left eye angled up towards her temple, while the same side of her mouth

drooped.  Her skin seemed baby soft and was without wrinkles, though

she must have been well into her forties.

'Si?'  she finally inquired.

'Is this the home of Giuliano Ruffo?'  Brunetti asked.

She might have been a speaker of some other language, so long did it

take her to translate his words into meaning.  As Brunetti watched, he

thought he saw her mouth the word, 'Giuliano', as if that would help

her answer the question.

'Momenta,' the woman said, and the consonants caused her great

difficulty.  She turned away, leaving it to them to close the door.  Or

just as easily, Brunetti said to himself, walk off with everything in

the house or, if they preferred, kill everyone inside and drive away

undisturbed, even by the dogs.

The three men crowded into the hall and stood there, waiting for the

woman to return or for someone to arrive

better able to answer their questions.  After a few minutes they heard

footsteps come towards them from the back of the house.  The woman in

the green cardigan returned, and behind her was another woman, younger,

and wearing a sweater made from the same wool but by more skilful

hands.  This woman's features and bearing, too, spoke of greater

refinement: dark eyes that instantly sought his, a sculpted mouth

poised to speak, and an air of concentrated attention left Brunetti

with a general impression of brightness and light.

'Si?'  she said.  Both her tone and her expression made the question

one that required not only an answer, but an explanation.

'I'm Commissario Guido Brunetti, Signora.  I'd like to speak to

Giuliano Ruffo.  Our records show that this is his home.'

'What do you want to talk to him about?'  the second woman asked.

'About the death of one of his fellow cadets.'

During this exchange, the first woman stood to one side of Brunetti,

open mouthed, her face moving back and forth from one to the other as

he spoke to the younger woman, seeming to register only sound. Brunetti

saw her in profile, and noticed that the undamaged side of her face was

similar to that of the other woman's.  Sisters, then, or perhaps

cousins.

'He's not here the younger woman said.

Brunetti had no patience for this.  'Then he's in violation of his

leave from the Academy,' he said, thinking this might perhaps be

true.

To hell with the Academy,' she answered fiercely.

'All the more reason for him to talk to us, then,' he countered.

'I told you, he's not here.'

Suddenly angry, Brunetti said, 'I don't believe you.'  The idea of what

life in the countryside was like came to him, the

boredom of work relieved only by the hope that some new misery would

befall a neighbour.  'If you like, we can leave and then come back

again with three cars, with sirens wailing and red lights flashing, and

fill your courtyard and then go and ask all of your neighbours if they

know where he is.'

'You wouldn't do that,' she said, far more truthfully than she

realized.

'Then let me talk to him Brunetti said.  'Giuliano,' said the first

woman, surprising them all.

'It's all right, Luigina,' the younger woman said, placing a hand on

her forearm.  These men have come to see Giuliano.'

'Giuliano,' the older woman repeated in the same dull, uninflected

tone.

'That's right, cam.  They're friends of his, and they've come to

visit.'

'Friends,' the woman repeated with a crooked smile.  She moved towards

the bulk of Vianello, who was looming behind his colleagues.  She

raised her right hand and placed the open palm on the centre of his

chest.  She raised her face up to his and said, 'Friend.'

Vianello placed his hand over hers and said, That's right, Signora.

Friends.'

There ensued a moment of intense awkwardness, at least for Brunetti,

Pucetti and the younger woman.  Vianello and Luigina remained linked by

her hand on his chest, while Brunetti turned to the other woman and

said, 'Signora, I do need to speak to Giuliano.  You have my

inspector's word: we're friends.'

'Why should I trust you?'  she demanded.

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