‘What’s the address of this other place?’ I asked Rose.
‘I’ll write it for you. Mind you, I’m not recommending it.’ Then, the desire to do her friend Flo a service dissolved into the fellowship of the suffering, and she said: ‘Of course, these days, you grab what’s going.’
I thanked her and left. Glancing back, I saw she had taken up her former position, and her face was all lifeless curves.
I decided to try the second address immediately. About the first I felt like the horse dragged to water. I could have said, of course, that Rose’s insistence showed there must be something wrong with it. But there was more to it than that. For six weeks I had been tramping the streets with a guidebook, standing in queues outside telephone booths, examining advertisement boards. Stoicism can reach a point where, if someone says: I’m sure you’ll be lucky sooner or later, one feels positively indignant. I was defensively rejecting possibilities in advance. This state of mind was not only mine. Talking to other home-hunters I learned it was an occupational disease. It means one cannot enter a house-agent’s office without an air of hostility; or open the advertisement columns of a newspaper without a cynical (and consciously cynical) smile, as if to say: You don’t imagine I’m going to be taken in by this, do you?
During those weeks I had formed alliances with various people I met in the agents’ offices, or under the advertisement boards. I remember, particularly, a lady with a grownup daughter and a grand piano. The daughter was talented, come all the way from Australia to study in London, For three months these women had been looking for a shelter for their piano. At the time we met they had become so bitter that on several occasions, setting out for some possible address, they exclaimed: ‘What’s the use, they won’t have us!’ — and turned aside into a cafe to brood over a cup of tea.
It is a curious fact that at a time when we were all short of money, when getting a place to live was essential before we could start to live at all, we would spend the larger part of each working day (for me the hours that my son was in nursery school) sitting in teashops gripped by bitter lethargy. We used to discuss the various places we had lived in, the climate of this country or that, landladies, the woman who had affronted us the day before, the harpy who had offered one room and use of the kitchen at four guineas a week provided one agreed not ‘to walk on the floor before eight in the morning’. The teashop had become our home, our refuge, the bedclothes we pulled over our heads. We could no longer face another long walk, another set of dingy lodgings, another refusal. We could not face seeing our fantasies about what we hoped to find diminished to what we knew we would have to take.
I went in search of the second address with a grim and barbed gaiety. My by now highly-developed instinct told me it would be useless. Besides, the interminable streets of tall, grey, narrow houses that became half-effaced with fog at a distance of a hundred yards, the pale faces peering up from basements past rubbish cans, the innumerable dim flights of stairs, rooms crowded with cushioned and buttoned furniture, railings too grimy to touch, dirty flights of steps — above all, an atmosphere of stale weariness: had worked on me in a way I did not understand myself.
The street I wanted was not in my guidebook. I was directed back and forth by passers-by, each one saying helpfully, ‘It’s just around the corner,’ and looking impatient when I said: ‘Which corner?’ This business of the next corner is confusing to aliens, who will interpret it as the next intersection of the street. But to the Londoner, with his highly subjective attitude to geography, the ‘corner’ will mean, perhaps, a famous pub, or an old street whose importance dwarfs all the intervening streets out of existence, or perhaps the turning he takes every morning on his way to work.
The house I wanted was a broader, taller house than most, and separated from its neighbours by a six-inch space on either side. The steps were scrabbed white; the doorknob gleamed; the wood of the door was newly- varnished chocolate brown. While I waited for the bell to be answered, a young man came out, carrying suitcases, which he left on the bottom step. Soon a young woman followed him, vehemently slamming the door, and looking to him for approval of this action. But he said irritably: ‘Don’t give them grounds for complaint.’ She was a tall slender girl, wearing an enormous black picture hat, very high black heels, a deep black decolletage crowded with crimson roses, and furs slung over one shoulder. Because of her appearance I looked again at the man. He was as unfamiliar to me as she was. He wore a sharply-angled brown suit, and pointed brown shoes. He was tall, dark, slickly good- looking, with prominent brown eyes that were now suffused with uneasy anger. The door swung inwards, this time to show an elderly grey woman in a stiff white nurse’s uniform. She looked past me at the couple and said: ‘You must have all your things out in half an hour or I’ll call the police.’ The young woman gave a shrill laugh; the young man frowned and began to say something; but the nurse interrupted him by saying to me: ‘Come in.’ Her voice still held the sharpness which she had directed at the other two.
