Call For The Dead

'Oh, he'll beat them down, Peter, don't worry.'

'He's already saying that the whole case against Fennan rests on the evidence of a neurotic woman:'

'Thanks for ringing, Peter.'

'Be seeing you, dear boy. Keep your head down.'

Smiley replaced the receiver and wondered where Mendel was. There was an evening paper on the hall table, and he glanced vaguely at the headline 'Lynching: World Jewry Protests' and beneath it the account of the lynching of a Jewish shopkeeper in Dusseldorf. He opened the drawing-room door — Mendel was not there. Then he caught sight of him through the window wearing his gardening hat, hacking savagely with a pick-axe at a tree stump in the front garden .. Smiley watched him for a moment, then went upstairs again to rest. As he reached the top of the stairs the telephone began ringing again.

'George — sorry to bother you again. It's about Mundt:'

'Yes?'

'Flew to Berlin last night by B.E.A. Travelled under another name but was easily identified by the air hostess. That seems to be that. Hard luck, chum.'

Smiley pressed down the cradle with his hand for a moment, then dialled Walliston 2944. He heard the number ringing the other end. Suddenly the dialing tone stopped and instead he heard Elsa Ferman's voice:

'Hullo ... Hullo ... Hullo?'

Slowly he replaced the receiver. She was alive.

Why on earth now? Why should Mundt go home now, five weeks after murdering Fennan, three weeks after murdering Scarr; why had he eliminated the lesser danger — Scarr — and left Elsa Fennan unharmed, neurotic and embittered, liable at any moment to throw aside her own safety and tell the whole story? What effect might that terrible night not have had upon her? How could Dieter trust a woman now so lightly bound to him? Her husband's good name could no longer be preserved; might she not, in God knows what mood of vengeance or repentance, blurt out the whole truth? Obviously, a little time must elapse between the murder of Fennan and the murder of his wife, but what event, what information, what danger, had decided Mundt to return last night? A ruthless and elaborate plan to preserve the secrecy of Ferman's treason had now apparently been thrown aside unfinished. What had happened yesterday that Mundt could know of? Or was the timing of his departure a coincidence? Smiley refused to believe it was. If Mundt had remained in England after the two murders and the assault on Smiley, he had done so unwillingly, waiting upon some opportunity or event that would release him. He would not stay a moment longer than he need. Yet what had he done since Scarr's death? Hidden in some lonely room, locked away from light and news. Then why did he now fly home so suddenly?

And Fennan — what spy was this who selected innocuous information for his masters when he had such gems at his fingertips? A change of heart, perhaps? A weakening of purpose? Then why did he not tell his wife, for whom his crime was a constant nightmare, who would have rejoiced at his conversion? It seemed now that Fennan had never shown any preference for secret papers — he had simply taken home whatever files currently might occupy him. But certainly a weakening of purpose would explain the strange summons to Marlow and Dieter's conviction that Fennan was betraying him. And who wrote the anonymous letter?

Nothing made sense, nothing. Fennan himself — brilliant, fluent and attractive — had deceived so naturally, so expertly. Smiley had really liked him. Why then had this practised deceiver made the incredible blunder of putting Dieter's name in his diary — and shown so little judgement or interest in the selection of intelligence?

possessions which Mendel had collected for him from Bywater Street. It was all over.

XIV The Dresden Group

He stood on the doorstep and put down his suitcase, fumbling for his latchkey. As he opened the door he recalled how Mundt had stood there looking at him, those very pale blue eyes calculating and steady. It was odd to think of Mundt as Dieter's pupil. Mundt had proceeded with the inflexibility of a trained mercenary—efficient, purposeful, narrow. There had been nothing original in his technique: in everything he had been a shadow of his master. It was as if Dieter's brilliant and imaginative tricks had been compressed into a manual which Mundt had learnt by heart, adding only the salt of his own brutality.

