'You stay put or I'll pass sentence on you!'
Scallen moved a slow step nearer. 'Hand me the gun, Bob.'
'I'm warning you--get the hell out of the way and let me do what I came for.'
'Bob, hand me the gun or I swear I'll beat you through that wall.'
Scallen tensed to take another step, another slow one. He saw Moons's eyes dart from him to Kidd and in that instant he knew it would be his only chance. He lunged, swinging his coat aside with his hand, and when the hand came up it was holding a Colt. All in one motion. The pistol went up and chopped an arc across Moons's head before the big man could bring his own gun around. His hat flew off as the barrel swiped his skull and he went back against the wall heavily, then sank to the floor.
Scallen wheeled to face the window, thumbing the hammer back. But Kidd was still sitting on the edge of the bed with the shotgun at his feet.
The deputy relaxed, letting the hammer ease down. 'You might have made it, that time.'
Kidd shook his head. 'I wouldn't have got off the bed.' There was a note of surprise in his voice. 'You know, you're pretty good....'
At two-fifteen Scallen looked at his watch, then stood up, pushing the chair back. The shotgun was under his arm. In less than an hour they would leave the hotel, walk over Commercial to Stockman, and then up Stockman to the station. Three blocks. He wanted to go all the way. He wanted to get Jim Kidd on that train...but he was afraid.
He was afraid of what he might do once they were on the street. Even now his breath was short and occasionally he would inhale and let the air out slowly to calm himself. And he kept asking himself if it was worth it.
People would be in the windows and the doors, though you wouldn't see them. They'd have their own feelings and most of their hearts would be pounding...and they'd edge back of the door frames a little more. The man out on the street was something without a human nature or a personality of its own. He was on a stage. The street was another world.
Timpey sat on the chair in front of the door and next to him, squatting on the floor with his back against the wall, was Moons. Scallen had unloaded Moons's pistol and placed it in the pitcher behind him. Kidd was on the bed.
Most of the time he stared at Scallen. His face bore a puzzled expression, making his eyes frown, and sometimes he would cock his head as if studying the deputy from a different angle.
Scallen stepped to the window now. Charlie Prince and another man were under the awning. The others were not in sight.
'You haven't changed your mind?' Kidd asked him seriously.
Scallen shook his head.
'I don't understand you. You risk your neck to save my life, now you'll risk it again to send me to prison.'
Scallen looked at Kidd and suddenly felt closer to him than any man he knew. 'Don't ask me, Jim,' he said, and sat down again.
After that he looked at his watch every few minutes.
At five minutes to three he walked to the door, motioning Timpey aside, and turned the key in the lock. 'Let's go, Jim.' When Kidd was next to him he prodded Moons with the gun barrel. 'Over on the bed. Mister, if I see or hear about you on the street before train time, you'll face an attempted murder charge.' He motioned Kidd past him, then stepped into the hall and locked the door.
They went down the stairs and crossed the lobby to the front door, Scallen a stride behind with the shotgun barrel almost touching Kidd's back. Passing through the doorway he said as calmly as he could, 'Turn left on Stockman and keep walking. No matter what you hear, keep walking.'
As they stepped out into Commercial, Scallen glanced at the ramada where Charlie Prince had been standing, but now the saloon porch was an empty shadow. Near the corner two horses stood under a sign that said EAT, in red letters; and on the other side of Stockman the signs continued, lining the rutted main street to make it seem narrower. And beneath the signs, in the shadows, nothing moved. There was a whisper of wind along the ramadas. It whipped sand specks from the street and rattled them against clapboard, and the sound was hollow and lifeless. Somewhere a screen door banged, far away.
They passed the cafe, turning onto Stockman. Ahead, the deserted street narrowed with distance to a dead end at the rail station--a single-story building standing by itself, low and sprawling, with most of the platform in shadow. The westbound was there, along the platform, but the engine and most of the cars were hidden by the station house. White steam lifted above the roof, to be lost in the sun's glare.
They were almost to the platform when Kidd said over his shoulder, 'Run like hell while you're still able.'
'Where are they?'
Kidd grinned, because he knew Scallen was afraid. 'How should I know?'
'Tell them to come out in the open!'
'Tell them yourself.'
'Dammit, tell them!' Scallen clenched his jaw and jabbed the short barrel into Kidd's back. 'I'm not fooling. If they don't come out, I'll kill you!'
Kidd felt the gun barrel hard against his spine and suddenly he shouted, 'Charlie!'
It echoed in the street, but after there was only the silence. Kidd's eyes darted over the shadowed porches. 'Dammit, Charlie--hold on!'
Scallen prodded him up the warped plank steps to the shade of the platform and suddenly he could feel them near. 'Tell him again!'
'Don't shoot, Charlie!' Kidd screamed the words.
From the other side of the station they heard the trainman's call trailing off, '...Gila Bend. Sentinel, Yuma!'
The whistle sounded loud, wailing, as they passed into the shade of the platform, then out again to the naked glare of the open side. Scallen squinted, glancing toward the station office, but the train dispatcher was not in sight. Nor was anyone. 'It's the mail car,' he said to Kidd. 'The second to last one.' Steam hissed from the iron cylinder of the engine, clouding that end of the platform. 'Hurry it up!' he snapped, pushing Kidd along.
Then, from behind, hurried footsteps sounded on the planking, and, as the hiss of steam died away--'Stand where you are!'
The locomotive's main rods strained back, rising like the legs of a grotesque grasshopper, and the wheels moved. The connecting rods stopped on an upward swing and couplings clanged down the line of cars.
'Throw the gun away, brother!'
Charlie Prince stood at the corner of the station house with a pistol in each hand. Then he moved around carefully between the two men and the train. 'Throw it far away, and unhitch your belt,' he said.
'Do what he says,' Kidd said. 'They've got you.'
The others, six of them, were strung out in the dimness of the platform shed. Grim faced, stubbles of beard, hat brims low. The man nearest Prince spat tobacco lazily.
Scallen knew fear at that moment as fear had never gripped him before; but he kept the shotgun hard against Kidd's spine. He said, just above a whisper, 'Jim--I'll cut you in half!'
Kidd's body was stiff, his shoulders drawn up tightly. 'Wait a minute...' he said. He held his palms out to Charlie Prince, though he could have been speaking to Scallen.
Suddenly Prince shouted, 'Go down!'
There was a fraction of a moment of dead silence that seemed longer. Kidd hesitated. Scallen was looking at the gunman over Kidd's shoulder, seeing the two pistols. Then Kidd was gone, rolling on the planking, and the pistols were coming up, one ahead of the other. Without moving Scallen squeezed both triggers of the scattergun.
Charlie Prince was going down, holding his hands tight to his chest, as Scallen dropped the shotgun and swung around drawing his Colt. He fired hurriedly. Wait for a target! Words in his mind. He saw the men under the platform shed, three of them breaking for the station office, two going full length to the planks...one crouched, his pistol up. That one! Get him quick! Scallen aimed and squeezed the heavy revolver and the man went down. Now