Inside there was a narrow hall carpeted with crimson. A grey satin wallpaper was sprinkled all over with small gilt coronets and harps. Small gilt-framed mirrors hung at various levels, chandelier, sprouting large electric bulbs.
The nurse left me in these surroundings of dispirited opulence, saying: ‘I’ll ask for the keys.’ Soon a very old lady, swathed in pink and mauve wool, wheeled herself in a chair across the hall, giving me a cold stare. Then she turned herself around and rolled back, with another prolonged stare. When the inspection was over the nurse came back with a bunch of keys, and led me up one, two, three, four, five flights of stairs, all muffled in crimson carpet, the walls thick with large brownish pictures. She unlocked a door that barred our way into a more bleak corridor. The stairs were now very narrow and twisted sharply after each short flight. There was no carpet. It was dark, save when we passed the windows, which shed a pallid glow over our heads on to more pictures, so that at short intervals the gloom was broken by a confusion of dimly inter-reflecting lights.
All the way up were doors with names written on cards beside the bells. I imagined vistas of passageways, opening on to yet more rooms, more lives. It was very silent, a humming breathing quiet, like listening to someone sleep. It was as if I had become a midget and was walking up the main gallery of a large antheap.
On the top landing it was completely dark; we were standing in a closed box, ‘Here we are,’ said the nurse briskly, and flung open a door. There was a dim space before us, filled with jostling furniture. The colours were dull crimson and purple, with a dark plummy wallpaper, and so many armchairs, buttoned pouffes and small hard tables that it was difficult for the nurse to move in a straight line to the window, where she jerked back heavy curtains. They were red damask lined with black silk, which absorbed the filtering light so that the room became only slightly less obscure than before.
‘There!’ she exclaimed with pride, turning to gaze lovingly at the oppressive room. ‘This used to be the old lady’s room before she got too ill to climb the stairs. She liked it for the view. It’s a lovely view.’ At the window I saw crowding roofs, and beyond them, the tops of trees shadowed with cold sunlight.
‘Has she been ill for long?’
‘Thirty years,’ said the nurse with pride. ‘Yes, I’ve been nursing her for thirty years. She won’t have anything changed up here, even though she can’t come up herself It was her room she used to sit in when she first got married. She used to paint. No one was allowed up here, not even her husband.’
The way she spoke, diminishing those thirty years to the scale of a long convalescence, made the fruity room congeal around us; the thick curved surfaces thrust themselves out aggressively in affirmations of changeless comfort. ‘You won’t find many rooms like this at the price. Not good things like this. Can’t buy them these days.’ She gave a proud stiff glance around her. ‘She won’t have just anybody up here. Except when there are mistakes.’ The little foxy face stared at a point immediately before her; it was a table gleaming in the rufous light from the curtains. With an angry movement she jerked forward and picked up a brown, sticklike object which I took to be a cigar. ‘Incense,’ she said indignantly. ‘What next!’ Holding the thing between thumb and forefinger, little finger crooked away in disgust, she nosed her way warily through the angles and shoulders of the furniture like a fish at the bottom of a pool, and flung open another door. ‘I suppose you’ll want to see the bedroom,’ she said, as if this was unreasonable of me. ‘The other people aren’t properly out yet, remember.’ This was a tiny room, more like the usual run of let rooms. It had a large jangly bed with brass bedballs, a fireplace that was occupied by an electric fire, and a single yellowing chest of drawers. The climate of this room — a thin bleakness, with a narrow shaft of colour-less light directed over the bare floor from a high window — was as if I had accidentally opened the door into the servants’ quarters from a lush passage in an old-fashioned hotel. The nurse was staring down at the bed, which was in disorder, the bottom sheet stained and crumpled, a single dent in the pillow, which held several glinting yellow hairs. Furs, flowers, dresses and underclothing lay everywhere. She picked up an empty scent bottle and flung it, together with the spill of incense, into an open drawer. ‘You can cook on this,’ she said grudgingly, pulling a gas-ring from behind a small curtain. ‘But this suite is not arranged for heavy cooking. My old lady won’t have cooking in the house. You’ll have to go out if you want to eat fancy.’
