also mine. Emblazoned on it, my brilliant reflections on
Or not.
Ripping off the pages on which I have recorded my pearls of legal wisdom, he stuffs them back in the drawer, snaps what’s left of
‘I’m going in there’ – pointing to the bathroom. ‘You stay here. Sit at the desk and write down everything you remember. Everything that happened. I’ll do the same. All right by you?’
‘What’s wrong with both of us being in this room? Jesus, Perry. I’m
Setting aside any pardonable desire for his companionship, my question is entirely reasonable. Our cabin contains, in addition to a much-used bed the size of a rugger field, one desk, two armchairs and a table. Perry may have had his heart-to-heart with Dima, but what about me, banged up with bonkers Tamara and her bearded saints?
‘Separate witnesses rate separate statements,’ Perry decrees, heading for the bathroom.
‘Perry! Stop! Come back! Stay here! I’m the fucking lawyer here, not you. What’s Dima been telling you?’
Nothing, to judge by his face. It has slammed shut.
‘Perry.’
‘What?’
‘For fuck’s sake. It’s me. Gail. Remember? So just sit yourself down and tell Auntie what Dima has told you that’s turned you into a zombie. All right, don’t sit down. Tell me standing up. Is the world ending? Is he a girl? What the
A flinch. A palpable flinch. Enough flinch to give grounds for optimism. Misplaced.
‘I can’t.’
‘Can’t what?’
‘Involve you in this.’
‘Bollocks.’
A second flinch. No more productive than the first.
‘You listening, Gail?’
‘You’re a good lawyer and you’ve got a splendid career in front of you.’
‘Thank you.’
‘Your big case is coming up in two weeks’ time. Is that a fair summary?’
‘You’re the shining star of a prestigious law Chambers. You’re worked off your feet. You’ve told me so often enough.’
‘We draw a line. A line in the sand. Whatever Dima told me is private to me. What Tamara told you is private to you. We don’t cross over. We exercise client confidentiality.’
Her power of speech returns. ‘Are you telling me Dima is your
‘I’m using a legal metaphor. Taken from your world, not mine. I’m saying, Dima’s my client and Tamara’s yours. Conceptually.’
‘Tamara didn’t
‘Sorry, Gail. I can’t.’
‘I beg your pardon?’
‘I’m not telling. I refuse to drag you any deeper into this affair than you are already. I want you kept clean. Safe.’
‘You want?’
‘No. I don’t
‘I’m deadly serious,’ he adds, in case she doubted it.
Then a different Perry transmogrifies out of the first one. Out of my beloved, striving Jekyll comes an infinitely less appetizing Mr Hyde of the British Secret Service:
‘You also talked to Natasha, I noticed. For quite some time.’
‘Yes.’
‘Alone.’
‘Not alone, actually. We had two small girls with us but they were asleep.’
‘Then effectively alone.’
‘Is that a crime?’
‘She’s a source.’
‘She’s a
‘Did she talk to you about her father?’
‘Come again?’
‘I said: did she talk to you about her father?’
‘Pass.’
‘I’m serious, Gail.’
‘So am I. Deadly. Pass, and either mind your own fucking business, or tell me what Dima said to you.’
‘Did she talk to you about what Dima does for a living? Who he plays with, who he trusts, who they’re so afraid of? Anything of that sort that you know, you should write it down too. It could be vitally important.’
On which note, he retires to the bathroom and – to his mortal shame – turns the lock.
For half an hour Gail sits huddled on the balcony with the bedspread over her shoulders because she’s too drained to undress. She remembers the rum bottle, hangover guaranteed, pours herself a tot regardless, and dozes. She wakes to find the bathroom door open and Ace Operator Perry framed crookedly in the doorway, not sure whether to come out. He is clutching half her legal pad in both hands behind his back. She can see a corner of it poking out and it’s covered in his handwriting.
‘Have a drink,’ she suggests, indicating the rum bottle.
He ignores her.
‘I’m sorry,’ he says. Then he clears his throat and says it again: ‘I’m really very sorry, Gail.’
Chucking pride and reason to the winds, she impulsively jumps up, runs to him and embraces him. In the interests of security, he keeps his arms behind him. She has never seen Perry frightened before, but he’s frightened now. Not for himself. For her.
She peers blearily at her watch. Two-thirty. She stands up, intending to give herself another glass of Rioja, thinks better of it, sits in Perry’s favourite chair and discovers she is under the blanket with Natasha.
‘So what does he do, your Max?’ she asks.