Smiley had deliberately left no forwarding address and a heap of mail lay on the door mat. He picked it up, put it on the hall table and began opening doors and peering about him, a puzzled, lost expression on his face. The house was strange to him, cold and musty. As he moved slowly from one room to another he began for the first time to realise how empty his life had become.

He looked for matches to light the gas fire, but there were none. He sat in an armchair in the living-room and his eyes wandered over the bookshelves and the odds and ends he had collected on his travels. When Ann had left him he had begun by rigorously excluding all trace of her. He had even got rid of her books. But gradually he had allowed the few remaining symbols that linked his life with hers to reassert themselves: wedding presents from close friends which had meant too much to be given away. There was a Watteau sketch from Peter Guillam, a Dresden group from Steed- Asprey.

He got up from his chair and went over to the corner cupboard where the group stood. He loved to admire the beauty of those figures, the tiny rococo courtesan in shepherd's costume, her hands outstretched to one adoring lover, her little face bestowing glances on another. He felt inadequate before that fragile perfection, as he had felt before Ann when he first began the conquest which had amazed society. Somehow those little figures comforted him: it was as useless to expect fidelity of Ann as of this tiny shepherdess in her glass case. Steed-Asprey had bought the group in Dresden before the war, it had been the prize of his collection and he had given it to them. Perhaps he had guessed that one day Smiley might have need of the simple philosophy it propounded.

Dresden: of all German cities, Smiley's favourite. He had loved its architecture, its odd jumble of mediaeval and classical buildings, sometimes reminiscent of Oxford, its cupolas, towers and spires, its copper-green roofs shimmering under a hot sun. Its name meant 'town of the forest-dwellers' and it was there that Wenceslas of Bohemia had favored the minstrel poets with gifts and privilege. Smiley remembered the last time he had been there, visiting a University acquaintance, a Professor of Philology he had met in England. It was on that visit that he had caught sight of Dieter Frey, struggling round the prison courtyard. He could see him still, tall and angry, monstrously altered by his shaven head, somehow too big for that little prison. Dresden, he remembered, had been Elsa's birthplace. He remembered glancing through her personal particulars at the Ministry: Elsa nee Freimann, born 1917 in Dresden, Germany, of German parents; educated Dresden; imprisoned 1938-45. He tried to place her against the background of her home, the patrician Jewish family living out its life amid insult and persecution. 'I dreamed of long golden hair and they shaved my head.' He realised with sickening accuracy why she dyed her hair. She might have been like this shepherdess, round-bosomed and pretty. But the body had been broken with hunger so that it was frail and ugly, like the carcass of a tiny bird.

He could picture her on the terrible night when she found her husband's murderer standing by his body: hear her breathless, sobbing explanation of why Fennan had been in the park with Smiley: and Mundt unmoved, explaining and reasoning, compelling her finally to conspire once more against her will in this most dreadful and needless of crimes, dragging her to the telephone and forcing her to ring the theatre, leaving her finally tortured and exhausted to cope with the enquiries that were bound to follow, even to type that futile suicide letter over Ferman's signature. It was inhuman beyond belief and, he added to himself, for Mundt a fantastic risk.

She had, of course, proved herself a reliable enough accomplice in the past, cool-headed and, ironically, more skilful than Fennan in the techniques of espionage. And, heaven knows, for a woman who had been through such a night as that, her performance at their first meeting had been a marvel.

As he stood gazing at the little shepherdess, poised eternally between her two admirers, he realised dispassionately that there was another quite different solution to the case of Samuel Fennan, a solution which matched every detail of circumstance, reconciled the nagging inconsistencies apparent in Fennan's character. The realisation began as an academic exercise without reference to personalities; Smiley manoeuvred the characters like pieces in a puzzle, twisting them this way and that to fit the complex framework of established facts — and then, in a moment, the pattern had suddenly reformed with such assurance that it was a game no more.

His heart beat faster, as with growing astonishment Smiley retold to himself the whole story, reconstructed