Rebecka thanked her, but said no. It was just that she hadn’t had time yet, she explained. They said good-bye. Before they parted Anna-Maria said:

“You saved those children.”

Rebecka nodded.

That’s no consolation, she thought.

“What happened to them?” she asked. “I reported suspected abuse to social services.”

“I don’t think anything came of that investigation,” said Anna-Maria. “Then the whole family moved away.”

Rebecka thought about the girls. Sara and Lova. She cleared her throat and tried to think about something else.

“That sort of thing’s so expensive for the community, you see,” said Anna-Maria. “The investigations cost money. Having the children looked after costs a whole heap of money. Putting the case through the county court costs money. From the child’s point of view it would be better if the whole apparatus was run by the state. But at the moment the best solution for the community is if the problem just goes away. Bloody hell, I’ve taken kids out of a fifty-two-square-meter war zone. Then you hear that the community’s bought the family a tenancy in Orkelljunga.”

She stopped. Noticed that she’d started babbling just because Rebecka Martinsson seemed to be so close to the edge.

As Rebecka walked on down toward the village bar, Anna-Maria gazed after her. She was seized by a sudden longing for her children. Robert was at home with Gustav. She wanted to press her nose against Gustav’s soft skin, feel his strong little arms around her neck.

Then she took a deep breath and straightened her back. The sun on the yellow-white autumn grass. The squirrel, still busy up in the trees on the other side of the track. The smile poured back into her. It was never very far away. Time to talk to Erik Nilsson, the priest’s husband. Then she’d go home to her family.

* * *

Rebecka Martinsson was walking down toward the bar. Behind her, the forest was talking. Come over here, it said. Come and walk deep inside. I am endless.

She could imagine that walk.

Slender pines of beaten copper. The wind high up in the crown of the trees sounds like rushing water. Firs that look charred and blackened, covered in beard lichen. The sound of her steps: the rustle of dry reindeer lichen and organ-pipe lichen, the crunch of the pinecones eaten by the woodpecker. Sometimes you walk on a soft carpet of needles along an animal track. All you hear then is the sound of thin twigs cracking beneath your feet.

You walk and walk. At first the thoughts in your head are like a tangled skein of wool. The branches scrape against your face or catch in your hair. One by one the threads are drawn from the skein. Get caught in the trees. Fly away with the wind. In the end your head is empty. And you are transported. Through the forest. Over steaming bogs, heavy with scent, where your feet sink between the still frozen tussocks and your body feels sticky. Up a hill. Fresh breeze. The dwarf birch creeping, glowing on the ground. You lie down. And then the snow begins to fall.

She suddenly remembered what it was like when she was a child. That longing to be transported into the endlessness of it all, like a Red Indian. The mountain buzzards soaring above her head. In her dreams she had a rucksack on her back and slept under the open sky. Her grandmother’s dog Jussi was always there. Sometimes she traveled by canoe.

She remembered standing in the forest, pointing. Asking her father: “If I go that way, where will I end up?” And her father’s reply. New poetry, depending on which direction the finger was pointing in, and where they were. “Tjalme.” “Latteluokta.” “Across the river Rauta.” “Through Vistasvagge and over the Dragon’s Back.”

She had to stop. Almost thought she could see them. Hard to remember what her father’s face had actually looked like. It’s because she has seen too many photographs of him. They’ve pushed out her own memories. But she recognizes the shirt. Cotton, but soft as silk from all the washing. White background, black and red lines making a checked pattern. The knife in his belt. The leather dark and shiny. The beautifully patterned bone handle. Herself, no more than seven, she knows that for certain. Blue machine-knitted hat with a pattern of white snowflakes. Sturdy boots. She has a knife in her belt too, a small one. It’s mostly for appearance’s sake. Although she has tried to use it. Wanted to carve something with it. Figures. Like Astrid Lindgren’s Emil in Lonneberga. But it’s too feeble. If she’s going to use the knife she has to borrow Daddy’s. It’s better when she wants to split wood or sharpen kebab sticks, sometimes for carving, although it never quite

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